Uh-oh, it looks like your Internet Explorer is out of date.
For a better shopping experience, please upgrade now.
In the Wake: On Blackness and Being
In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.
1123410842
In the Wake: On Blackness and Being
In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.
In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.
Christina Sharpe is Associate Professor of English at Tufts University and the author of Monstrous Intimacies: Making Post-Slavery Subjects, also published by Duke University Press.
Table of Contents
1. The Wake 1
2. The Ship 25
3. The Hold 68
4. The Weather 102
Notes 135
References 153
Index 163
What People are Saying About This
Black Like Who?: Writing Black Canada - Rinaldo Walcott
"Christina Sharpe's deep engagement with the archive of Black knowledge production across theory, fiction, poetry, and other intellectual endeavors offers an avalanche of new insights on how to think about anti-Blackness as a significant and important structuring element of the modern scene. Cutting across theoretical genres, In the Wake will generate important intellectual debates and maybe even movements in Black studies, cultural studies, feminist studies, and beyond. This is where cultural studies should have gone a long time ago."
Lose Your Mother: A Journey Along the Atlantic Slave Route - Saidiya Hartman
"Christina Sharpe brings everything she has to bear on her consideration of the violation and commodification of Black life and the aesthetic responses to this ongoing state of emergency. Through her curatorial practice, Sharpe marshals the collective intellectual heft and aesthetic inheritance of the African diaspora to show us the world as it appears from her distinctive line of sight. A searing and brilliant work."
Great Expectations by Vinson Cunningham is a clear-eyed, charming coming-of-age-story set in the world of power, money, and political campaigns. Cunningham joins us to talk about choosing the title for his book, the connections between art and identity, what it means to write about politics and more with Miwa Messer, host of Poured Over. This episode of […]
These riveting works of nonfiction by two incredible women have powerful narratives on family, race, and the way we get to tell our stories. Ordinary Notes by Christina Sharpe compiles art and short vignettes into a beautiful work that explores the Black experience through a wide variety of themes. Sharpe joined us to talk about how […]
Spring’s sprung, and we have some fabulous writers joining us on Poured Over in April. Bestselling authors like: Jeanette Walls (The Glass Castle), live from our flagship store on New York’s Union Square discussing HANG THE MOON. Charles Frazier (Cold Mountain) on THE TRACKERS, a terrific noir set during The Great Depression. Dennis Lehane (Mystic […]
