Iranian Cinema and Philosophy: Shooting Truth
In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.
"1102840483"
Iranian Cinema and Philosophy: Shooting Truth
In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.
54.99 In Stock
Iranian Cinema and Philosophy: Shooting Truth

Iranian Cinema and Philosophy: Shooting Truth

by Farhang Erfani
Iranian Cinema and Philosophy: Shooting Truth

Iranian Cinema and Philosophy: Shooting Truth

by Farhang Erfani

Paperback(1st ed. 2012)

$54.99 
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Overview

In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, this book takes these films as philosophically relevant and innovative. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.

Product Details

ISBN-13: 9781349342150
Publisher: Palgrave Macmillan US
Publication date: 12/15/2011
Series: Literatures and Cultures of the Islamic World
Edition description: 1st ed. 2012
Pages: 230
Product dimensions: 5.98(w) x 9.02(h) x (d)

About the Author

FARHANG ERFANI Assistant Professor of Philosophy at the American University, USA, and a research associate at Nelson Mandela Metropolitan University in South Africa.

Table of Contents

How Orphans Believe: Deleuze, National Cinema, and Majidi's The Color of Paradise 'What are filmmakers for in needy times?' On Heidegger and Kiarostami's Taste of Cherry Committed Perception: Merleau-Ponty and Children of Heaven Regarding You: Lacanian Gaze and Ethics in Kiarostami's Close-up Stolen Jouissance: Lacan, Feminism, and Meshkini's The Day I Became a Woman Deafening Silence: Bahman Ghobadi's Turtles Can Fly and Marginal Politics
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