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Overview
A journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.
BURN & GLOOM! GLOW & MOON! Thousand Years of Troubled Genders was the most comprehensive exhibition to date of Vienna-based artist and filmmaker Katrina Daschner. It was curated by Övül Ö. Durmuşoğlu and encompassed works from the 1990s to the present, ranging from sculptures, textiles, music, performance, community-based work, and, most prominently, film, which sits at the heart of Katrina Daschner’s practice. This publication transfers the immersive environment of senses, textures, and feelings created in the exhibition into book form. Just like the exhibition, it confronts, touches, embraces, and dreams of transforming “femme”-ness, transforming bodies, and transforming genders.
With stylized performances and video works, Daschner plays with the boundaries of human and non-human, and what is socially defined as the norm, exposing the artificiality of the gendered binary—the dualism of men* and womxn—and the prejudices it generates, freeing the body. In doing so, the stage becomes the setting for a precarious desire for visibility and, at the same time, an endless yearning for rebirth. The bodies that perform and the potential audience that follows them mutate and embody different emotional cycles again and again. These artistic acts generate their own community in the making; everyone participating contribute to the stories in the making. They function like threads attaching her stories, stages, and characters together. In Daschner’s textile-based works, threads are minimal yet highly visible, akin to the pinch needed to wake up from a dream. These works—as well as her collages—merge with her confronting yet inviting image politics: she cuts and pastes stories of love and pleasure, violence and resilience, death and rebirth.
The written contributions reflect on Katrina Daschner as part of a hardworking generation of queer artists and makers who have been responding to the major conceptual shifts and gender upheavals happening in contemporary art since the 1990s, especially in New York and London. They highlight Katrina Daschner’s longstanding line of intersectional queer interest that continues to undermine (neo-)liberal, heteropatriarchal conceptions of sexuality, gender, subjectivity, and relationships.
Copublished by Kunsthalle Wien
Contributors
Rike Frank, Amelia Groom, Tim Stüttgen
BURN & GLOOM! GLOW & MOON! Thousand Years of Troubled Genders was the most comprehensive exhibition to date of Vienna-based artist and filmmaker Katrina Daschner. It was curated by Övül Ö. Durmuşoğlu and encompassed works from the 1990s to the present, ranging from sculptures, textiles, music, performance, community-based work, and, most prominently, film, which sits at the heart of Katrina Daschner’s practice. This publication transfers the immersive environment of senses, textures, and feelings created in the exhibition into book form. Just like the exhibition, it confronts, touches, embraces, and dreams of transforming “femme”-ness, transforming bodies, and transforming genders.
With stylized performances and video works, Daschner plays with the boundaries of human and non-human, and what is socially defined as the norm, exposing the artificiality of the gendered binary—the dualism of men* and womxn—and the prejudices it generates, freeing the body. In doing so, the stage becomes the setting for a precarious desire for visibility and, at the same time, an endless yearning for rebirth. The bodies that perform and the potential audience that follows them mutate and embody different emotional cycles again and again. These artistic acts generate their own community in the making; everyone participating contribute to the stories in the making. They function like threads attaching her stories, stages, and characters together. In Daschner’s textile-based works, threads are minimal yet highly visible, akin to the pinch needed to wake up from a dream. These works—as well as her collages—merge with her confronting yet inviting image politics: she cuts and pastes stories of love and pleasure, violence and resilience, death and rebirth.
The written contributions reflect on Katrina Daschner as part of a hardworking generation of queer artists and makers who have been responding to the major conceptual shifts and gender upheavals happening in contemporary art since the 1990s, especially in New York and London. They highlight Katrina Daschner’s longstanding line of intersectional queer interest that continues to undermine (neo-)liberal, heteropatriarchal conceptions of sexuality, gender, subjectivity, and relationships.
Copublished by Kunsthalle Wien
Contributors
Rike Frank, Amelia Groom, Tim Stüttgen
Product Details
| ISBN-13: | 9781915609311 |
|---|---|
| Publisher: | MIT Press |
| Publication date: | 04/23/2024 |
| Pages: | 272 |
| Product dimensions: | 8.50(w) x 10.50(h) x 1.04(d) |
About the Author
Katrina Daschner has lived and worked as an artist and filmmaker in Vienna since the mid-1990s, where she founded numerous performance salons. In her works and films, she deals with (gender-specific) power structures and the representation of queer sexuality as well as the transfer of stage language to the exhibition and film context. From 2005 to 2010, she taught at the Academy of Fine Arts Vienna. In 2010, she was awarded the Otto Mauer Prize, and the Diagonale Prize for Innovative Cinema in 2017. In 2018, she was awarded the Outstanding Artist Award for Experimental Film by the Federal Chancellery of Austria.
What People are Saying About This
From the Publisher
"Addressing and performing the ways of being and nonbeing, Daschner’s multimedia, all-encompassing, powerful work is about becoming, making one feel less alone."
—Hana Ostan Ožbolt
"Glamorous Lesbians, Badass Queers, Flirtatious Sensual Plants and Swamps; it’s like having your abstract desires turn into images you can touch."
—Denice Bourbon
"The possibilities of queer form and life feel endless in Daschner’s work. Surfaces—of skin, jellyfish, water, hair, glitter, wool, bark—flow in and out of each other, assembling a body of work that simply leaves you in awe and always wanting more."
—Hendrik Folkerts
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