Jo: An Adaptation of Little Women (Sort Of)

by Kathleen Gros, Kathleen Gros (Illustrator)

Overview

A modern-day graphic novel adaptation of Little Women that explores identity, friendships, and new experiences through the eyes of thirteen-year-old Jo March. A must-read for fans of Raina Telgemeier.

With the start of eighth grade, Jo March decides it’s time to get serious about her writing and joins the school newspaper. But even with her new friend Freddie cheering her on, becoming a hard-hitting journalist is a lot harder than Jo imagined.

That’s not all that’s tough. Jo and her sisters—Meg, Beth, and Amy—are getting used to a new normal at home, with their dad deployed overseas and their mom, a nurse, working overtime.

And while it helps to hang out with Laurie, the boy who just moved next door, things get complicated when he tells Jo he has feelings for her. Feelings that Jo doesn’t have for him…or for any boy. Feelings she’s never shared with anyone before. Feelings that Jo might have for Freddie.

What does it take to figure out who you are? Jo March is about to find out.

Product Details

ISBN-13:	9780062875983
Publisher:	HarperCollins
Publication date:	09/22/2020
Sold by:	HARPERCOLLINS
Format:	eBook
Pages:	272
File size:	103 MB
Note:	This product may take a few minutes to download.
Age Range:	8 - 12 Years

About the Author

Kathleen Gros is a cartoonist living in Vancouver, British Columbia. She graduated with a BFA in illustration from Emily Carr University of Art and Design, and she published her first graphic novel, Last Night at Wyrmwood High, soon after. To learn more about Kathleen and her comics, visit her online at www.kagcomix.com.

Editorial Reviews

08/10/2020

While repackaging Jo’s story for a contemporary readership, this gentle, warm graphic novel adaptation will remind readers why the March family is long beloved. In Gros’s update, the heroine is a white 13-year-old blogger who faces mild challenges with the support of her sisters and Marmee; chats via video with their deployed father; and harbors a crush on classmate Freddie, a bespectacled Black girl. Beth’s recovery from leukemia and Jo’s coming out—first to instantly accepting Marmee, next via a school newspaper essay—add a contemporary optimism not present in the more bittersweet original, in which familial closeness was an antidote to a harsher reality. Jo declares in her article, “What scared me most about coming out was how people would react. I was scared my parents would be disappointed,” but Gros doesn’t really hint at this fear beyond a bit of blushing. Friendly illustrations have an Archie-and-Veronica quality that, alongside a lack of chicken pox vaccines and a presence of introductions using pronouns, makes for a hazy temporal setting, but it’s impossible not to root for Jo and family, and to celebrate their victories, however easily won. Ages 8–12. Agent: Jill Corcoran, Jill Corcoran Literary. (Sept.)

Publishers Weekly

"This book deals with attraction in a way that will be comforting to readers . . . Louisa May Alcott would approve."   — Kirkus Reviews

“This gentle, warm graphic novel adaptation will remind readers why the March family is long beloved." — Publishers Weekly

“A super-cute, heartstring-strumming, accessible rendition.” — School Library Journal

From the Publisher

09/01/2020

Gr 5–8—A middle grade graphic novelization on the tail end of Little Women's latest resurgence. As aspiring writer Jo March begins eighth grade, she maintains an anonymous blog and, despite initial trepidation, joins the school newspaper while supporting her sisters—Meg, Beth, and Amy—and mother Marmee, who's balancing work, family, and her husband's deployment. When best friend Laurie confesses unrequited romantic interest, it only makes things more complicated—especially since Jo's smitten with Freddie Bhaer, the paper's female editor. Whether fitting in, coming out, or taking care, Jo leads a life that's at once conventional and convoluted, but the March women always get by with a little effort and a whole lot of love. Over 150 years, Little Women has been reimagined for every conceivable medium and succeeding generation. Gros's version, told through Jo's introspective blog posts and dialogue, pops with clean, bright digital illustrations. Generally, characters map one to one with source material. All named characters except for Freddie, who is brown-skinned, are white; numerous characters of color are featured in the background. Superfans may spot a few Easter eggs: Meg's high school, for instance, is named after Little Women's original publisher, and the middle school is named after the editor who helped shape the book. And since some readers must know in advance, Beth doesn't die. VERDICT A super-cute, heartstring-strumming, accessible rendition.—Steven Thompson, Bound Brook Memorial P.L., NJ

School Library Journal

2020-07-14
A graphic-novel version of Little Women, with a few modern twists.

The story begins with eighth grader Jo introducing the family via her blog: Oldest sister Meg is starting high school; precocious Amy, the youngest, loves to draw; Marmee works as a nurse; and Dad’s overseas doing top-secret work for the army. Readers later learn that Beth, 11, is in remission for leukemia. On the first day of school, confident Freddie, editor of the school paper, invites Jo to join the newspaper club. Near Halloween, a boy named Laurie moves next door, and soon he and Jo are close friends. Valentine’s Day sees Laurie admitting to a crush on Jo, which causes Jo to realize that she also has a crush—on Freddie. With help from wise, unconditionally accepting Marmee, Jo comes out, by the end of the school year writing about being gay and her fear of facing homophobia and rejection in a school newspaper article. The characterization and much of the setup come directly from Alcott’s novel, and, as in that book, the loving, supportive family relationships are the strongest feature. This book deals with attraction in a way that will be comforting to readers. The clean, simple, full-color artwork suits the story well, and the layout of the panels is easy to follow. The March family is White; Freddie is Black.

Louisa May Alcott would approve. (Graphic fiction. 9-13)

Kirkus Reviews