How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to the Digital Age

by Andy Grundberg

Overview

A leading critic’s acclaimed story of “the photo boom” during the crucial decades of the 1970s and ’80s
 
“Grundberg . . . is a vibrant, opinionated, authoritative guide to the medium’s past and present.”—Jackie Wullschläger, Financial Times
 
When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 1980s and ’90s.
 
Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the 1970s and 1980s through the medium of photography.

Product Details

ISBN-13:	9780300276756
Publisher:	Yale University Press
Publication date:	04/23/2024
Pages:	296
Sales rank:	1,066,633
Product dimensions:	9.80(w) x 6.90(h) x 0.90(d)

About the Author

Andy Grundberg was the chief photography critic at the New York Times from 1981 to 1991. He previously served as the director of the Ansel Adams Center in San Francisco and as chair of the photography department and dean of the Corcoran College of Art and Design. His book Crisis of the Real, first published in 1999, is a foundational work in the field of contemporary photography.

Editorial Reviews

As an analysis of the forces shaping a world where images ‘in effect replaced reality as we once knew it,’ [How Photography Became Contemporary Art] is the most astute, resonant cultural history I have read in 11 months of experiencing art—and much of life—more or less virtually.”—Jackie Wullschläger, Financial Times

“Grundberg, former New York Times photography critic, is a vibrant, opinionated, authoritative guide to the medium’s past and present.”—Jackie Wullschläger, Financial Times, “Best Books of 2021: Visual Arts”

“[A] fine book . . . a personal yet balanced account.”—Michael S. Roth, Washington Post

“A must-read for photography enthusiasts.”—Shannon Marie Robinson, Library Journal

“An excellent history.”—Tyler Cowen, Marginal Revolution (blog)

“The perfect mix of history and memoir . . . a first-person account from the frontlines.”—Miss Rosen, Blind

“Grundberg convincingly illustrates the ‘artistic revolution’ of his subtitle. . . . A comprehensive and legible introduction. . . . Enlightening, pleasurable, and valuable.”—Tracy Stuber, Afterimage

“A must read for those who want insight into the art world and the art womb of New York City from the turbulent 1970s to the present. Grundberg captures an era and his life in the arts with precision, purpose, and perspicacity.”—Richard Nagler, New York Journal of Books

“In this appealing narrative, which combines learned analysis with autobiography, Grundberg argues for photography’s emergence as a fully ‘autonomous’ art form, on a par with painting and sculpture. . . . . Grundberg’s narrative, supplemented by excellent illustrations, sparkles with the excitement that gripped the art scene of which he was a part.”—W. S. Rodner, CHOICE

CHOICE Outstanding Academic Title 2022

“As one of the top photo critics and curators of the 1980s and ’90s, Andy Grundberg had a firsthand view as photography became a driving force in the art world, and it shows in his smart and personal book. How Photography Became Contemporary Art bears witness to one of the great transformations in 20th-century culture.”—Blake Gopnik, author of Warhol

“Andy Grundberg, with his gentle and unprejudiced manner, created a platform for photographic imagery of all kinds not only through his critical writing but also by his mere presence from the 1970s through the ’90s. His writing about the photography of an era, as well as his relationships with its pivotal players, preserves the spirit of that moment through his deep affection and understanding of the whole big picture.”—Tina Barney

“Grundberg writes candidly and anecdotally, weaving a compelling narrative through more than twenty years of events and exhibitions. Written in concise, engaging language, this amazing book vividly brings to life my own early years in New York, capturing the irreverent, experimental, exuberant spirit of the times.”—Sandy Skoglund

“Grundberg is one of the great writers on the recent history of photography. His first-person account precisely documents an era that now seems inconceivable, when the contemporary art scene didn’t recognize photography as art. Grundberg was there and his activism and criticism were part of the radical shift that has made photography central to the art world.”—Mike and Doug Starn

From the Publisher

09/01/2021

By some accounts, photography's widespread acceptance in the contemporary art world began in 1962, when Ed Ruscha produced the photos for his first book, Twenty-six Gasoline Stations, and John Szarkowski embarked on a three-decade directorship of the Museum of Modern Art's photo department. In this book, art critic Grundberg (Crisis of the Real) focuses on the decades that followed, and particularly on the New York City photography scene of the 1970s (when Grundberg first moved to New York) and 1980s (when he was the New York Times photography critic). Partly autobiographical but always with the discerning eye of a reviewer, Grundberg's narrative contextualizes the tumultuous emergence of contemporary photography. He emphasizes the medium's significance for other art forms like performance, earthworks, video, and conceptual art, as well as the feminist movement, art theory, and cultural debate. Each chapter delves into the artists, curators, and critics whose work transformed the nascent field; throughout there are photographs from the 70s and 80s, plus ample endnotes for readers wanting more scholarship, and an index to easily search for a particular artist or photograph. VERDICT A must-read for photography enthusiasts; Grundberg's personal recollections will also appeal to readers interested in the late 20th-century New York art scene. This is an important text on the history of photography.—Shannon Marie Robinson, Fisher Fine Arts Lib., Univ. of Pennsylvania

Library Journal