Jane Eyre (Women's Voices series)
A new collection of literary voices from Gibbs Smith written by, and for, extraordinary women—to encourage, challenge, and inspire.

Jane Eyre, the beloved heroine, is for many their first introduction to a truly independent female character in classic literature. Charlotte Bronte develops an assertive and passionate character in Jane, whose search for belonging and freedom, while radical at the time of publication, remains refreshingly relevant for the modern-day reader.

Continue your journey in the Women’s Voices series with The Feminist Papers, by Mary Wollstonecraft (ISBN: 978-1-4236-5097-3), Hope Is the Thing with Feathers, the complete poems of Emily Dickinson (ISBN: 978-1-4236-5098-0), Little Women, by Louisa May Alcott (ISBN: 978-1-4236-5211-3), and The Yellow Wallpaper and Other Writings, by Charlotte Perkins Gilman (ISBN: 978-1-4236-5213-7).

"1100079535"
Jane Eyre (Women's Voices series)
A new collection of literary voices from Gibbs Smith written by, and for, extraordinary women—to encourage, challenge, and inspire.

Jane Eyre, the beloved heroine, is for many their first introduction to a truly independent female character in classic literature. Charlotte Bronte develops an assertive and passionate character in Jane, whose search for belonging and freedom, while radical at the time of publication, remains refreshingly relevant for the modern-day reader.

Continue your journey in the Women’s Voices series with The Feminist Papers, by Mary Wollstonecraft (ISBN: 978-1-4236-5097-3), Hope Is the Thing with Feathers, the complete poems of Emily Dickinson (ISBN: 978-1-4236-5098-0), Little Women, by Louisa May Alcott (ISBN: 978-1-4236-5211-3), and The Yellow Wallpaper and Other Writings, by Charlotte Perkins Gilman (ISBN: 978-1-4236-5213-7).

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Jane Eyre (Women's Voices series)

Jane Eyre (Women's Voices series)

by Charlotte Brontë
Jane Eyre (Women's Voices series)

Jane Eyre (Women's Voices series)

by Charlotte Brontë

Hardcover

$16.99 
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Overview

A new collection of literary voices from Gibbs Smith written by, and for, extraordinary women—to encourage, challenge, and inspire.

Jane Eyre, the beloved heroine, is for many their first introduction to a truly independent female character in classic literature. Charlotte Bronte develops an assertive and passionate character in Jane, whose search for belonging and freedom, while radical at the time of publication, remains refreshingly relevant for the modern-day reader.

Continue your journey in the Women’s Voices series with The Feminist Papers, by Mary Wollstonecraft (ISBN: 978-1-4236-5097-3), Hope Is the Thing with Feathers, the complete poems of Emily Dickinson (ISBN: 978-1-4236-5098-0), Little Women, by Louisa May Alcott (ISBN: 978-1-4236-5211-3), and The Yellow Wallpaper and Other Writings, by Charlotte Perkins Gilman (ISBN: 978-1-4236-5213-7).


Product Details

ISBN-13: 9781423650997
Publisher: Smith, Gibbs Publisher
Publication date: 02/12/2019
Pages: 512
Sales rank: 1,057,499
Product dimensions: 5.30(w) x 7.30(h) x 1.30(d)

About the Author

Charlotte Bronte was born in 1816 in Haworth, Yorkshire. When she grew up, she became a teacher (later a private governess). In 1846 she pseudonymously published a book by herself and her sisters, Emily and Anne, which sold only two copies. Undaunted, Charlotte completed The Professor, which remained unpublished until after her death. But a kind note from one publisher encouraged her to finish Jane Eyre. In 1848, tragedy struck—her brother and two sisters died. Despite bouts of depression, she managed to write Shirley and Villette. Still, she never overcame her grief over the loss of her sisters and, beset by ill-health, she died in 1855.

