Kaveena
246
Kaveena
246eBook
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Overview
This dark and suspenseful novel tells the story of a fictitious West African country caught in the grip of civil war. The dispassionate and deadpan narrator, Asante Kroma, is a former head of Secret Services and finds himself living with the corpse of the dictator, a man who once ruled his nation with an iron fist. Through a series of flashbacks and letters penned by the dictator, N'Zo Nikiema, readers discover the role of the French shadow leader, Pierre Castaneda, whose ongoing ambition to exploit the natural resources of the country knows no limits. As these powerful men use others as pawns in a violent real-life chess match, it is the murder of six-year-old Kaveena and her mother's quest for vengeance that brings about a surprise reckoning.
Product Details
| ISBN-13: | 9780253020567 |
|---|---|
| Publisher: | Indiana University Press |
| Publication date: | 03/28/2016 |
| Series: | Global African Voices Series |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 246 |
| File size: | 1 MB |
| Age Range: | 18 Years |
About the Author
Boubacar Boris Diop, one of Africa's most original and important authors, has written six novels including Murambi, The Book of Bones (IUP). He currently writes and teaches in Senegal.
Sara C. Hanaburgh is an independent scholar of African literature and cinema and translator of Angèle Rawiri's Fureurs et cris de femmes.
Bhakti Shringarpure is Assistant Professor of English at the University of Connecticut (Storrs). She is cofounder and editor in chief of Warscapes magazine, which publishes art and literature about contemporary conflicts.
Ayo A. Coly is Associate Professor of Comparative Literature and African Studies at Dartmouth College and author of The Pull of Postcolonial Nationhood: Gender and Migration in Francophone African Literatures.
Read an Excerpt
Kaveena
By Boubacar Boris Diop, Bhakti Shringarpure, Sara C. Hanaburgh
Indiana University Press
Copyright © 2016 Indiana University PressAll rights reserved.
ISBN: 978-0-253-02056-7
CHAPTER 1
I DON'T KNOW WHAT HIS LAST WORDS WERE.
He twitched his lips when he saw me come in. The movement was very brief, almost imperceptible. Maybe he was just asking me to shut the door or get him a drink. I'm sure it must have been something very banal. The man, whom I knew well, was not the type to come up with famous sayings that would resonate from generation to generation. He didn't care about that sort of thing. I also don't think he recognized me. He had most likely lost consciousness several weeks earlier. Later I learned that by then he didn't remember anything anymore. Not even the fact that he had been a powerful man, and that the mere mention of his name would make hearts stop with fear.
I wanted to close his eyes, but my natural reflex as a policeman held me back. A woven loincloth covered the lower section of his body, and a short faso danfani tunic in pale yellow with wide gray vertical stripes left his skinny, wrinkly flank exposed. His arms lay scattered on the bed. They looked useless, as if they'd been separated from his torso. A black metal square stuck out from under the pillow. It was an automatic pistol. A 7.65. I used a handkerchief to pick it up. As I'd suspected, it was loaded but hadn't been discharged.
I backed up a little to get a look at the entire corpse. The man was spread out lengthwise on the living room couch, his feet slightly parted and pointed toward the street. I say street, but it's really the end of a small path wedged between acacia and mango trees, so narrow it first looks like a cul-de-sac. It is a small, discreet bit of Jinkoré, a fairly calm neighborhood. During the civil war, which ended less than four months ago, the district had been fiercely disputed territory. The leaders of armed factions — there were so many — were convinced that seizing control of Jinkoré was enough to take over the capital, and thus the rest of the country. This is the reason why fighting here was particularly violent and so many atrocities occurred.
