Publishers Weekly - Publisher's Weekly
The protagonist of this good-humored though long-winded novel is a chimpanzee. Jennie lives for almost a decade during the 1970s and enjoys the period's activities, e.g., peace marches and dropping LSD. Written in the form of diary entries and interviews, the narrative draws on research with actual primates (Preston is the author of Dinosaurs in the Attic and other nonfiction works on scientific subjects) and advances the theory that chimps are nearly human. Naturalist Dr. Hugo Archibald delivers baby Jennie from her dying mother in the Cameroons and brings her home to his American family. His young son Sandy bonds with Jennie, but daughter Sarah, only eight months old when Jennie arrives, grows to fiercely resent the chimp. A minister who sees Jennie as a ``child of God'' teaches her about Jesus. After being trained in ASL (American Sign Language), the apt chimp learns to converse, wheedle, taunt, lie and swear. Her antics resemble those of a gleeful, willful human brat, given to tantrums that include tearing up furniture. She hoards and steals. She shops at Bloomingdale's. She meets celebrities. She gets arrested. Sexual maturity is Jennie's downfall. Sent to a wildlife camp, she identifies her fellow chimp as a ``black bug,'' feels betrayed and violently grieves for her lost freedom. The tale gives Preston a chance to discourse on evolution and socialization, aggression, love, suffering and death, successfully integrating these topics into his whimsical narrative. While some readers may delight in Jennie's exploits, others may find the narrative cartoonish and one-dimensional, a joke that keeps repeating itself in different keys. 50,000 first printing; film rights to Disney; audio by Brilliance; author appearances. (Oct.)
Library Journal
Jennie, an orphan chimpanzee, is brought to America from Africa by anthropologist Hugo Archibald. Jennie learns American Sign Language, which allows her to communicate with her new family, neighbors, and scientists. Major problems arise when Jennie becomes an adolescent, and her forced realization that she is not human has catastrophic results. The novel is divided into a series of interviews and diary entries made by the various people who have a hand in raising Jennie. So realistic are these different accounts of Jennie's life that many readers will believe the book is a nonfiction case history of a chimpanzee. The book's conclusion raises provocative questions about our relationship to, and treatment of, other species. This first novel features an enchanting heroine who will not soon be forgotten by readers. An excellent purchase for public libraries of all sizes.-Nancy Pearl, Washington Ctr. for the Book, Seattle
From the Publisher
Engaging and touching . . . A remarkable book.” —The Denver Post on Jennie
“Brilliant and complex. Jennie is a dazzling fiction debut.” —Los Angeles Times
“A poignant, thought-provoking story.” —The Wall Street Journal
“A haunting account of the nebulous line between man and animal. . . . Tragic, dark, irresistible.” —Boston Herald
“I love Jennie, the book and the chimp . . . a very remarkable person and a very important book.” —Jane Goodall, bestselling author of In the Shadow of Man
“An amazing story.” —Entertainment Weekly
“Engrossing story of a chimp experiment . . . Jennie is a believable character, both hilarious and heart-breaking.” —Cleveland Plain Dealer
“An enchanting morality tale in which genes and evolution replace fates of ancient tragedy. . . . Preston sticks to scientific fact and so it's to his credit that he reader finds himself asking 'Is Jennie human?' and to the end is never convinced that she is not.” —Dallas Morning News
APR 95 - AudioFile
Jennie, a chimp brought from Africa and raised as a human by an anthropologist and his family, is the subject of this enthralling tale. Written as a diary, the fictional work is brought into the realm of theater by this unique approach. A different actor reads each role, developing each character--and the listener’s perceptions--throughout the ten-hour presentation. The individual performances combine to form a cohesive whole, which never loses momentum. Even readers reluctant to read “animal stories” will put aside their misgivings. Highly recommended. R.B.F. ©AudioFile, Portland, Maine
