A continuation of the sound established on his
Alligator debut,
I Smell Smoke is even more impressive than its much-heralded predecessor. While vocally
Michael Burks still invites comparison to
Albert King, especially on
gospel-fried
ballads like
"Lie to Me" (the Flying V guitar he sports on this album's cover shot further reinforces the similarities between the two artists), his guitar work has become more electrified and confident. With a tone sounding at times like
Eric Clapton's
psychedelic work in
Cream and a rugged four-piece band supporting him, this is a tough, uncompromising
contemporary blues/
blues-rock/
R&B album that doesn't pull punches. Co-produced and mixed by veteran
Jim Gaines, the sound is professional but not polished, with
Burks' strong persona commanding attention. However, the songs -- which are far above average -- are as important as the performance. Mostly written by outside sources,
Burks avoids the crowd-pleasing covers that populate his live shows, instead digging into obscure tunes such as
Latimore's
"Let the Doorknob Hit You," delivering them with his gutsy punch. His playing often takes on a
Buddy Guy-styled intensity, with leads that reach out of the speakers, wrapping around and reeling you in. Even the slow
blues tracks are played full-bore, but the closing
"Snake Eggs," with just guitar and
Billy Gibson's fiery, overdriven
Little Walter-styled harmonica, shows that
Michael Burks doesn't need help to create all the smoke he wants. ~ Hal Horowitz
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