Read an Excerpt

Table of Contents


Introduction     7
Biographical Sketch     9
The Story Behind the Story     11
List of Characters     14
Summary and Analysis     18
Critical Views     45
John Maynard on Jane's Sexual Awakening     45
Irene Tayler on Bronte's Heroines     51
Anita Levy Contrasts Jane, Blanche, and Bertha     56
John G. Peters on Jane's Otherness     61
Lawrence J. Starzyk on the Significance of Pictures     74
Micael M. Clarke Compares Jane to Cinderella     80
Works by Charlotte Bronte     90
Annotated Bibliography     91
Contributors     94
Acknowledgments     96
Index     97

What People are Saying About This

Clive Barnes

The novel that cries out for the stage has gotten the stage. The story is beautifully adapted and acted.
The New York Post

Virginia Woolf

So we open Jane Eyre... The writer has us by the hand, forces us along her road, makes us see what she sees, never leaves us for a moment or allows us to forget her. At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Bronte.... It is the red and fitful glow of the heart's fire which illuminates her page.

From the Publisher

"Renowned artists are commissioned to design the binding for each of [White's Books]'s beautifully crafted hardcovers."  —Fuck Yeah, Book Arts!

Reading Group Guide

1. In Jane Eyre, nothing can better show a man's moral worth than the way in which he treats the women in his life. How is Rochester's character reflected in the way he treats Jane, Adele, Bertha Mason, and Miss Ingram, and in his reported treatment of Celine Varens? How is St. John's character reflected in the way he treats Jane, Miss Oliver, and Diana and Mary? Why does this serve as such a good gauge of a man's morality and worth? What other relationships serve similar functions in the novel?

2. Throughout the novel, questions of identity are raised. From her identity as an orphan and stranger in the hostile environment of Gateshead Hall to that of a ward of the church at Lowood; from her being a possible wife of Rochester, then of St. John, to being the cousin of Diana and Mary, Jane is constantly in transition. Trace these changes in identity and how they affect Jane's view of herself and the world around her. Describe the final discovery of her identity that becomes apparent in the last chapter of the novel and the events that made that discovery possible.

3. Throughout the novel, Charlotte Brontë uses biblical quotes and religious references. From the church-supported school she attended that was run by Mr. Brocklehurst to the offer of marriage she receives from St. John, she is surrounded by aspects of Christianity. How does this influence her throughout her development? How do her views of God and Christianity change from her days as a young girl to the end of the novel? How is religion depicted in the novel, positively or negatively?

4. Many readers of Jane Eyre feel that the story is composed of two distinct parts, different in tone and purpose. Thefirst part (chapters 1-11) concerns her childhood at Gateshead and her life at Lowood; the second part is the remainder of the story. Is creating such a division justified? Is there a genuine difference of tone and purpose between the two sections as they have been described? Some critics and readers have suggested that the first part of Jane Eyre is more arresting because it is more directly autobiographical. Do you find this to be true?

5. Upon publication, great speculation arose concerning the identity of the author of Jane Eyre, known only by the pen name Currer Bell. Questions as to the sex of the author were raised, and many critics said that they believed it to be the work of a man. One critic of her time said, "A book more unfeminine, both in its excellence and defects, it would be hard to find in the annals of female authorship. Throughout there is masculine power, breadth and shrewdness, combined with masculine hardness, coarseness, and freedom of expression." Another critic of the day, Elizabeth Rigby, said that if it was the product of a female pen, then it was the writing of a woman "unsexed." Why was there such importance placed on the sex of the author and why was it questioned so readily? What does it mean that people believed it to be the product of a man rather than of a woman?

6. Scenes of madness and insanity are among the most important plot devices in Jane Eyre. From the vision Jane sees when locked in the bedroom at Gateshead to her hearing the "goblin laughter" she attributes to Grace Poole, to the insanity and wretchedness of Bertha Mason, madness is of central importance to the plot and direction of the story. Give examples of madness in the text, and show how they affect the reader's understanding of the character experiencing the madness and how these examples affect the reader's understanding of the characters witnessing it.

7. There is probably no single line in the whole of Jane Eyre that has, in itself, attracted as much critical attention as the first line of the last chapter: "Reader, I married him." Why is the phrasing of this line so important? How would the sense be different-for the sentence and for the novel as a whole-if the line read, "Reader, we were married"?

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