Intuitive Color & Design: Adventures in Art Quilting

by Jean Wells

Overview

In this updated edition of best-selling Intuitive Color & Design, Jean's workshop assignments get your creative juices flowing, giving you challenges to expand your quilting horizons. Start by learning to see line and color; study the nuts and bolts of design; develop your color work and composition; and when you get stuck, there's expert advice on problem solving. Design and piece spectacular, free-form quilts you'd never have guessed you could create!

Product Details

ISBN-13:	9781617455254
Publisher:	C & T Publishing
Publication date:	06/01/2017
Sold by:	Barnes & Noble
Format:	eBook
Pages:	116
File size:	60 MB
Note:	This product may take a few minutes to download.

About the Author

Jean Wells has written or co-authored over 24 quilting books. Jean combines her everyday life with her passion, whether it is putting on the Sisters Outdoor Quilt Show near her Oregon home or planting a quilt block pattern in her garden.

Table of Contents

Forward
Preface
The Journey
Inspiration for Quilt Design
Launching the Design Process
Start a Journal or Sketchbook
Developing an Idea
Finding Line Work
Color through my Eyes
Creating Strata
Techniques for the Toolbox
No Ruler Cutting and Piecing
Narrow Insert Piecing
Pieced Strips
Medallion or Log Cabin Piecing
Corner Curve Piecing
Nuts and Bolts of Quilt Design
Elements of Design
Principles of Design
The Design Process
Color Thoughts
Color and Value Assignment
Getting Started
Design the Quilt
Making Connections
Stuck --- what to do?
The Critique Process
Tools of the Trade
Tools
Unconventional Finishing Methods
Quilting Lines as Design Lines
Detail Stitching
Quiltlets
Framing
Raw Edge Finish
Facing Finish
Pillow Turn Finish
Whole-Cloth Finish
Portrait Finish
Off the Wall Quilts
Three Dimensional Boxes
Pincushions
Continuing the Journey
Resources
About the Author

Editorial Reviews

Quilters wishing to design their own art quilts will find this an invaluable resource. Jean provides a framework for learning and improving your use of journaling, abstraction, the elements and principles of design, and much more as you work to hone your artistic skills. Plenty of inspiration in the form of photographs and finished work, as well as a thorough chapter on alternative finishes for art quilts, round out this approachable guide.

September/October 2017 Machine Quilting Unlimited

This is Jean Well's 30th book and as well as being an author, she owns the Stitchin' Post in Sisters, Oregon, which she opened in 1975 and now runs with her daughter Valeri. Over the years she's won numerous awards and became the 40th inductee into the Quilters Hall of Fame in 2010. One of her great joys is teaching workshops and through collaborating with other artists, she has liberated herself from the ruler and now counts her small digital camera as her best friend. With this she has taken hundreds of photos that provide her with design and colour inspiration. The academic side of Jean's approach comes across loud and clear in the way the book is laid out. Each chapter comes with assignments and she encourages her readers and students to try each one out several times. There's a whole chapter on piecing techniques with six assignments including Rulerless Cutting and Piecing and Straight-Line inserts, each fully explained and illustrated. In essence though, this is a book of two parts: Design and Tools and Techniques. Having the right repertoire of techniques makes the design part easier but she encourages her readers to switch between the two. Jean's great gift is that she is foremostly an artist who works primarily in cloth and stitches. Many of her techniques would easily be suitable for students of other creative disciplines. The quality of her work is magnificent and it's really interesting how she transposed shapes, pattern, colour and scale from her photos onto her quilts, showing her workings-out along the way. You'll refer to this book again and again.

August 2017 Popular Patchwork

Creative quilting brought to you by one of the best quilt designers. This book gives you exercises to follow to design your own quilts by thinking outside the block. Taking quilting in a new direction, this book frees up your creativity. Find plenty of inspiration, guidance and ideas for the adventurous quilter. Full of examples and colour photos that will make you want to quilt and quilt again. This book covers design, piecing and finishing. If you already have the first edition though, I am not sure it is worth buying the second, it is mainly the photos that have been moved around more than new content. If you do not have the first edition, then you can do no better than buy this book. It is simply superb for the contemporary quilter and those who want to learn more about the design process.

6/29/2017 yarnsandfabrics.co.uk

I really liked this book. The chapters are well considered and take the reader through the stages of design, stitch and completion in a sensible fashion. Jean’s method of quilting reminds me so much of drawing. A great sense of colour and line translate her ideas into stitched and pieced compositions that convey a message to the senses. Although the book contains a lot of information it leads the reader lightly through the stages of inspiration and design to the nuts and bolts of construction. A final section with ideas for finishing techniques gives suggestions that all textile artists would find useful. In this context, the sections on abstraction and elements of design were particularly welcome. This is a book to keep handy. I have a feeling that I am going to be dipping into it rather a lot.

September 2017 Workshop on the Web

Although primarily intended for quilters, the first section of this book is about stepping out of the box to look at design, using colour, line, scale, shape, harmony, pattern and texture, as well as discussing the principles of design. These skills are easily transferable and essential for any weaver, especially tapestry weavers. The section on colour is particularly interesting, as Jean talks at length about 'pushing a palette' by taking the intended colour, making it lighter, brighter, duller and darker, and goes on to consider monochromatic, analogous and complementary colours, as well as accented neutral colours. She continues by discussing value and contrast, intensity, temperature, seasons, personality of colours, and palettes that relate to places and things. The book is very well written with clear, precise text and beautiful photographs. For anyone thinking about design, colour and texture in weaving, I can thoroughly recommend this book, as it will certainly open your eyes and make you look at your surroundings in a completely different light. The second part of the book is Tools & Techniques used in quilting, so less relevant to weavers.

The Journal for Weavers