The House of the Scorpion

by Nancy Farmer, Russell Gordon

Overview

Discover this internationally bestselling, National Book Award–winning young adult classic about what it means to be human with an updated, reimagined cover!

Matt Alacrán wasn’t born. He was harvested.

His DNA came from El Patrón, the drug-lord ruler of the country of Opium. Most people hate and fear clones like Matt—except for El Patrón. El Patrón loves Matt as he loves himself, because Matt is himself.

As Matt struggles to understand his existence, he is threatened by a sinister cast of characters, and realizes escape is his only chance to survive. But escape from the Alacrán Estate is no guarantee of freedom.

Product Details

ISBN-13:	9780689852220
Publisher:	Atheneum/Richard Jackson Books
Publication date:	09/01/2002
Series:	The House of the Scorpion
Edition description:	Repackage
Pages:	400
Sales rank:	482,963
Product dimensions:	6.00(w) x 9.00(h) x 1.20(d)
Lexile:	660L (what's this?)
Age Range:	12 - 17 Years

About the Author

Nancy Farmer has written three Newbery Honor books: The Ear, the Eye and the Arm; A Girl Named Disaster; and The House of the Scorpion, which also won the National Book Award and the Printz Honor. Other books include The Lord of Opium, The Sea of Trolls, The Land of the Silver Apples, The Islands of the Blessed, Do You Know Me, The Warm Place, and three picture books for young children. She grew up on the Arizona-Mexico border and now lives with her family in the Chiricahua Mountains of Arizona.

Hometown:

Menlo Park, California

Date of Birth:

July 9, 1941

Place of Birth:

Phoenix, Arizona

Education:

B.A., Reed College, 1963

Read an Excerpt

Chapter 1: In the Beginning

In the beginning there were thirty-six of them, thirty-six droplets of life so tiny that Eduardo could see them only under a microscope. He studied them anxiously in the darkened room.

Water bubbled through tubes that snaked around the warm, humid walls. Air was sucked into growth chambers. A dull, red light shone on the faces of the workers as they watched their own arrays of little glass dishes. Each one contained a drop of life.

Eduardo moved his dishes, one after the other, under the lens of the microscope. The cells were perfect — or so it seemed. Each was furnished with all it needed to grow. So much knowledge was hidden in that tiny world! Even Eduardo, who understood the process very well, was awed. The cell already understood what color hair it was to have, how tall it would become, and even whether it preferred spinach to broccoli. It might even have a hazy desire for music or crossword puzzles. All that was hidden in the droplet.

Finally the round outlines quivered and lines appeared, dividing the cells in two. Eduardo sighed. It was going to be all right. He watched the samples grow, and then he carefully moved them to the incubator.

But it wasn't all right. Something about the food, the heat, the light was wrong, and the man didn't know what it was. Very quickly over half of them died. There were only fifteen now, and Eduardo felt a cold lump in his stomach. If he failed, he would be sent to the Farms, and then what would become of Anna and the children, and his father, who was so old?

"It's okay," said Lisa, so close by that Eduardo jumped. She was one of the senior technicians. She had worked for so many years in the dark, her face was chalk white and her blue veins were visible through her skin.

"How can it be okay?" Eduardo said.

"The cells were frozen over a hundred years ago. They can't be as healthy as samples taken yesterday."

"That long," the man marveled.

"But some of them should grow," Lisa said sternly.

So Eduardo began to worry again. And for a month everything went well. The day came when he implanted the tiny embryos in the brood cows. The cows were lined up, patiently waiting. They were fed by tubes, and their bodies were exercised by giant metal arms that grasped their legs and flexed them as though the cows were walking through an endless field. Now and then an animal moved its jaws in an attempt to chew cud.

Did they dream of dandelions? Eduardo wondered. Did they feel a phantom wind blowing tall grass against their legs? Their brains were filled with quiet joy from implants in their skulls. Were they aware of the children growing in their wombs?