At first it might seem unfathomable that N'Zo Nikiema would decide to take refuge in this place. If his enemies knew, they would say he didn't have a choice. I suppose he didn't have the time to think it over when Pierre Castaneda's militias seized the presidency. But I doubt the rumors are true that he disguised himself as a Red Cross aid worker in order to slip through the destruction as mortar shells rained over the palace. That would mean that he had not prepared himself for the situation. Nothing could be more false: Nikiema never found himself taken by surprise. The truth is that many of our fellow citizens still hate him. So much so that they need to believe that Nikiema, overcome with panic at the last minute, lost his arrogance and hightailed it like a rabbit, yelling in terror and calling out to his mother for help. I was a witness, thanks to my role as chief of the secret police during the final hours of Nikiema's rule, and I can attest to the fact that that was not how things went down. Nikiema fooled us all by coming to stay in this small house in Jinkoré. At the same exact time we were securing the borders to impede him from joining his family in exile. He must have had a good laugh at that.
The door at the back opened into a second room. On the wall to the right, a bogolan curtain, blackened with a mix of dust and smoke, caught my eye. The wide, dark opening between the two curtain panels revealed a very poorly lit place. I went toward it, and standing in the doorway I turned my head in every direction. The darkness was almost total. After a few seconds, I could almost make out the outline of a table stretched out lengthwise in the middle of the room. I thought maybe an armed man was lurking in the shadows, ready to discharge his weapon into my chest. Actually I was not afraid. The idea came to me by force of habit: the war is not completely over in our minds.
I parted the bogolan and looked for the light switch. It made a click but the room remained dark. I remembered it would soon be ten days that the city had been without electricity. Luckily, I always have a flashlight with me. In its yellow light, I discovered a sort of storage room converted into a painting studio. Two of its walls were covered in paintings. One was still on an easel. On the long rough wooden table — or rather, the irregularly assembled planks — were several cans of colored paint, rolls of canvas, and a small toolbox.
This quick inspection was sufficient for me. I promised myself I'd go over the house and its surroundings with a fine-tooth comb the next day. The dining room and the eat-in kitchen would perhaps reveal the secret of President Nikiema's death. It wouldn't be easy since I planned on doing everything myself. Under normal circumstances, I'd have called my men and joked, "This little bird is food for the worms." Well, maybe I wouldn't have said exactly that, but something of the sort. That's our undercover cop humor. The work we do is very hard. Tracking people down and killing them — sometimes knowing they are innocent — is not an easy job. We need our jokes to convince ourselves that life is not such a serious thing and, in the end, to kill or be killed are one and the same. In any case, my guys would have turned up in Jinkoré without delay. Then our bosses would have joined the dance. For such a huge catch, Pierre Castaneda would have been the only one to have a say in the matter. I'm not supposed to concern myself with his emotional state, but I think he would be unhappy not to have gotten N'Zo Nikiema alive.
He'll be spared the upset since I want to play solo for a bit. Time to wait and see what happens. I fear Pierre Castaneda more and more. He has become very suspicious and might find it odd that I found the fugitive all by myself. It looks bad for me. And if one day Pierre Castaneda, looking straight into my eyes, says to me, "Between us, Colonel Kroma, do you think it's possible to just chance upon the hiding place of a fleeing head of state? You know very well that's absurd," if one day he does ask me, I'll leave the factual evidence aside and say this: "No, Mr. Minister of State, it is not possible. It makes no sense."
I can just see him raising his hands toward the sky, apparently sorry. "So then tell me what happened, my dear Asante."
From that moment on, there will be only one way out for me: to admit to crimes I did not commit — a strategy to carry out a coup d'état, or whatever else — in order to have the right to die in peace. I mean to die without being tortured. These are the rules of the game and I know them well.
Across from the bed on which N'Zo Nikiema lies, there is a wicker chair. I sit down on it, my arms crossed at my chest, my head slightly tilted to the left. My legs knock together lightly in spite of me, from my knees to my ankles. Those who know me well would easily guess how tense I am. Of course, to see this man so dreaded not long ago reduced to a small mass of inert flesh makes me think about the vanity of human passions. I don't dwell on this, though. I am particularly concerned with what I am really going to be able to do with Nikiema's body. I have no idea. I decide to proceed secretly with the investigation, for whatever purpose it will serve. I still want to know more about N'Zo Nikiema's last months inside these four walls.
