Into the Bloodred Woods

by Martha Brockenbrough

Overview

Happily ever after is a lie.

Once upon a time there was a kingdom, and a forest that liked to eat men, and a girl who would change everything, but not alone ...

Except --

There's no such thing as once upon a time.

In a faraway land, populated by were beasts and surrounded by a powerful forest, lies a kingdom about to be sent into chaos. On his deathbed, King Tyran divides his land, leaving half to each of his two children -- so they'll rule together. However, his son, Albrecht, is not satisfied with half a kingdom. And even though his sister, Ursula, is the first born, he decides that, as a girl and were bear, she is unfit to rule. So he invades her land, slaughtering her people and most of the were beasts, and claims it for himself.

As King Albrecht builds his iron rule and an army to defend his reign, Ursula is gathering the survivors and making plans to seize back the kingdom. Not just her half -- the whole thing. Because Albrecht should have never been allowed to sit on the throne, and Ursula is going to take his crown. And if he's not careful, he might not get to keep his head either.

Product Details

ISBN-13:	9781338673890
Publisher:	Scholastic, Inc.
Publication date:	11/02/2021
Sold by:	Scholastic, Inc.
Format:	eBook
Pages:	368
File size:	16 MB
Note:	This product may take a few minutes to download.
Age Range:	14 - 18 Years

About the Author

Martha Brockenbrough is the critically acclaimed author of the YA novels Into the Bloodred Woods, The Game of Love and Death, and Devine Intervention; the middle grade novel To Catch a Thief; and numerous nonfiction titles, picture books, and chapter books. She teaches at Vermont College of Fine Arts and lives in Seattle, Washington, with her husband, their two daughters, two dogs, and two cats. You can visit her online at marthabrockenbrough.com.

Editorial Reviews

Praise for Into the Bloodred Woods

“A tapestry of stories, a confluence of voices, this book is a symphony, and Martha Brockenbrough is its maestra.” — Elana K. Arnold, author of the Printz Honor Book Damsel and Red Hood

"Unflinching, bloodstained magic." — Kirkus Reviews

"Studded with references to familiar fairy tales, this gruesome fantasy from Brockenbrough explores the revolutionary properties of honesty, equality, and self-acceptance." — Publishers Weekly

"Brockenbrough pens a twisty, dark fantasy.... Taking inspiration from classic fairy tales with a touch of King Lear, the book is filled with powerful moments, engaging storytelling, and brutal truths, and it weaves in themes of injustice and the dire consequences of deceit." —Booklist

Praise for The Game of Love and Death

A B&N Teen Best YA Book

A Booklist Editors' Choice

A Kirkus Best Teen Book

A Publishers Weekly Best Book

An Amazon Best Book of the Year

A PNBA Northwest Book Awards Winner

A YALSA Teens Top Ten Title

Winner of the Washington State Scandiuzzi Children's Book Award

A Finalist for the Audie Awards

* "This sophisticated novel is filled with breathtaking prose and nuanced characterizations... a thoughtful exploration of courage, love, and the price we pay to live." — Booklist, starred review

* "Romance fans will find plenty to swoon over here, while aspiring philosophers will find just as much to ponder." — BCCB, starred review

* "Brockenbrough never sugarcoats the obstacles facing Henry and Flora's love — whether human prejudices or supernatural manipulations—in this inventive and affecting novel, and the ending in which Flora, who has seen too many people die, realizes how love and death intertwine, is beautiful." — Publishers Weekly, starred review

"The Game of Love and Death is a unique and deeply moving novel." — BookPage

"It's a poignant reminder of how far we've come since the 1930s in terms of race, class, and sexual orientation—and how far we still have to go." — Horn Book

"Brockenbrough's precise, luscious prose cuts back and forth among the four protagonists, according each character equal depth... Race, class, fate and choice — they join Love and Death to play their parts in Brockenbrough's haunting and masterfully orchestrated narrative." —Kirkus Reviews

Praise for Devine Intervention

* "Beneath the snark, though, runs a current of devastatingly honest writing that surprises with its occasional beauty and hits home with the keenness of its insight. As the clock ticks down on Heidi's soul, readers will be rooting for both Jerome and Heidi with all their hearts." — Kirkus Reviews, starred review

"Devine Intervention is a little slice of heaven." — Los Angeles Times

"Jerome's bumbling logic and wickedly funny observations are what make Brockenbrough's first book for teens so much fun. Underneath the occasionally risqué humor and unexpected plot twists (including the possession of multiple animals' bodies) is an insightful story about seizing life for all it's worth while you have the chance." — Publishers Weekly

"Brockenbrough's droll style delivers some laugh-out-loud moments. Reluctant readers will find the Heidi-Jerome dynamic entertaining and heartrending." — School Library Journal

From the Publisher

2021-09-01
In this dark fantasy woven together from reimagined fairy tales, a werebear princess and her cruel twin brother vie for inheritance of their father’s crown.

Once upon a time, a story unfolds after a farmer lies to a king, saying that his daughter can spin grass into gold. In this kingdom, the first-born—always a boy—inherits. But when the common-born queen gives birth to twins, first a werebear girl, then a human boy, no one can agree who has the right of succession. Princess Ursula believes in her claim to the throne: Under her benevolent rule, she’d overturn unjust laws that oppress other werefolk. Full of contempt for his sister, Albrecht, the vicious, vain prince, plots his own ascent, no matter the cost. With precise, and poetic prose, Brockenbrough twists and intertwines familiar tales—“Hansel and Gretel,” “Little Red Riding Hood,” “Rumpelstiltskin,” and “Goldilocks,” among others—to craft an intricate, cohesive narrative framed as a story within a story. Ursula and Albrecht are White; the ensemble cast of primary characters includes two brown-skinned women, one of whom has a fraught emotional relationship with the princess. Injustice, misinformation, and consent are significant themes. While at times the depictions of violence (including sexual assault) are visceral and brutal, this stand-alone journey into grim woodlands arrives at a subversive resolution more satisfying than a traditional happily-ever-after.

Unflinching, bloodstained magic. (Fantasy. 14-18)

Kirkus Reviews