Perhaps the cows hated what had been done to them, because they certainly rejected the embryos. One after another the infants, at this point no larger than minnows, died.

Until there was only one.

Eduardo slept badly at night. He cried out in his sleep, and Anna asked what was the matter. He couldn't tell her. He couldn't say that if this last embryo died, he would be stripped of his job. He would be sent to the Farms. And she, Anna, and their children and his father would be cast out to walk the hot, dusty roads.

But that one embryo grew until it was clearly a being with arms and legs and a sweet, dreaming face. Eduardo watched it through scanners. "You hold my life in your hands," he told the infant. As though it could hear, the infant flexed its tiny body in the womb until it was turned toward the man. And Eduardo felt an unreasoning stir of affection.

When the day came, Eduardo received the newborn into his hands as though it were his own child. His eyes blurred as he laid it in a crib and reached for the needle that would blunt its intelligence.

"Don't fix that one," said Lisa, hastily catching his arm. "It's a Matteo Alacrán. They're always left intact."

Have I done you a favor? thought Eduardo as he watched the baby turn its head toward the bustling nurses in their starched, white uniforms. Will you thank me for it later?

Copyright © 2002 by Nancy Farmer

Table of Contents

Contents

YOUTH: 0 TO 6

1. In the Beginning

2. The Little House in the Poppy Fields

3. Property of the Alacrán Estate

4. María

5. Prison

MIDDLE AGE: 7 TO 11

6. El Patrón

7. Teacher

8. The Eejit in the Dry Field

9. The Secret Passage

10. A Cat with Nine Lives

11. The Giving and Taking of Gifts

12. The Thing on the Bed

13. The Lotus Pond

14. Celia's Story

OLD AGE: 12 TO 14

15. A Starved Bird

16. Brother Wolf

17. The Eejit Pens

18. The Dragon Hoard

19. Coming-of-Age

20. Esperanza

21. Blood Wedding

22. Betrayal

AGE 14

23. Death

24. A Final Good-bye

25. The Farm Patrol

LA VIDA NUEVA

26. The Lost Boys

27. A Five-legged Horse

28. The Plankton Factory

29. Washing a Dusty Mind

30. When the Whales Lost Their Legs

31. Ton-Ton

32. Found Out

33. The Boneyard

34. The Shrimp Harvester

35. El Día de los Muertos

36. The Castle on the Hill

37. Homecoming

38. The House of Eternity

What People are Saying About This

From the Publisher

* “Readers will be hooked from the first page.”—Publishers Weekly, starred review

* "An inspiring tale of friendship, survival, hope, and transcendence."—Kirkus, starred review

* “This is a powerful, ultimately hopeful story that builds on today's sociopolitical, ethical, and scientific issues and prognosticates a compelling picture of what the future could bring. All of these serious issues are held together by a remarkable coming-of-age story.”— Booklist, starred review

“Mind-expanding fiction.”—USA Today

Reading Group Guide

A Simon Pulse Guide for Reading Groups
The House of the Scorpion
By Nancy Farmer
ABOUT THE BOOK
Matt is a clone of El Patrón, a powerful drug lord of the land of Opium, which is located between the United States and Mexico. For six years, he has lived in a tiny cottage in the poppy fields with Celia, a kind and deeply religious servant woman who is charged with his care and safety. He knows little about his existence until he is discovered by a group of children playing in the fields and wonders why he isn't like them. Though Matt has been spared the fate of most clones, who have their intelligence destroyed at birth, the evil inhabitants of El Patrón's empire consider him a "beast" and an "eejit." When El Patrón dies at the age of 146, fourteen-year-old Matt escapes Opium with the help of Celia and Tam Lin, his devoted bodyguard who wants to right his own wrongs. After a near misadventure in his escape, Matt makes his way back home and begins to rid the country of its evils.
Prereading activity
Ask students to write down their definition of science fiction. Then have them discuss the meaning of cloning. Have them debate whether a novel about cloning is by their definition considered science fiction.
Discussion questions

