Iceland Imagined: Nature, Culture, and Storytelling in the North Atlantic
Iceland, Greenland, Northern Norway, and the Faroe Islands lie on the edges of Western Europe, in an area long portrayed by travelers as remote and exotic - its nature harsh, its people reclusive. Since the middle of the eighteenth century, however, this marginalized region has gradually become part of modern Europe, a transformation that is narrated in Karen Oslund’s Iceland Imagined.

This cultural and environmental history sweeps across the dramatic North Atlantic landscape, exploring its unusual geography, saga narratives, language, culture, and politics, and analyzing its emergence as a distinctive and symbolic part of Europe. The earliest visions of a wild frontier, filled with dangerous and unpredictable inhabitants, eventually gave way to images of beautiful, well-managed lands, inhabited by simple but virtuous people living close to nature.

This transformation was accomplished by state-sponsored natural histories of Iceland which explained that the monsters described in medieval and Renaissance travel accounts did not really exist, and by artists who painted the Icelandic landscapes to reflect their fertile and regulated qualities. Literary scholars and linguists who came to Iceland and Greenland in the nineteenth century related the stories and the languages of the “wild North” to those of their home countries.

"1126362880"
Iceland Imagined: Nature, Culture, and Storytelling in the North Atlantic
Iceland, Greenland, Northern Norway, and the Faroe Islands lie on the edges of Western Europe, in an area long portrayed by travelers as remote and exotic - its nature harsh, its people reclusive. Since the middle of the eighteenth century, however, this marginalized region has gradually become part of modern Europe, a transformation that is narrated in Karen Oslund’s Iceland Imagined.

This cultural and environmental history sweeps across the dramatic North Atlantic landscape, exploring its unusual geography, saga narratives, language, culture, and politics, and analyzing its emergence as a distinctive and symbolic part of Europe. The earliest visions of a wild frontier, filled with dangerous and unpredictable inhabitants, eventually gave way to images of beautiful, well-managed lands, inhabited by simple but virtuous people living close to nature.

This transformation was accomplished by state-sponsored natural histories of Iceland which explained that the monsters described in medieval and Renaissance travel accounts did not really exist, and by artists who painted the Icelandic landscapes to reflect their fertile and regulated qualities. Literary scholars and linguists who came to Iceland and Greenland in the nineteenth century related the stories and the languages of the “wild North” to those of their home countries.

22.99 In Stock
Iceland Imagined: Nature, Culture, and Storytelling in the North Atlantic

Iceland Imagined: Nature, Culture, and Storytelling in the North Atlantic

Iceland Imagined: Nature, Culture, and Storytelling in the North Atlantic

Iceland Imagined: Nature, Culture, and Storytelling in the North Atlantic

eBook

$22.99  $30.00 Save 23% Current price is $22.99, Original price is $30. You Save 23%.

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

Iceland, Greenland, Northern Norway, and the Faroe Islands lie on the edges of Western Europe, in an area long portrayed by travelers as remote and exotic - its nature harsh, its people reclusive. Since the middle of the eighteenth century, however, this marginalized region has gradually become part of modern Europe, a transformation that is narrated in Karen Oslund’s Iceland Imagined.

This cultural and environmental history sweeps across the dramatic North Atlantic landscape, exploring its unusual geography, saga narratives, language, culture, and politics, and analyzing its emergence as a distinctive and symbolic part of Europe. The earliest visions of a wild frontier, filled with dangerous and unpredictable inhabitants, eventually gave way to images of beautiful, well-managed lands, inhabited by simple but virtuous people living close to nature.

This transformation was accomplished by state-sponsored natural histories of Iceland which explained that the monsters described in medieval and Renaissance travel accounts did not really exist, and by artists who painted the Icelandic landscapes to reflect their fertile and regulated qualities. Literary scholars and linguists who came to Iceland and Greenland in the nineteenth century related the stories and the languages of the “wild North” to those of their home countries.


Product Details

ISBN-13: 9780295802992
Publisher: University of Washington Press
Publication date: 07/01/2011
Series: Weyerhaeuser Environmental Books
Sold by: Barnes & Noble
Format: eBook
Pages: 280
File size: 7 MB
Age Range: 18 Years

About the Author

Karen Oslund is assistant professor of world history at Towson University in Maryland.

Table of Contents

Maps

Foreword by William Cronon

Acknowledgements

Introduction. Imagining Iceland: Narrating the North

1. Icelandic Landscapes: Natural Histories and National Histories

2. Nordic by Nature: Classifying and Controlling Flora and Fauna in Iceland

3. Mastering the World's Edges: Technology, Tools, and Material Culture in the North Atlantic

4. Translating and Converting: Language and Religion in Greenland

5. Reading Backward: Language and the Sagas in the Faroe Islands

Epilogue. Whales and Men: Contested Scientific Ethics and Cultural Politics in the North Atlantic

Notes

Bibliography

Index

What People are Saying About This

Gisli Palsson

An excellent work, covering unusual ground. The author's mastery of a variety of contexts—Inuit, Faroese, Icelandic, Scandinavian—and different periods—historical and modern—is admirable. Not only does Iceland Imagined nicely chart important historical contours in the North Atlantic region, it offers numerous useful and original observations on themes in history, anthropology, literature, and linguistics.

Gisli Palsson

"An excellent work, covering unusual ground. The author's mastery of a variety of contexts—Inuit, Faroese, Icelandic, Scandinavian—and different periods—historical and modern—is admirable. Not only does Iceland Imagined nicely chart important historical contours in the North Atlantic region, it offers numerous useful and original observations on themes in history, anthropology, literature, and linguistics."

William Cronon

"The great contribution of Iceland Imagined is to help us understand the mental geographies that over the past quarter millennium have come to define the North Atlantic—and that teach us more than we might think about the rest of the world."

From the B&N Reads Blog

Customer Reviews