Kathryn R Barush's Imaging Pilgrimage: Art as Embodied Experience is a book perfectly suited to our times ... At its core, however, Imaging Pilgrimage captures the essence of the spiritual experience sought by pilgrims across time and space and should strike a chord with anyone who has ever been on pilgrimage, whether by long-distance foot-travel or through the sedentary medium of visual and performative art.” —Material Religion
“Kathryn Barush takes us on a fascinating jourbaney that explores the rich connectivity between people, places, images and song. A major contribution to our understanding of pilgrimage past and present.” —John Eade, Professor of Sociology & Anthropology, University of Roehampton, UK
“This is a seductive book, deeply engaging to read and to think with. Kathryn Barush crosses landscapes, temporalities, and disciplines to extend our understandings of both pilgrimage and experiences of art. Her scope is wide, but her scholarship is profound.” —Simon Coleman, Chancellor Jackman Professor, Department of Religion, University of Toronto, Canada
“Bringing together arts of the built environment, portable shadowboxes, songs and sounds, and site-specific installations, Imaging Pilgrimage puts contemporary art that enacts and translates pilgrimage in dialogue with the deep, embodied histories of pilgrimage. Barush emphasizes the sensorial work of pilgrimage and the work of objects to build communitas-through-culture across space, time, and difference and her work is an important contribution to critical reception studies. Barush's analysis of localized pilgrimage practices and objects connecting pilgrims to faraway places on ecocritical grounds takes on even deeper resonance amidst the Covid-19 pandemic in which Imaging Pilgrimage emerges and points the reader towards the entanglement of these global ecological and epidemological crises. In addition to its scholarly exploration of pilgrimage and contemporary art, perhaps Imaging Pilgrimage also offers itself to readers as an object of communitas-through-culture, one that moves us towards being, feeling, and knowing together.” —Jennifer Stager, Assistant Professor of History of Art, Johns Hopkins University, USA
“Imaging Pilgrimage is a vivid and vital evocation of the visual cultures of contemporary pilgrimage – the place of pilgrim frame of mind in current art production and the ways contemporary art itself enables and develops the pilgrimage process in the modern world. Deeply embedded in a rich historical understanding of Christian pilgrimage across the centuries, Kathryn Barush's book throws light on the ways the arts across a vast geographic span in today's world have built models of spiritual identity.” —Jas Elsner, Senior Research Fellow, Corpus Christi College, University of Oxford, UK
“This brilliant book brings the ancient "kinetic ritual" of pilgrimage out of the pages of history and into the context of the contemporary continuity of this ancient sacred art form. The art of pilgrimage has been embodied in the decorative badges, souvenirs, relics, pilgrim ampullae, the well-worn rosaries that accompanied pilgrims, and visible in the influence pilgrimage had on architecture, statuary, and fine art. In Barush's fine retelling of the past and present of this global praxis, we are taken on a jourbaney through the Pacific Northwest, to Ecuador and are able to perceive, through the pilgrims' eyes, Santiago de Compostela, Jerusalem, and Rome. Beyond the physical jourbaney is the imagined jourbaney that the "manuscripts, maps, and labyrinths as sites of mental, or stationary pilgrimage" the pilgrim's experience is literally brought home for others to experience. This fine work is groundbreaking in its interdisciplinarity scope and will be important not only to Pilgrimage Studies, but also to Art History, Ritual Studies, Visual & Material Culture Studies, Comparative Religion, and Contemplative Studies.” —Rita D. Sherma, Director & Associate Professor, GTU Center for Dharma Studies and Co-Chair, Sustainability 360, Graduate Theological Union, USA