• Matteo Alacrán is the clone of El Patrón, the lord of the country called Opium, and lives in isolation until children playing in the poppy fields discover him. Why is he so eager to talk to the children, after he is warned against it? Why is Mariá especially attracted to Matt?
• Describe Matt's relationship with Celia. Why is she the servant chosen to care for Matt? Celia snaps at Matt when he calls her mama. Then she says to him, "I love you more than anything in the world. Never forget that. But you were only loaned to me, mi vida." Why doesn't she explain the term loaned to Matt? Celia really believes that she is protecting Matt by keeping him locked in her cottage and ignorant about his identity. Debate whether this type of protection is indeed dangerous for him. How does Celia continue to protect Matt throughout his life on the Alacrán Estate?
• After the children discover Matt, he is taken from Celia and imprisoned in a stall for six months with only straw for a bed. How might prison be considered a metaphor for his entire life? Who is the warden of his prison? Discuss the role of Mariá, Celia, and Tam Lin in helping him escape his prison.
• Rosá describes El Patrón as a bandit. How has El Patrón stolen the lives of all those living on his estate? Which characters are his partners in evil? Debate whether they support him for the sake of their own survival. Explain what Tam Lin is trying to tell Matt when he says, "If you are kind and decent, you grow into a kind and decent man. If you're like El Patrón...just think about it." Considering that Matt is the clone of El Patrón, debate whether environment influences evil more than genetics.
• El Patrón celebrates his 143rd birthday with a large party. Though Matt was "harvested," and doesn't really have a birthday, the celebration is for him as well, since he is El Patrón's clone. How does Matt imitate El Patrón's power when he demands a birthday kiss from Mariá? Discuss how El Patrón encourages Matt's uncharacteristic behavior. Why is Mariá so humiliated by Matt's demand? How does Matt feel the crowd's disapproval?
• El Viejo, El Patrón's grandson and the father of Mr. Alacrán, is a senile old man because he refused the fetal brain implants based on religious and moral grounds. Debate his position. Why does El Patrón consider Mr. Alacrán rude when he mentions El Viejo's religious beliefs? Celia is also a deeply religious person. How is this demonstrated throughout the novel?
• At what point does Matt realize that Tom is dangerous? He remembers what Tam Lin had told him, "If you didn't know Tom well, you'd think he is an angel bringing you the keys to the pearly gates." How does Tom mislead Mariá? Discuss why Tom takes Matt and Mariá to see the screaming clones. How is this a turning point for Matt and Mariá's friendship? Why does Celia feel that Matt deserves the truth once he has seen the clones?
• What gives Celia the courage to stand up to El Patrón and refuse to let Matt be used for a heart transplant? What does El Patrón mean when he says to Celia, "We make a fine pair of scorpions, don't we?" Explain why she is insulted by this comment.
• How does Tam Lin know that Matt's future lies in finding the Convent of Santa Clara? Describe Matt's journey to the convent. What does he discover along the way? Discuss Esperanza's role in helping Matt gain his ultimate freedom — to live as a human.

