How the Finch Stole Christmas! (Meg Langslow Series #22)
Meg's husband has decided to escalate his one-man show of Dickens's A Christmas Carol into a full-scale production with a large cast including their sons Jamie and Josh as Tiny Tim and young Scrooge and Meg helping as stage manager. When a famous, although slightly over-the-hill, actor comes to town to play the starring role of Scrooge, no one expects that he's bringing a lot of baggage and enemies with him. Like Andrews' previous Christmas books Six Geese a-Slaying, Duck the Halls, and The Nightingale Before Christmas, How the Finch Stole Christmas! is guaranteed to put the ho ho hos into the holidays of cozy lovers everywhere with its gut-bustingly funny mystery.
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How the Finch Stole Christmas! (Meg Langslow Series #22)
Meg's husband has decided to escalate his one-man show of Dickens's A Christmas Carol into a full-scale production with a large cast including their sons Jamie and Josh as Tiny Tim and young Scrooge and Meg helping as stage manager. When a famous, although slightly over-the-hill, actor comes to town to play the starring role of Scrooge, no one expects that he's bringing a lot of baggage and enemies with him. Like Andrews' previous Christmas books Six Geese a-Slaying, Duck the Halls, and The Nightingale Before Christmas, How the Finch Stole Christmas! is guaranteed to put the ho ho hos into the holidays of cozy lovers everywhere with its gut-bustingly funny mystery.
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How the Finch Stole Christmas! (Meg Langslow Series #22)

How the Finch Stole Christmas! (Meg Langslow Series #22)

by Donna Andrews

Narrated by Bernadette Dunne

Unabridged — 8 hours, 39 minutes

How the Finch Stole Christmas! (Meg Langslow Series #22)

How the Finch Stole Christmas! (Meg Langslow Series #22)

by Donna Andrews

Narrated by Bernadette Dunne

Unabridged — 8 hours, 39 minutes

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Overview

Meg's husband has decided to escalate his one-man show of Dickens's A Christmas Carol into a full-scale production with a large cast including their sons Jamie and Josh as Tiny Tim and young Scrooge and Meg helping as stage manager. When a famous, although slightly over-the-hill, actor comes to town to play the starring role of Scrooge, no one expects that he's bringing a lot of baggage and enemies with him. Like Andrews' previous Christmas books Six Geese a-Slaying, Duck the Halls, and The Nightingale Before Christmas, How the Finch Stole Christmas! is guaranteed to put the ho ho hos into the holidays of cozy lovers everywhere with its gut-bustingly funny mystery.

Editorial Reviews

Publishers Weekly

08/21/2017
Agatha-winner Andrews’s pleasing 22nd Meg Langslow mystery (after Gone Gull) finds Meg serving as the assistant director of her husband Michael’s staging of Dickens’s A Christmas Carol for the Caerphilly, Va., winter festival. Michael has brought in Malcolm Haver, an aging, once-popular actor, to play Scrooge, but Malcolm’s drinking threatens the production. When Malcolm sneaks off, Meg follows him in her car to an isolated farmhouse, where she spots him buying liquor from a bootlegger. She also discovers a nearby barn filled with animals, including golden retriever puppies, dozens of cats, and a chimp. Later, the bootlegger turns up dead with two bullet holes in his forehead—and Malcolm disappears. Rescuing the animals—which becomes a community effort—and ensuring that the show goes on matter more than finding Malcolm or solving the bootlegger’s murder. Andrews manages her large cast with dexterity and drops clues to the culprits’ identity, but the ending will catch most readers by surprise. Agent: Ellen Geiger, Frances Goldin Literary Agency. (Oct.)

From the Publisher

"Andrews manages her large cast with dexterity and drops clues to the culprits’ identity, but the ending will catch most readers by surprise." —Publishers Weekly on How the Finch Stole Christmas!

"[A] satisfying, humorous entry in the long-running series." —Booklist on How the Finch Stole Christmas!