That is most definitely a story worth telling. For the living? I suppose, but perhaps especially for the future. Fate has burdened me with this task. I'll carry it out as best as I can. I am going to share this tale of young hooligans, femmes fatales, and those wounded by life with whoever wants to hear it. It's funny. For once, I am going to tell stories instead of keeping them to myself. It's a little intimidating for me too, I have to say.
As I leave, I make sure that no one could have seen me. Once outside, I realize something that had escaped me at first: The door to the living room can be made invisible by an ingenious system that transforms the doorknob into a simple decoration. I disappear into the high grass, and when I believe I'm far enough away, I look back. The small house in Jinkoré is nothing more than a block of gray cement with metal spikes jutting out of its roof.
* * *
Through the window, I can see clouds gathering in the sky over the Bastos II district. A bird with a red beak that's too long for its tiny little body comes crashing into the window. It lets out a cry and then disappears. I turn to Ndumbe, whom I had called in a few minutes before. "Where have you been?"
Ndumbe stares at me. Before answering, he wants to know if I woke up on the right side of the bed. Of course, he's going to lie, but he doesn't want to tell the wrong lie. That's his forte. He has been getting to work later and later, almost always at the end of the morning. Soon he'll start missing entire days. He starts to explain, and I just motion him to be quiet. As he returns to his office, I reproach myself for letting my bad mood get the better of me. When it comes to the small everyday things, my state of mind can shift rather quickly. I am not so sensitive when I interrogate the detainees. That goes without saying. But in normal life, I hate to humiliate people. What I just did with Ndumbe is not good. I must say, too, that Inspector Ndumbe, the others, and I make a real team. In our line ofwork, we don't much like the bosses who play boss. We let them carry on and they have little to show for it.
I call him back in. "Come in, Ndumbe, sit down," I say.
My voice has clearly softened, though it does not seem to have the effect I'd intended. Ndumbe sits down on the chair facing me, sullen, his expression somber. "There's a new development," he says.
Ndumbe is what we call an elite element. I had put him on the Nikiema case from the beginning. "Listen, Ndumbe, I want to tell you one thing first: you are the best guy here, but you're starting to feed me bullshit."
"I'm tired, man."
I stare at him silently for a while, to make him believe I am just as shocked as I am enraged and infuriated that things could get ugly, and that even if I had superhuman abilities, I would not be able to control myself. Then, apparently overcome with rage, I throw this at him: "You mean you're poorly paid? You want to be decorated and get promoted, is that it? Is that it, Ndumbe?"
He just looks back at me. I sense he is a little confused. He stammers, "It's so tough in this country."
Ndumbe's problem is simple: he's recently fallen for a young lady from high society and he's got to provide for her. He spends lavish weekends on the coast and he needs more and more cash. But I'm supposed to ignore all that. So I spin it differently: "I know, my man, you're worried about your wife and kids. That's fine, Ndumbe. But you think I'm well paid? And all the other guys here? We don't believe in money here. We are in the service of the state. Imagine if we arrest former president Nikiema. This guy's going to shudder at the sight of you, and you're going to yell at him. Is that nothing to you? And that's not even the biggest thing. More than anything you're going to keep this country from engaging in another civil war. Do you think there is enough money in the state's coffers to pay for that?"
Glumly, he says, "OK, boss, I got it."
"Good. So, speaking of the N'Zo Nikiema case, what's new?"
"We've located him."
For a moment, things are muddled in my mind. Does Ndumbe know that I went to the small house that he himself had pointed out and that I have already seen Nikiema's corpse? Very naturally, I say, "Located? So, where?"
"In Ewum. A small village on the border."
I am so utterly relieved that I start making fun of him. "Are you kidding me, Ndumbe? The border? Which border?"
"He is among the refugees coming from Tendi," Ndumbe continues. "He was disguised as a nurse, but one of my men recognized him."
"Why didn't you say anything earlier?"