Activities

• Discuss the structure of the novel. How does it resemble acts and scenes in a play? Why does the author include the Cast of Characters at the beginning of the novel? Divide the class into five groups, and assign each group a section to write as a one-act play. Take dialogue directly from the book, and use a narrator to relate the story between speakers. Matt finds order in the music of Mozart. Locate music by Mozart to use at the beginning and end of each act.
• Have students design a family crest for El Patrón's empire. Discuss why this crest may repulse Matt. Create an alternative crest for the Alacrán family after Matt transforms the empire.
• Read about Cinco de Mayo and draw a parallel between the history of this Mexican holiday and Matt's victory for rights and justice at the end of the novel. Plan a Cinco de Mayo celebration that Matt might have after he breaks down the empire of Opium. Include appropriate food and music.
• Mariá refers to Saint Francis throughout the novel. As a class, create a picture book about Saint Francis that Mariá might give to Matt. Write an appropriate dedication to Matt. How might the story of Saint Francis offer hope to Matt?
• Dolly, the first mammal to be successfully cloned from an adult cell, was born on July 5, 1996, at the Roslin Institute in Edinburgh. She died by lethal injection in 2003 at age six. Have students use books or the internet to locate more information about Dolly and then write a brief paper about the significance of her birth to science.
• Students may wish to read about how scientists are using cloning for medical research today. Have them read opposing viewpoints regarding the issues of human cloning at www.humancloning.org and www.cloninginformation.org. Encourage them to debate the issues in class. How is this becoming a political issue?
• Ask students who have read The Giver by Lois Lowry to stage a conversation between Matt and Jonas. Have them discuss the community they left, their decision to leave and their method of escape, the ethical and moral issues related to human cloning in Matt's community, and the releasing process in Jonas's community. Have Matt explain to Jonas why he returns to Opium, and what he plans to do to transform the country.

ABOUT THE AUTHOR
Nancy Farmer is one of the most compelling voices in young adult literature. She received Newbery Honor awards for her books The Ear, the Eye, and the Arm; A Girl Named Disaster; and The House of the Scorpion, which also won the National Book Award and received a Printz Honor. Ms. Farmer grew up in Yuma, Arizona, where her parents ran a hotel near an abandoned prison. She spent her early adult life as a scientist, first with the Peace Corps teaching chemistry and biology in southern India; then seventeen more working in Mozambique and Zimbabwe, where she met her husband. Ms. Farmer turned to writing after the birth of her son and has drawn upon her rich background. While she does not call herself a science fiction writer, Ms. Farmer explains, "Science fiction allows you to approach a lot of social issues you can't get to directly. If you wrote a book about how cloning is horrible, it would read like a sermon and no one would pay attention to it." Her latest novel, The Sea of Trolls, was published in fall 2004 and has received an impressive five starred reviews.
The House of the Scorpion
By Nancy Farmer
0-689-85222-3
A Richard Jackson Book/Atheneum Books for Young Readers
0-689-85223-1
Simon Pulse

• National Book Award Winner
• Newbery Honor Book
• Michael L. Printz Honor Book
• ALA Notable Book
• BBYA Top Ten

This reading group guide has been provided by Simon & Schuster Children's Publishing for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.
Prepared by Pat Scales, Director of Library Services,
SC Governor's School for Arts and Humanities, Greenville.

Introduction

A Simon Pulse Guide for Reading Groups

The House of the Scorpion

By Nancy Farmer

ABOUT THE BOOK

Matt is a clone of El Patrón, a powerful drug lord of the land of Opium, which is located between the United States and Mexico. For six years, he has lived in a tiny cottage in the poppy fields with Celia, a kind and deeply religious servant woman who is charged with his care and safety. He knows little about his existence until he is discovered by a group of children playing in the fields and wonders why he isn't like them. Though Matt has been spared the fate of most clones, who have their intelligence destroyed at birth, the evil inhabitants of El Patrón's empire consider him a "beast" and an "eejit." When El Patrón dies at the age of 146, fourteen-year-old Matt escapes Opium with the help of Celia and Tam Lin, his devoted bodyguard who wants to right his own wrongs. After a near misadventure in his escape, Matt makes his way back home and begins to rid the country of its evils.

Prereading activity

Ask students to write down their definition of science fiction. Then have them discuss the meaning of cloning. Have them debate whether a novel about cloning is by their definition considered science fiction.

Discussion questions

• Matteo Alacrán is the clone of El Patrón, the lord of the country called Opium, and lives in isolation until children playing in the poppy fields discover him. Why is he so eager to talk to the children, after he is warned against it? Why is Mariá especially attracted toMatt?