"Intrigue...amusement...Andrews reliably delivers. She also manages to slip in profundities and sentiments that warm the heart."—New York Journal of Books on Nightingale Before Christmas

The small town of Caerphilly, VA and its inhabitants provide a charming backdrop for this Christmas cozy.—Library Journal on Nightingale Before Christmas

"Meg, as well as her quirky extended family, makes this humorous cozy a holiday treat."—Booklist on Duck the Halls

"Andrews leavens the action with her trademark humor, including dueling Christmas dinners and an extravagant—and extravagantly funny—live nativity scene."—Publishers Weekly on Duck the Halls

"Produces at least one chuckle—and sometimes a guffaw—per page. Joy to the world, indeed."—Richmond Times-Dispatch on Six Geese A-Slaying

"Andrews . . . scores points for her witty writing and abundance of Yuletide tinsel and tradition."—The Columbia, SC State on Six Geese A-Slaying

"Firmly in the grand tradition of Agatha Christie's Christmas books."—Toronto Globe and Mail on Six Geese A-Slaying

"If you long for more fun mysteries, a la Janet Evanovich, you'll love Donna Andrews's Meg Langslow series." —Charlotte Observer

"A long-running series that gets better all the time. A fine blend of academic satire, screwball comedy, and murder." —Booklist on Lord of the Wings

"With its well-spun plots and distinctive characters, Andrews’s amusing avian-named series shows no signs of growing stale." —Publishers Weekly on Die Like an Eagle

Library Journal

10/15/2017
Visiting Caerphilly, VA, especially at Christmastime, doesn't get old in this 22nd series entry (after Gone Gull). Meg's husband is directing a full-scale production of A Christmas Carol and has his hands full with a famous aging actor playing Scrooge. Meg and most of the town have been enlisted to keep the actor sober enough to get through the play, but one night, when tailing him, Meg stumbles upon a barn full of exotic animals and designer dogs. Then a raid on the property leads to an even more disturbing discovery—a human corpse. VERDICT With her trademark wit and resourcefulness, Meg continues to thwart crime in an entertaining fashion. [See Prepub Alert, 4/17/17.]

Kirkus Reviews

2017-08-06
The Yuletide festivities in Caerphilly, Virginia, are threatened by an inebriated actor, a slight case of murder, and 23 Gouldian finches.It looks like so much work for professor Michael Waterston to both direct and star in the community/college production of A Christmas Carol that's grown out of his well-received one-man show that the board hires Malcolm Haver to play Scrooge instead, figuring that the increased box-office take Haver's name guarantees will more than offset the visitor's salary. That turns out to be a decision only the Grinch could endorse. Haver's only sort of a name, only sort of an improvement on Michael even when he's sober, and only sort of sober even on his best days. So Michael's wife and assistant director, Meg Langslow, adds wrangling the star to her extensive resume (Gone Gull, 2017). Even though Meg gets help from her mother; Mayor Randall Shiffley; and the usual suspects, it's a tall order, partly because once Randall gets Haver cut off from legitimate sources of alcohol, the sozzled thespian finds an obliging bootlegger, and partly because Meg has other problems on her mind: an unidentified corpse found in a local stream; a persistent fan of Haver's who's pressing the Rev. Robyn Smith to mount a celebration of Weaseltide, whatever that is; a collection of finches Meg's endlessly resourceful grandfather has added to his menagerie; and eventually a murdered bootlegger. Will this last development keep the headliner sober long enough to tread the boards come Christmas Eve? A mildly curdled take on the most wonderful time of the year that won't offend the most devout celebrants. Spoiler alert: the finch doesn't steal Christmas, and the tale ends with a celebration of Weaseltide and the triumphant premiere of A Christmas Carol. Whew.

Product Details

BN ID: 2940175702690
Publisher: Dreamscape Media
Publication date: 10/31/2017
Series: Meg Langslow Series , #22
Edition description: Unabridged

Read an Excerpt

CHAPTER 1

"Shakespeare was right. 'The first thing we do, let's kill all the lawyers.'"

"I wish I could hear you say that in person," I said.

"Yeah, over the cell phone you miss all my dramatic gestures." Michael's voice sounded more exasperated than angry. And since I knew my husband wasn't usually prejudiced against the legal profession, I was puzzled instead of worried.

"Are you someplace where you can talk?" he asked.

"I'm not at the theater, if that's what you mean. Reverend Robyn wanted to see me about something. At the moment, I'm over at Trinity, sitting in her office, waiting for her to solve a Christmas pageant prop emergency, so until she comes back, I'm at your service."

"Hang up if you need to," he said. "I'm just venting to you so I can be cool, calm, and collected when I go into my meeting."

