Instrumental Music Education: Teaching with the Musical and Practical in Harmony

Instrumental Music Education: Teaching with the Musical and Practical in Harmony

Instrumental Music Education: Teaching with the Musical and Practical in Harmony

Instrumental Music Education: Teaching with the Musical and Practical in Harmony

Hardcover(4th ed.)

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Overview

Instrumental Music Education: Teaching with the Theoretical and Practical in Harmony, Fourth Edition, is intended for college instrumental music education majors studying to be band and orchestra directors at the elementary, middle school, and high school levels. Its fundamental goal is to prepare music teachers for the real world, looking at the topics vital to running a successful instrumental music program, while balancing musical, theoretical, and practical approaches. A central theme is the compelling parallel between language and music, including "sound-to-symbol" pedagogies. Understanding this connection improves the teaching of melody, rhythm, composition, and improvisation.

Unique to this book is its research-based approach, its overview of a variety of educational sites is more extensive than any similar resource. It includes over 120 videos filmed with high school, college, and community concert, pedagogy videos for all wind and string instruments, presented by professional players and teachers.

New to this edition:

• A section on social emotional learning (SEL)

• An introduction to culturally responsive teaching

• Additional discussion of teaching composition, improvisation, and creativity

• Expanded discussion of the advantages, challenges, and philosophies surrounding teaching

ensembles other than band and orchestra.

Offering best practices rooted in experience and clear, balanced coverage of pedagogical, philosophical, and administrative issues, this textbook effectively prepares future band and orchestra instructors to teach at all levels.


Product Details

ISBN-13: 9781032432076
Publisher: Taylor & Francis
Publication date: 07/26/2024
Edition description: 4th ed.
Pages: 544
Product dimensions: 8.25(w) x 11.00(h) x (d)

About the Author

Evan Feldman, DMA is Conductor of the Wind Ensemble and Professor of Music at the University of North Carolina at Chapel Hill.

Ari Contzius is the Wind Ensemble Conductor at Washingtonville High School, Washingtonville, New York.

Mitchell Lutch, DMA is Assistant Teaching Professor of Music and Concert Band Director at Worcester Polytechnic Institute, Worcester, MA.

Katarzyna (Kasia) Bugaj is Associate Professor of String Music Education in the College of Music at The Florida State University in Tallahassee, Florida.

William L. Lake, Jr., DMA is Director of Concert Bands at the Reva and Sid Dewberry Family School of Music at George Mason University

Table of Contents

Contents

 

Foreword

 

Preface

 

UNIT 1: THE PROCESS OF TEACHING INSTRUMENTAL MUSIC

 

Chapter 1: An Introduction to Sound-to-Symbol

 

Chapter 2: Teaching Rhythm and Rhythm Reading: Audiation, Pulse, Pattern, and Meter

 

Chapter 3: Tonality, Melody, and Singing

 

Chapter 4: Teaching Improvisation and Composition

 

Chapter 5: The History of Instrumental Music Education and Its Philosophy: A Brief Introduction 

 

Chapter 6: Special Topics: Constructivism, Concept Attainment, and Direct Instruction

 

UNIT 2: DIRECTING BANDS AND ORCHESTRAS

 

Chapter 7: Classroom Management

 

Chapter 8: Special Topics: Social and Emotional Learning in the Music Classroom

 

Chapter 9: Curriculum, Assessment, and Grading

 

Chapter 10: Repertoire

 

Chapter 11: Special Topics: An Introduction to Culturally Responsive Teaching

 

Chapter 12: Score Study

 

Chapter 13: On Conducting Technique

 

Chapter 14: Large Ensemble Set-Up

 

Chapter 15: Rehearsals

 

Chapter 16: Special Topics: Inclusion—Instrumental Music for Students with Special Needs 

 

Chapter 17: Intonation

 

Chapter 18: Directing Other Ensembles

 

Chapter 19: Recruiting, Organizing, and Starting the Band and Orchestra

 

Chapter 20: Sound-to-Symbol in the Beginning Instrumental Classroom

 

Chapter 21: String Pedagogy for Non-String Players

 

UNIT 3: ADMINISTRATIVE ISSUES

 

Chapter 22: Planning and Managing a Concert/Concert Etiquette

 

Chapter 23: Fundraising, Promotion, and Advocacy

 

Chapter 24: Communication

 

Chapter 25: The Music Budget

 

Chapter 26: Copyrights

 

Chapter 27: Managing Sound Levels: Protecting Your Ears and Those of Your Students

 

Chapter 28: Special Topics: Leadership, Mentors, and Professional Development

 

Chapter 29: The Job Search and Interview

 

Appendix: The Rehearsal Toolkit

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