Hosts and Guests: Poems

by Nate Klug

Overview

An exciting new collection from a poet whose debut was praised by Colorado Review as “a seduction by way of small astonishments”

Nate Klug has been hailed by the Threepenny Review as a poet who is “an original in Eliot’s sense of the word.” In Hosts and Guests, his exciting second collection, Klug revels in slippery roles and shifting environments. The poems move from a San Francisco tech bar and a band of Pokémon Go players to the Shakers and St. Augustine, as they explore the push-pull between community and solitude, and past and present. Hosts and Guests gathers an impressive range: critiques of the “immiserated quiet” of modern life, love poems and poems of new fatherhood, and studies of a restless, nimble faith. At a time when the meanings of hospitality and estrangement have assumed a new urgency, Klug takes up these themes in chiseled, musical lines that blend close observation of the natural world, social commentary, and spiritual questioning. As Booklist has observed of his work, “The visual is rendered sonically, so perfectly one wants to involve the rest of the senses, to speak the lines, to taste the syllables.”

Product Details

ISBN-13:	9780691203546
Publisher:	Princeton University Press
Publication date:	09/15/2020
Series:	Princeton Series of Contemporary Poets , #150
Pages:	96
Product dimensions:	6.12(w) x 9.25(h) x (d)

About the Author

Nate Klug is the author of the poetry collection Anyone and Rude Woods, a modern translation of Virgil’s Eclogues. His poetry has appeared in the Nation, the New York Review of Books, and The Best American Poetry. A Congregational minister, he lives in Albany, California.

Table of Contents

1

Matinee, End of August 3

Ghost at the Hy-Vee 4

Christmas Eve, 1-80, 10 P.M. 5

Hosts and Guests 6

Eye of a Needle 8

Jubilee 10

Ourselves 12

Rev. Valentine Rathbun Meets the Shakers 14

The Convert (I) 16

Great Blue Heron, Spofford Lake 17

Lion's Mane Jellyfish 19

2

The Outdoor Amphitheater at Ashworth Park 23

Aconite 25

Boston Post Road 27

Water Clocks 29

Aporia 31

Jasper County Almanac 32

Potholes 34

Impatient Earth 36

Brood III 37

"Grace Is Still a Secret" 39

For Our Anniversary in Early June 40

The Pokémon Go People 41

3

First Lent in California 45

4

Spiritual Practices 57

The Clock of the Long Now 59

Face to Face 61

Central Branch 63

Inchworm at Embarcadero 65

Late Afternoon on San Pablo Ave. 67

Three Months 69

The Proof Cloth 71

The Convert (II) 73

Courage 75

Lonely Planet 76

Notes 79

Acknowledgments 81

What People are Saying About This

From the Publisher

"What's the secret of these fresh and mysterious poems? In their lightness of touch, clarity, probity, and almost Japanese spareness, they bathe the ordinary in otherworldly light. Cicadas, young parents, a baby, North American bars and highways, jellyfish, a Horatian ode, the death of Pompey, religious faith feeling its way, an inchworm shrinking from em dash to hyphen—all find their places, revealed, in Nate Klug's delicately paced syntax and gracious reticence. A book both timely and ageless, a balm, a boon."—Rosanna Warren, author of So Forth: Poems

"Nate Klug's Hosts and Guests is a fine book full of rich nuance, complex emotions, and sharp observations. These are poems replete with hosts and guests from a wide range of ecosystems in which Horace, Rihanna, Leviticus, Dickinson, and even Pikachu and Pokémon Go make smooth appearances. Hosts and Guests is a book that feels as though, in Klug's own words, 'day's first words // arrive like nets, flung / from somewhere behind // our heads.' These are beautifully crafted, contemplative poems that stay with you long after you've read them."—Rowan Ricardo Phillips, author of Living Weapon: Poems

Editorial Reviews

"Nate Klug’s Hosts and Guests examines the sometimes uneasy, shifting economies between what serves as host and what is hosted in an array of contexts, from the Anthropocene to mother and fetus. . . . But it is perhaps in his delicate, intricate syntactical suspensions and arrangements, as much as in his arresting image systems, that Klug conveys the beautiful struggle of risking love and belief in bodies seemingly made to be lost to us."—-Lisa Russ Spaar, Los Angeles Review of Books

"Klug is writing some of the strongest poetry you can find in American letters these days. Stoically fierce and vividly alert. The signature surfaces of a Nate Klug poem . . . are often somehow simultaneously beautifully smooth and a little edgy. But they are also chiseled and efficient, and these qualities together are a sign of the richness in the depths they signify."—-Jesse Nathan, McSweeney's

"Intelligent, wry, learned, and at times witty . . . Klug bears witness to the fruitful cross-pollinations of contemporary poetry and contemporary religious faith…he is worth watching. - Library Journal"

"Klug is a poet of attention for whom metre is a slow-mo technology that lets you notice what’s in front of you. But he also finds words for interiority, helping you notice emotions that get lost in the rush of the everyday. - James K.A. Smith, Image Journal newsletter"

"Klug, at his best, can marry image, movement, and melody into precise order… I find myself…so refreshed by the poems of Hosts and Guests." - Christian Detisch, 32poems.com

"Quirky and philosophical. . . . the poems in Hosts and Guests are . . . both exploratory and concise; they wander without filler or clutter. Klug’s descriptions are sharp, subtle, perceptive. . . . Here is the startling opposite of dogma’s violence: a free thinker who keeps running into God despite his disavowals."—-Caroline Pittman, Threepenny Review

From the Publisher

07/01/2020

Klug, a United Church of Christ-Congregationalist minister, and the author of Anyone and Rude Woods (a free adaptation of Vergil's Eclogues) here creates a kind of continuing testimony in verse embracing the broad difficulties of our times. Intelligent, wry, learned, and at times witty, Klug is a skilled and compassionate observer, savoring, in one poem of distracted desire, fog's "map of faded lessons." He's also broadminded enough to slip easily from St. Augustine to Pokémon GO. In the works' longest sequence, "First Lent in California," the poet moves through both distant and recent memory, through remembered silence to the articulation of poetry itself toward a more considered silence again, wondering "which way that we turn/ faces our life?" VERDICT Like award-wining poet Christian Wiman, Klug bears witness to the fruitful cross-pollinations of contemporary poetry and contemporary religious faith, and like Wiman, he is worth watching. This new collection will reward attentive readers, regardless of their religious beliefs.—Graham Christian, formerly with Andover-Harvard Theological Lib., Cambridge, MA

Library Journal