Italo Calvino: Eros and Language
Tommasina Gabriele's critical text addresses the paucity of intertextual studies on the erotic in Calvino's work. While Se una notte d'inverno un viaggiatore and Le cosmicomiche have generated some attention to the erotic, eros nonetheless remains virtually unexplored in its widest scope - despite its prevalence and centrality in the majority of Calvino's narratives, from his Racconti to I nostri antenati to his posthumous, unfinished Sotto il sole giaguaro. Perhaps for this reason such texts as Gli amori difficili and Sotto il sole giaguaro have been discussed less by critics than many of Calvino's other neorealist or postmodern fictions. Gabriele's study begins with an assessment of the critical context in which Calvino has been framed and proceeds to the analysis of several articles in which Calvino addresses the erotic in literature. Using these articles and a pivotal interview as a theoretical base, Gabriele offers an explanation for the neglect of the erotic motif as well as a theory of eros in Calvino's work. She uncovers the apparent contradiction that while Calvino repeatedly advocated - throughout his career of forty-plus years - a precise language, this call for precision did not extend to erotic subject matter, where Calvino sometimes felt that "direct representation" was virtually impossible. Gabriele finds that in Calvino the challenge of erotic representation is linked to the complexity of the writer's role, especially as articulated in Calvino's famous article, "Cibernetica e fantasmi." Through this erotic lens, Gabriele examines Il barone rampante and the stories of Le cosmicomiche, Gli amori difficili, and Sotto il sole giaguaro, which establish the erotic as a fundamental and usually positive aspect of human identity and interaction. In Le cosmicomiche, she unveils a "spiral" movement which functions both as a symbol of Calvino's erotic theory and as a symbol of Calvino's circumlocutory approach to it. In Gli amori, she explores the difficult
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Italo Calvino: Eros and Language
Tommasina Gabriele's critical text addresses the paucity of intertextual studies on the erotic in Calvino's work. While Se una notte d'inverno un viaggiatore and Le cosmicomiche have generated some attention to the erotic, eros nonetheless remains virtually unexplored in its widest scope - despite its prevalence and centrality in the majority of Calvino's narratives, from his Racconti to I nostri antenati to his posthumous, unfinished Sotto il sole giaguaro. Perhaps for this reason such texts as Gli amori difficili and Sotto il sole giaguaro have been discussed less by critics than many of Calvino's other neorealist or postmodern fictions. Gabriele's study begins with an assessment of the critical context in which Calvino has been framed and proceeds to the analysis of several articles in which Calvino addresses the erotic in literature. Using these articles and a pivotal interview as a theoretical base, Gabriele offers an explanation for the neglect of the erotic motif as well as a theory of eros in Calvino's work. She uncovers the apparent contradiction that while Calvino repeatedly advocated - throughout his career of forty-plus years - a precise language, this call for precision did not extend to erotic subject matter, where Calvino sometimes felt that "direct representation" was virtually impossible. Gabriele finds that in Calvino the challenge of erotic representation is linked to the complexity of the writer's role, especially as articulated in Calvino's famous article, "Cibernetica e fantasmi." Through this erotic lens, Gabriele examines Il barone rampante and the stories of Le cosmicomiche, Gli amori difficili, and Sotto il sole giaguaro, which establish the erotic as a fundamental and usually positive aspect of human identity and interaction. In Le cosmicomiche, she unveils a "spiral" movement which functions both as a symbol of Calvino's erotic theory and as a symbol of Calvino's circumlocutory approach to it. In Gli amori, she explores the difficult
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Italo Calvino: Eros and Language

Italo Calvino: Eros and Language

by Tommasina Gabriele
Italo Calvino: Eros and Language

Italo Calvino: Eros and Language

by Tommasina Gabriele

Hardcover

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Overview

Tommasina Gabriele's critical text addresses the paucity of intertextual studies on the erotic in Calvino's work. While Se una notte d'inverno un viaggiatore and Le cosmicomiche have generated some attention to the erotic, eros nonetheless remains virtually unexplored in its widest scope - despite its prevalence and centrality in the majority of Calvino's narratives, from his Racconti to I nostri antenati to his posthumous, unfinished Sotto il sole giaguaro. Perhaps for this reason such texts as Gli amori difficili and Sotto il sole giaguaro have been discussed less by critics than many of Calvino's other neorealist or postmodern fictions. Gabriele's study begins with an assessment of the critical context in which Calvino has been framed and proceeds to the analysis of several articles in which Calvino addresses the erotic in literature. Using these articles and a pivotal interview as a theoretical base, Gabriele offers an explanation for the neglect of the erotic motif as well as a theory of eros in Calvino's work. She uncovers the apparent contradiction that while Calvino repeatedly advocated - throughout his career of forty-plus years - a precise language, this call for precision did not extend to erotic subject matter, where Calvino sometimes felt that "direct representation" was virtually impossible. Gabriele finds that in Calvino the challenge of erotic representation is linked to the complexity of the writer's role, especially as articulated in Calvino's famous article, "Cibernetica e fantasmi." Through this erotic lens, Gabriele examines Il barone rampante and the stories of Le cosmicomiche, Gli amori difficili, and Sotto il sole giaguaro, which establish the erotic as a fundamental and usually positive aspect of human identity and interaction. In Le cosmicomiche, she unveils a "spiral" movement which functions both as a symbol of Calvino's erotic theory and as a symbol of Calvino's circumlocutory approach to it. In Gli amori, she explores the difficult

Product Details

ISBN-13: 9780838635315
Publisher: University Press Copublishing Division
Publication date: 01/01/1996
Pages: 175
Product dimensions: 6.50(w) x 1.50(h) x 9.50(d)

Table of Contents

Acknowledgments9
1Toward an Understanding of Italo Calvino13
2An Evolving Theory on the Language of Love36
A neglected theme: What the critics do and don't say36
An early theory on the language of love39
Theory and practice46
A contradiction?52
The theory transformed53
Calvino, Gombrich - and Freud60
Summary63
3"Il Movimento a Spirale": Sex, Language and Laughter65
4Another Interpretation of Gli amori difficili89
5Preserving the Self and Tearing the Other to Pieces117
The threat of the Other: A negative erotic dimension117
Cosmic love: Other forms126
"Sotto il sole giaguaro": A merging of linguistic and erotic theories130
6Conclusion149
Notes152
Selected Bibliography165
Index171
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