• Describe Matt's relationship with Celia. Why is she the servant chosen to care for Matt? Celia snaps at Matt when he calls her mama. Then she says to him, "I love you more than anything in the world. Never forget that. But you were only loaned to me, mi vida." Why doesn't she explain the term loaned to Matt? Celia really believes that she is protecting Matt by keeping him locked in her cottage and ignorant about his identity. Debate whether this type of protection is indeed dangerous for him. How does Celia continue to protect Matt throughout his life on the Alacrán Estate?

• After the children discover Matt, he is taken from Celia and imprisoned in a stall for six months with only straw for a bed. How might prison be considered a metaphor for his entire life? Who is the warden of his prison? Discuss the role of Mariá, Celia, and Tam Lin in helping him escape his prison.

• Rosá describes El Patrón as a bandit. How has El Patrón stolen the lives of all those living on his estate? Which characters are his partners in evil? Debate whether they support him for the sake of their own survival. Explain what Tam Lin is trying to tell Matt when he says, "If you are kind and decent, you grow into a kind and decent man. If you're like El Patrón...just think about it." Considering that Matt is the clone of El Patrón, debate whether environment influences evil more than genetics.

• El Patrón celebrates his 143rd birthday with a large party. Though Matt was "harvested," and doesn't really have a birthday, the celebration is for him as well, since he is El Patrón's clone. How does Matt imitate El Patrón's power when he demands a birthday kiss from Mariá? Discuss how El Patrón encourages Matt's uncharacteristic behavior. Why is Mariá so humiliated by Matt's demand? How does Matt feel the crowd's disapproval?

• El Viejo, El Patrón's grandson and the father of Mr. Alacrán, is a senile old man because he refused the fetal brain implants based on religious and moral grounds. Debate his position. Why does El Patrón consider Mr. Alacrán rude when he mentions El Viejo's religious beliefs? Celia is also a deeply religious person. How is this demonstrated throughout the novel?

• At what point does Matt realize that Tom is dangerous? He remembers what Tam Lin had told him, "If you didn't know Tom well, you'd think he is an angel bringing you the keys to the pearly gates." How does Tom mislead Mariá? Discuss why Tom takes Matt and Mariá to see the screaming clones. How is this a turning point for Matt and Mariá's friendship? Why does Celia feel that Matt deserves the truth once he has seen the clones?

• What gives Celia the courage to stand up to El Patrón and refuse to let Matt be used for a heart transplant? What does El Patrón mean when he says to Celia, "We make a fine pair of scorpions, don't we?" Explain why she is insulted by this comment.

• How does Tam Lin know that Matt's future lies in finding the Convent of Santa Clara? Describe Matt's journey to the convent. What does he discover along the way? Discuss Esperanza's role in helping Matt gain his ultimate freedom — to live as a human.

Activities

• Discuss the structure of the novel. How does it resemble acts and scenes in a play? Why does the author include the Cast of Characters at the beginning of the novel? Divide the class into five groups, and assign each group a section to write as a one-act play. Take dialogue directly from the book, and use a narrator to relate the story between speakers. Matt finds order in the music of Mozart. Locate music by Mozart to use at the beginning and end of each act.

• Have students design a family crest for El Patrón's empire. Discuss why this crest may repulse Matt. Create an alternative crest for the Alacrán family after Matt transforms the empire.

• Read about Cinco de Mayo and draw a parallel between the history of this Mexican holiday and Matt's victory for rights and justice at the end of the novel. Plan a Cinco de Mayo celebration that Matt might have after he breaks down the empire of Opium. Include appropriate food and music.

• Mariá refers to Saint Francis throughout the novel. As a class, create a picture book about Saint Francis that Mariá might give to Matt. Write an appropriate dedication to Matt. How might the story of Saint Francis offer hope to Matt?

• Dolly, the first mammal to be successfully cloned from an adult cell, was born on July 5, 1996, at the Roslin Institute in Edinburgh. She died by lethal injection in 2003 at age six. Have students use books or the internet to locate more information about Dolly and then write a brief paper about the significance of her birth to science.

