Table of Contents
List of figures ix
Acknowledgements xi
Introduction 1
Part I Staging classics in the British mainstream (1989-2011) 21
Foundations I 23
1 Out of place: Mitchell and early modern drama 41
2 Flesh and blood: Mitchell, Chekhov, and immersive realism 72
3 Come and see: Mitchell, Euripides, and ethical witnessing 101
Part II The pivot to Live Cinema (2006-2008) 131
Foundations II 133
4 Moments of being: Live Cinema and the novel 143
Part III Adventures in Europe and avowing feminism (2008-2018) 169
Foundations III 171
5 Watch me vanish: Mitchell's alternative feminist (German) canon 189
6 Birch and Crimp: Mitchell's collaborations with living writers 218
Conclusion 248
Appendix: Mitchell's production chronology 254
Index 263