"What meeting?" I made myself more comfortable in Robyn's guest chair and snagged a Christmas cookie from the red-and-green plate on her desk. "And by the way, all the lawyers would include Cousin Festus and my brother. I know Rob can be annoying at times, but I'd miss him if you did him in, and I thought you agreed that Festus was highly useful and a credit to his profession. Can we settle for bumping off whichever particular attorney has gotten your goat this morning?"

"One or more members of the college legal department," he said. "Possibly the entire department if I can't get them to admit who signed off on that miserable, washed-up prima donna's contract."

"Ah, then it's really Malcolm Haver you need to kill." Robyn walked back into her office as I was saying it, and a puzzled frown crossed her face. I held up my hand with two fingers raised, to signal that I'd be off shortly, and returned to my conversation with Michael. "What's he done now?"

"Showed up drunk for rehearsal. Again." Someone else might have thought his voice sounded calm, but I could hear the anger below the surface. And I took a few deep breaths to cool my own anger. I'd actually been relieved when the college proposed hiring a big-name actor to play Scrooge in this year's charity benefit production of A Christmas Carol, because I knew how exhausting it would be for Michael to direct and star. I'd been less than impressed when a board member pushed through hiring his old college buddy Haver — the whole point of casting someone from outside was to help with ticket sales, and I didn't think Haver was a big enough name to do that. And Haver had been a major pain from day one, even before he started drinking. Instead of halving Michael's workload he'd at least doubled it. I was starting to worry about Michael's health and I intensely resented how Haver had turned what was normally a festive, joyous, family-oriented season into one long headache.

"If you want him to disappear, I'm sure Mother can find someone to do the dirty work." I'd almost be willing to do it myself. But I didn't want to say so in front of Robyn, who had taken up her knitting, and would probably have finished another set of mittens for Trinity's Christmas scarf and mitten drive by the time Michael and I finished our conversation.

"I'd settle for figuring out where the hell he's getting his booze."

"None of the businesses here in Caerphilly will serve or sell to him," I said. "Randall Shiffley made sure of that."

"I'm still amazed that so many people agreed."

"They all know that your production is one of the main attractions of this year's Christmas in Caerphilly festival," I reminded him. "And that having a well-known actor like Haver will help boost the ticket sales, a big portion of which will go to things that might otherwise cost tax dollars — all those social service programs we can't otherwise afford. Enlightened self-interest."

"Still, it only takes one rebel to supply him," Michael grumbled. "Or one starstruck private citizen. Or he could be sneaking over to Clay County — they'd love to sabotage anything Caerphilly does."

"Which is why I think it's time to call in Stanley." I'd already talked unofficially to Stanley Denton, Caerphilly's leading — and only — private investigator about whether he'd be willing to shadow Malcolm Haver as part of our efforts to keep the visiting star sober.

"Exactly what I was thinking," he said. "In fact, I'm just venting to you before going into a meeting with the Dean of Finance to get it approved."

"Awesome," I said. "And good luck. I should go; Robyn just got back and I'd better explain our homicidal musings to her before she reports us to Chief Burke."

"When you leave Trinity, can you head over to the theater and keep an eye on things there until I finish arguing with Finance?"

"Can do," I said. "Love you."

"Back at you."

I hung up and returned my phone to my pocket.

"Sorry," I said to Robyn — who had been listening with unabashed interest as her knitting needles flew through her red and green yarn. "Michael's having a tough day and needed to vent."

"So I gathered. What's he angry about?"

"He was calling more in sorrow than in anger," I said.

"That's from Hamlet, right?"

"Yes," I said. "Quoting Shakespeare's an occupational hazard when you're married to an actor."

"Especially one who's also a drama professor."

"Michael was calling to vent about Malcolm Haver," I explained. "The actor the college hired to play Scrooge in the stage version of A Christmas Carol that Michael's directing."

"He and Michael aren't getting along?" Even the thought of disharmony seemed to sadden her.

"Michael tries," I said. "But Haver doesn't get along with anyone. He's a nasty, self-centered jerk. Sorry — I know how uncharitable that sounds, but there's just no getting around it: a nasty, self-centered jerk. Walked into the first day of rehearsal with a bad attitude and that was the peak of his popularity in local theatrical circles. But Michael's a whiz at handling difficult performers, and no one would really care how unpleasant Haver is offstage if he did a good job in the show. Unfortunately, he seems to have fallen off the wagon."

"Oh, dear. You know, we have several very active twelve-step programs meeting either here or at the New Life Baptist Church," she began.