• Students may wish to read about how scientists are using cloning for medical research today. Have them read opposing viewpoints regarding the issues of human cloning at www.humancloning.org and www.cloninginformation.org. Encourage them to debate the issues in class. How is this becoming a political issue?

• Ask students who have read The Giver by Lois Lowry to stage a conversation between Matt and Jonas. Have them discuss the community they left, their decision to leave and their method of escape, the ethical and moral issues related to human cloning in Matt's community, and the releasing process in Jonas's community. Have Matt explain to Jonas why he returns to Opium, and what he plans to do to transform the country.

ABOUT THE AUTHOR

Nancy Farmer is one of the most compelling voices in young adult literature. She received Newbery Honor awards for her books The Ear, the Eye, and the Arm; A Girl Named Disaster; and The House of the Scorpion, which also won the National Book Award and received a Printz Honor. Ms. Farmer grew up in Yuma, Arizona, where her parents ran a hotel near an abandoned prison. She spent her early adult life as a scientist, first with the Peace Corps teaching chemistry and biology in southern India; then seventeen more working in Mozambique and Zimbabwe, where she met her husband. Ms. Farmer turned to writing after the birth of her son and has drawn upon her rich background. While she does not call herself a science fiction writer, Ms. Farmer explains, "Science fiction allows you to approach a lot of social issues you can't get to directly. If you wrote a book about how cloning is horrible, it would read like a sermon and no one would pay attention to it." Her latest novel, The Sea of Trolls, was published in fall 2004 and has received an impressive five starred reviews.

The House of the Scorpion

By Nancy Farmer

0-689-85222-3

A Richard Jackson Book/Atheneum Books for Young Readers

0-689-85223-1

Simon Pulse

• National Book Award Winner

• Newbery Honor Book

• Michael L. Printz Honor Book

• ALA Notable Book

• BBYA Top Ten

This reading group guide has been provided by Simon & Schuster Children's Publishing for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.

Prepared by Pat Scales, Director of Library Services,

SC Governor's School for Arts and Humanities, Greenville.

Nancy Farmer has written three Newbery Honor Books: The Ear the Eye and the Arm; A Girl Named Disaster; and The House of the Scorpion, which, in 2002, also won the National Book Award. Other books include Do You Know Me, The Warm Place, and three picture books for young children. She grew up on the Arizona-Mexico border, and now lives with her family in Menlo Park, California.

Editorial Reviews

It is a pleasure to read science fiction that’s full of warm, strong characters—people who are really fond of one another, children who are ignorant and vulnerable, powerful evildoers whom one can pity, good people who make mistakes. It’s a pleasure to read science fiction that doesn’t rely on violence as the solution to complex problems of right and wrong. It’s a pleasure to read The House of the Scorpion!

Ursula K. Le Guin

Mind-expanding fiction for older teens that also works for adults."

USA Today

Fabulous.

Diana Wynne Jones

A story rich in twists and tangles, heroes and heroines . . . and often dazzlingly beautiful descriptive prose.

The Boston Globe

* “Farmer's novel . . . hits close to home, raising questions of what it means to be human, what is the value of life, and what are the responsibilities of a society. Readers will be hooked from the first page.” - Publishers Weekly, starred review

* “Powerful [and] ultimately hopeful. . . . A remarkable coming-of-age story.” -Booklist, starred review

* “An inspiring tale of friendship, survival, hope, and transcendence.” - Kirkus, starred review

From the Publisher

Strong, rough, exciting reading.

Chicago Tribune

Mind-expanding fiction.

USA Today

* “This is a powerful, ultimately hopeful story that builds on today's sociopolitical, ethical, and scientific issues and prognosticates a compelling picture of what the future could bring. All of these serious issues are held together by a remarkable coming-of-age story.

Booklist

Winner of the 2002 National Book Award, Young People's Literature
A 2003 Newbery Honor Book
A 2003 Michael L. Printz Honor Book

The Barnes & Noble Review
Newbery Honor author Nancy Farmer wows us with this riveting sci-fi thriller about a young clone struggling for acceptance in his tumultuous, sheltered world.