He replies dryly, in the tone of someone who is taking his revenge: "I come in and you reprimand me, boss. You didn't let me get a word in."
"OK. Tell me, man. I want all the details."
I suddenly sense him swelling with self-importance.
There's a reason behind it. Since Nikiema fled, the state — that's to say Pierre Castaneda — has no clue anymore where its head is.
Before going any further, I would like to give some advice to the reader: he will encounter from time to time in this narrative the name of the new president, Mwanke. He should pay no attention to it. We also know almost nothing about him. He was Pierre Castaneda's private secretary during the colonial period, and now for four months he hasn't stopped trying on the head of state's new clothes. He learns fast, though. His words are less bungled, his bovine gaze diminished, and as for the way he carries himself — for a true charismatic leader must display his arrogance — there too he has made noticeable progress. Ifwe stick to the facts that I am reporting here, Mwanke is a secondary character with a grand-sounding title. The military gives him honors, delirious crowds cheer for him, and courtiers pander to him. In short, he is the president. I will therefore call him President Mwanke. That's the way it's got to be. Aside from that, he's a loser and he can go to hell or drop dead with his mouth gaping open. That wouldn't change anything in our history.
Coming back to Ndumbe's alleged discovery, it's important for one simple reason: the fugitive held this country for nearly thirty years. He is thus capable of blackmailing a lot of people. My guys and I have been known to take out judges and journalists. Nikiema risks taking the easy way out with those he trusts. That's how it is for any ordinary guy: the man has nothing more to lose and he could really sully many reputations if he publishes photos or documents. Names can be leaked to the press. But, believe it or not, there's no chance it's really going to get the new authority's attention. Everyone knows how we've managed to maintain certain agitators.
On the other hand, the images of little Kaveena's murder could cause some serious political damage. People are apt to be cynical and won't be able to handle watching the reel of this ritual killing. Kaveena, the little six-year-old girl. I saw the video back then. The man who holds the real power today, Secretary of State Pierre Castaneda, appears in every scene. In one shot, he has a bloodstain — little Kaveena's blood — on his lips and he wipes it off with his fingertips as he laughs like the devil. Don't ask me what made Castaneda behave like that that day. I have no idea. I'll merely venture a simple explanation that's only worth — well — what it's worth! I've met a lot of people like Pierre Castaneda throughout my life. The more these men want to be powerful, the more they secretly want to destroy themselves. It's an infernal coupling: the desire for power and self-destruction. When you're around guys like Castaneda or N'Zo Nikiema for a while, you manage to not even be able to hate them anymore. Even when they are cruel and ready to bury anyone alive who happens to pass through their midst, there is always a moment, a brief moment of truth when they pity you. You see very clearly that they are just like little lost children, sucked into the power vacuum just as others are fascinated by death.
I think of all this while Ndumbe is giving me his report. I listen to him distractedly. I notice certain tics he has — in particular a light twitching of the eyebrows — playing off my inexpressiveness. He has seen me work day and night on this investigation. And now that we've got the old man, he can sense how utterly unexcited I am.
As Ndumbe speaks, I see N'Zo Nikiema's corpse again in the small house in Jinkoré. Ndumbe's self-assurance stupefies me. How can it be that he doesn't have the slightest doubt? All of a sudden, a strange feeling comes over me. I ask myself, could it be that Ndumbe has been assigned to keep me under surveillance?
Anyway, I was wrong to demand all the details from him. He tries his best not to leave any out. Doing so nonetheless proves distressing to him, and he gets so muddled up that he has to stop himself twice and beg — agitatedly — for my permission to continue his narrative.
For no apparent reason, he insists on talking to me about his informant. "A very clever fellow," he insists. "I've never had one like that."
(Continues...)
Excerpted from Kaveena by Boubacar Boris Diop, Bhakti Shringarpure, Sara C. Hanaburgh. Copyright © 2016 Indiana University Press. Excerpted by permission of Indiana University Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Table of Contents
Contents
FOREWORD / Ayo A. Coly, xix,KAVEENA, 1,