"I know. We've got the flyer prominently posted on the cast information board," I said. "I even tried talking him into it once, which wasn't a good idea. He exploded at me and stormed out of the rest of the rehearsal."

"He sounds like a troubled soul."

"I'm sure he is." Or maybe just trouble, but I knew better than to say that aloud in front of Robyn. "But don't try to sympathize with him unless you want to get your head bitten off. He was doing fine at the start of the rehearsal period, but lately he's started tippling earlier each day. Michael doesn't have much hope that it will get any better when the show opens. Unfortunately, the way his contract is written, as long as he can stumble onstage, Michael can't fire him. And although I don't know how well it would hold up in court, the contract still calls for Haver to get most of his fee even if he's fired for cause."

"Didn't anyone question the contract before signing it?" Robyn looked surprised. "I may be in an unworldly profession, but even I know the value of consulting an attorney before signing legal documents."

"If Michael were in charge of Santa's naughty-and-nice list, the college legal department would be getting nothing but coals and switches this year," I said.

"Why were they the ones reviewing the contract anyway?" Robyn asked. "I know the play's a joint project of the college and the town, but I thought the college was mainly donating use of the theater."

"And for some reason they also insisted on being in charge of Haver's contract," I said. "I suspect the same board member who got him the part in the first place. If only I'd known to insist that the town attorney handle it — because she'd have run it by Randall and me when Haver's agent came in with a whole bunch of changes that he claimed were standard Actors' Equity requirements, which was a complete lie. Michael could have told them that if they'd bothered to show him the contract — Randall and I would have. But they didn't. In fact, whatever lawyer the college had handling it didn't do any research, didn't try to negotiate — just caved. And now Michael is paying the price."

"And then there's the whole question of whether Haver is really worth all this trouble," Robyn said. "Wouldn't it have been easier just to have Michael play Scrooge? I've seen his one-man Christmas Carol show the last few years and loved it. He was brilliant."

"He'd be light-years better than Haver if you ask me. Of course, I'm biased. The theory was that getting an actor with a national reputation would increase ticket sales enough to more than offset the cost of his salary."

"That makes sense." Robyn held up her knitting to inspect the green Christmas tree that was taking shape on the back of the red mitten. "But I'm not sure I'd have picked Haver. I mean, I know who he is, but just barely."

I quite agreed. And I thought it was particularly ironic that they picked Haver instead of Michael, who still had a rather active group of fans himself, in spite of having abandoned television for academia more than a decade ago. Not something I could say in public, of course.

"Haver was nominated for a Tony once," I said aloud. "And he was in a reasonably popular TV series for a few years. As a young man he was quite handsome — a B-movie heartthrob."

"Yes." Robyn nodded. "I remember my mother used to like him."

"A lot of people's mothers did," I said. "Let's just hope enough of them are still around to buy tickets."

"And that there's a show for them to see." Robyn paused and thought for a moment. Or maybe she was just listening to the choir down in the parish hall, harmonizing beautifully as they rehearsed their Christmas carol program. "Have you considered getting him a keeper?"

"A what?"

"A keeper. A minder. I don't know what you'd officially call them, but I know they exist, because I know of a diocese that hired one once for one of their employees — not a priest, of course, but a key employee, very capable, even very spiritual in his own way, but with an unfortunate weakness for alcohol. They sent him to a residential rehab program, and when he got out they hired someone to follow him around and keep him away from temptation for the first few months. Of course, you might have trouble getting your actor to agree to a keeper. In the case I'm talking about, it was either that or lose his job with the parish."

"Haver might not agree," I said at last. "But maybe the agent who drew up that contract could force him to accept a minder. Agents don't get paid unless their clients do, and it's still possible that Haver could drink himself into a stupor and breach the contract. I'll suggest it. Thank you — that's a great idea."

I stood up, trying to decide if I should call Michael with the suggestion or head over to the theater and talk to him in person when he got back from his meeting. Then I realized that Robyn was looking at me.

"I'm sorry." I sat down again. "You asked me to drop by to talk about something — I almost forgot. What is it?"

"I received a rather curious request this morning," Robyn said. "That we host a Weaseltide ceremony in the parish hall."

Weaseltide? Robyn was gung ho on reviving old traditions and minor Episcopal celebrations, but Weaseltide rang no bells. Which meant it obviously wasn't something in the Book of Common Prayer. And I could have sworn after several years of helping out in the parish, I'd gotten pretty familiar with the Book of Occasional Services as well.