Matt's last name is Alacrán, which means that he belongs to a powerful family that controls the drug Farms between the U.S. and the former Mexico. But Matt's different; he's a clone in a world filled with dangers for his kind. His only protection from the brutal surroundings are El Patron, the elderly patriarch/drug lord kingpin from which he was made, his caretaker Celia, and a bodyguard who has been assigned to him. Things fall apart when Matt learns the real reason for his creation and he makes a harrowing escape to a promising -- yet frighteningly insecure -- world.

With all the makings of a modern classic, The House of the Scorpion is both shocking and intense, particularly because it looks toward an all-too-possible future. Matt is a courageous, sympathetic character, but his strong-willed fits of anger, which mirror El Patron's, leave a bittersweet taste amid his good intentions. Another impressive book from Farmer, this novel is true science fiction genius. Matt Warner

In our Best Books citation, PW wrote, "In this eerily realistic depiction of society 100 years hence, the wealthy class harvests the organs of clones to prolong their lives. Farmer explores vital and soul-searching questions about what it means to be human." Ages 11-up. (May) Copyright 2004 Reed Business Information.

Publishers Weekly

An inspiring tale of friendship, survivial, hope, and transcendence

Kirkus

Gr 7 Up-Nancy Farmer's 2002 National Book Award winner and Newbery Honor book (Atheneum, 2002) takes listeners to a futuristic, but familiar, Central American landscape where a powerful drug lord includes his own clones among his possessions. Narrator Robert Ramirez does a solid job with a large cast of characters and the many Spanish words and phrases that heighten the story's authenticity. Copyright 2004 Reed Business Information.

School Library Journal

Matt Alacrán has spent his youth secreted away in a secluded hut, his only knowledge of the world provided by his caregiver Celia and his view out the window on the white ocean of poppies growing all around. Matt is a clone, an outcast hated and feared as a beast by human society. When he uses an iron cooking pot to smash his window and goes out into the world, Matt sets into motion a fantastic adventure in a land called Opium, a strip of land between the US and a place once called Mexico. Opium is ruled by El Patr-n, a 142-year-old drug lord, inhabited by "eejits"-docile farm workers controlled by brain implants-and overseen by an army of bodyguards. Farmer's tale is a wild, futuristic coming-of-age story with a science-fiction twist: How do you find out who you are when what you are is a clone-a photograph-of a human being. How have you come to exist, and for what purpose? Can you ever expect to be more than what you were designed to be? As demonstrated in The Ear, the Eye, and the Arm (1994), Farmer has a talent for creating exciting tales in beautifully realized, unusual worlds. With undertones of vampires, Frankenstein, dragons' hoards, and killing fields, Matt's story turns out to be an inspiring tale of friendship, survival, hope, and transcendence. A must-read for SF fans.

Kirkus Reviews

* “This is a powerful, ultimately hopeful story that builds on today's sociopolitical, ethical, and scientific issues and prognosticates a compelling picture of what the future could bring. All of these serious issues are held together by a remarkable coming-of-age story.

starred review Booklist

Strong, rough, exciting reading.

Chicago Tribune

Nancy Farmer's all-too-believable dystopia is the setting for the story of Matteo Alacran, born a clone of the evil El Patron, ruler of Opium. As Matt grows, so does his understanding of his purpose (to provide renewal body parts for El Patron) and the things he needs to do to stay alive in a society based on the abuse of brain-damaged slaves who tend the opium fields. As the suspense builds, narrator Raúl Esparza has convincing command of several languages and many accents for the adults, and he perfectly captures the arrogant intonations of entitled teenagers who, like most of the story's characters, consider Matt to be lower than an animal. Even amid Matt's most horrifying predicaments Esparza delivers brief moments of ironic or childlike wit in this thought-provoking story. R.H.H. © AudioFile 2009, Portland, Maine

MARCH 2009 - AudioFile