In Our Mothers' House

by Patricia Polacco, Patricia Polacco (Illustrator)

Overview

A heartwarming story of family, love, and celebrating what makes us special, from master storyteller Patricia Polacco, author of Thank You, Mr. Falker.

Marmee, Meema, and the kids are just like any other family on the block. In their cozy home, they cook dinner together, they laugh together, they dance and play together. But one family doesn't accept them. Maybe because they think they are different: How can a family have two moms and no dad?
 
But Marmee and Meema's house is full of love. And they teach their children that different doesn't mean wrong. No matter how many moms or dads they have, they are everything a family is meant to be.
 
Now with questions at the back of the book to help guide readers through discussions about the ideas featured in the story, this kindness edition of In Our Mothers' House brings celebrated author-illustrator Patricia Polacco's work to a new audience of young readers who can be inspired by its message of a wonderful family living by its own rules, held together by a very special love.

Product Details

ISBN-13:	9780593693322
Publisher:	Penguin Young Readers Group
Publication date:	04/01/2025
Series:	The Kindness Editions
Pages:	48
Product dimensions:	8.50(w) x 11.00(h) x (d)
Age Range:	5 - 8 Years

About the Author

Patricia Polacco is the beloved New York Times bestselling author and illustrator of more than sixty picture books, including Chicken Sunday, Pink and Say, and Thank You, Mr. Falker. She lives in Union City, Michigan, where she enjoys speaking to the myriad of children who come to visit her and the famous meteor, the object of one of Patricia’s best-known stories. You can visit Patricia Polacco at PatriciaPolacco.com

Editorial Reviews

Gr 1-4

This gem of a book illustrates how love makes a family, even if it's not a traditional one. The narrator, a black girl, describes how her two Caucasian mothers, Marmee and Meema, adopted her, her Asian brother, and her red-headed sister. She tells about the wonderful times they have growing up in Berkeley, CA. With their large extended family and friends, they celebrate Halloween with homemade costumes, build a tree house, organize a neighborhood block party, and host a mother-daughter tea party. The narrator continually reinforces the affectionate feelings among her mothers and siblings, and the illustrations depict numerous scenes of smiling people having a grand time. Most of the neighbors are supportive, except for one woman who tells Marmee and Meema, "I don't appreciate what you two are." Eventually, the children grow up, marry heterosexual spouses, and return home to visit their aged parents with their own children. Is this an idealized vision of a how a gay couple can be accepted by their family and community? Absolutely. But the story serves as a model of inclusiveness for children who have same-sex parents, as well as for children who may have questions about a "different" family in their neighborhood. A lovely book that can help youngsters better understand their world.-Martha Simpson, Stratford Library Association, CT

School Library Journal

The placement of the title's possessive apostrophe here is no typo: Two mothers own this house, and they have filled it with lots of love. Unfortunately, while this ambitious picture book seeks to offer an inclusive vision of family, it ultimately comes up short. Meema and Marmee's eldest daughter offers a sweeping narrative about three children embraced by their loving, interracial, adoptive family and multicultural community, with their "mothers' house" at the center of it all. It is outside of this safe haven that the children face overt and neatly contained homophobia in the character of one bad apple, who declares, "I don't appreciate what you two are!" The distillation of hate into a single character undermines the reality of systematic oppression faced by same-sex couples; furthermore, the flash-forward narration depicting each child grown and married into heterosexual, monoracial unions ironically presents this family as an anomaly. There is a desperate need for books that present queer families as just another part of the American quilt, but this title, despite its obvious good intentions, doesn't do it. (Picture book. 6-8)

Kirkus Reviews