"That's an interesting idea," I said aloud. Mother had drilled us always to call something interesting when we couldn't think what else to say.

"Yes," Robyn said. "There's just one thing — what is Weaseltide?"

CHAPTER 2

"Oh, thank goodness." I didn't try to hide my relief. "I thought Weaseltide must be something any good Episcopalian was supposed to know all about."

"You've never heard of it then?" Robyn looked puzzled. "I rather got the impression it was some sort of local custom."

"Not that I've ever heard," I said. "But then by local standards, I'm not from around here. I've only lived here for a decade. You need at least a century before they begin thinking of you as a local. So I gather Weaseltide isn't an Episcopalian festival."

"I'm not even sure it's a Christian one." She frowned slightly. "Not that we'd mind if it wasn't — the congregation is very supportive of ecumenical activities. We've had events with our local Buddhist, Sikh, Hindu, Jewish, and Muslim brothers and sisters. But what if Weaseltide is part of some weird cult? And yet, one hates to upset them by interrogating them."

I began to suspect why Robyn had brought the subject up with me. And of all things: weasels. Why did it always have to be weasels, I found myself thinking. They were among Dad's and Grandfather's favorite animals, so they already played a larger role in my life than seemed absolutely necessary. And now this.

"Let me see what I can find out," I suggested. "If it's something local, the Shiffleys will know all about it. If it's something New Agey, my cousin Rose Noire can fill us in. And if it's not either —"

"I knew I could count on you!"

"Just one question," I said. "Who asked you about Weaseltide — anyone we know?"

"Someone named Melisande Flanders." She read the name from a piece of paper on her desk. "Could she possibly be a new faculty member?"

"Not someone I've heard of, but then I don't memorize the faculty directory. Was she young?"

"Not really. I'd say fortyish. Maybe fiftyish. Of course I'm a terrible judge of ages."

"Probably not a student then."

"Well, there are so many non-traditional students nowadays," Robyn said. "I think half my seminary class was closer to Social Security than high school. But somehow she didn't seem like a student."

"A pity you couldn't have gotten more information out of her." Not only a pity, but downright puzzling — Robyn was normally a formidable though gentle interrogator.

"And a shame I'm dumping it on you, you mean," Robyn said. "I know it sounds ridiculous, but every time I tried to ask her a question she'd sort of dither off in some other direction and we'd never quite get back to anything practical. And she seemed very. ... well, I know from the name it's tempting to assume it has something to do with actual weasels, but her behavior makes me wonder if Weaseltide could be some kind of gathering for people with an interest in ... I don't know. Severe anxiety disorder. Or some other mental health challenge."

We both pondered that idea for a few moments. To me, the kind of gathering she was imagining sounded like a fairly normal sort of event for Trinity. But I wasn't sure how Robyn would feel if I said that.

"One more question," I said. "And don't take this the wrong way, but — if she's not a member of the parish, isn't anyone we know, can't be bothered to explain what it is she'd like to do with our parish hall, and didn't leave you any contact information, just how much time and energy do we want to spend figuring this out?"

"A good point." She slumped slightly in her chair. "You and I both have way too much to do already. But what if this is some worthwhile cause that we'd love to support if we knew what it was? Or what if she's a lost soul who needs support and encouragement that we could give her through this? I'd hate to say no without making at least some attempt to find out."

"So I'll make a reasonable attempt and report back to you." I stood and picked up my purse and tote. "And if she comes back —"

"If she comes back, I will tell her I've tasked you with making the decision on whether her event will fit into our crowded schedule and give her your cell phone number." Robyn beamed at me as if she'd come up with a brilliant idea. Of course, from her point of view, she had. "I'm sure you'll have much more luck than I had getting information out of her."

"I'll do what I can." I headed for the door, and Robyn tossed her knitting onto her desk and fell into step beside me. "But for now, I have to head over to the theater and perform my official duties as Michael's assistant director."

"Yes, I heard you were doing that," she said, as she accompanied me down the hall. "I admit, I was surprised — I had no idea you had directing ambitions."

"I don't," I said. "At least for this show, the assistant director's job is as a glorified gofer and organizer."

"You're certainly good at that. The organizing part, at least."

(Continues…)



Excerpted from "How the Finch Stole Christmas!"
by .
Copyright © 2017 Donna Andrews.
Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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