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Overview

Winner of France's prestigious Prix Goncourt and a runaway bestseller, Jean Echenoz's I'm Gone is the ideal introduction to the sly wit, unique voice, and colorful imagination of “the master magician of the contemporary French novel” (The Washington Post). Nothing less than a heist caper, an Arctic adventure story, a biting satire of the art world, and a meditation on love and lust and middle age all rolled into one fast-paced, unpredictable, and deliriously entertaining novel, I'm Gone tells the story of an urbane art and antiques dealer who abandons his wife and career to pursue a memorably pathetic international crime spree.

“Crisp and erudite” (The Wall Street Journal), “seductive and delicately ironic” (The Economist), and with an unexpected sting in its tail, I'm Gone—translated by Mark Polizzotti—is a dazzling, postmodern subversion of narrative conventions and an amused look at the absurdities of modern life. With a wink and a nod and a keen eye for the droll detail, Echenoz invites the reader “to enjoy I'm Gone in the same devil-may-care spirit in which it is offered” (The Boston Sunday Globe).


Product Details

ISBN-13: 9781620970010
Publisher: New Press, The
Publication date: 05/06/2014
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 563 KB

About the Author

Jean Echenoz won France's prestigious Prix Goncourt for I'm Gone. He is the author of nine other novels in English translation and the winner of numerous literary prizes, among them the Prix Médicis and the European Literature Jeopardy Prize. He lives in Paris. Mark Polizzotti has translated over forty books from the French, including works by Gustave Flaubert, Marguerite Duras, André Breton, Raymond Roussel, Patrick Modiano, and Jean Echenoz, and is the author of six books of his own. He directs the publications program at the Metropolitan Museum of Art in New York, where he lives. Lily Tuck's novel The News from Paraguay won the 2004 National Book Award for fiction.

Read an Excerpt

I'm Gone


By Jean Echenoz

New Press

Copyright © 2002 Jean Echenoz
All right reserved.

ISBN: 1565847466


Chapter One


"I'm going," said Ferrer. "I'm leaving you. You can keep everything, but I'm gone." And as Suzanne's gaze drifted toward the floor, settling for no good reason on an electrical outlet, Felix Ferrer dropped his keys on the entryway table. Then he buttoned up his overcoat and walked out, gently shutting the front door behind him.

    Outside, without a glance at Suzanne's car whose fogged-up windows kept silent beneath the streetlamps, Ferrer began walking the six hundred yards toward the Corentin-Celton metro stop. At nearly nine o'clock, this first Sunday evening in January, the train was all but deserted. Only a dozen men were inside, unattached, as Ferrer seemed to have become in the last twenty-five minutes. Normally he would have rejoiced to find two empty facing benches, like a little compartment for himself alone, which in the metro was his preferred seating arrangement. But on this evening he scarcely gave it a thought, distracted but less preoccupied than he would have imagined by the scene that had just been played out with Suzanne, a woman of difficult character. Having envisioned a more vehement response, cries interspersed with threats and fiery insults, he was relieved, but somewhat put out by his own relief.

    He set down his valise, which contained mainly toilet articles and a change of underwear, and at first he stared straight ahead, mechanically skimming over the advertising panels for floor coverings, dating services, and real estate listings. Later, between the Vaugirard and Volontaires stations, Ferrer opened the valise to remove an auction catalogue featuring traditional Persian artwork, which he leafed through up to Madeleine, where he got off.

    Around the Madeleine church, strings of unlit Christmas lights hovered above streets still more deserted than the subway. The decorated windows of the high-priced shops reminded the nonexistent pedestrians that they would survive the end-of-year festivities. Alone in his overcoat, Ferrer skirted the church toward an even number on Rue de l'Arcade.

    To find the building's entry code, his hands forged a path under his clothing: the left one toward the address book slipped into an inside pocket, the right toward his glasses stuffed into a breast pocket. Then, having passed through the main door, ignoring the elevator, he firmly attacked the service stairs. He reached the sixth floor less out of breath than I would have imagined, in front of a badly repainted brick-red door whose hinges bespoke at least two attempted break-ins. No name on the door, just a tacked-up photo curling at the corners, depicting the lifeless body of Manuel Montoliu, an ex-matador-cum-banderillero, after an animal named Cubatisto had opened his heart like a book on May 1, 1992: Ferrer tapped lightly on the photo twice.

    While he waited, the nails of his right hand dug into the inner surface of his left forearm, just above the wrist, where numerous tendons and blue veins intersected under whiter skin. Then, her hair very dark and very long, no older than thirty nor shorter than five foot ten, the young woman named Laurence who had just opened the door smiled at him without saying a word before closing it behind them both. And the next morning at around ten, Ferrer left for his studio.

Continues...


Excerpted from I'm Gone by Jean Echenoz Copyright © 2002 by Jean Echenoz. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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