Praise for The Keeper of Lost Causes “Plan on putting everything else in your life on hold if you pick up this book.”—The Oregonian “Of all the fun I've had this year with the Scandinavian canon, The Keeper of Lost Causes is the one I'd be most eager—and reluctant—to loan.”—The Boston Globe “The pages fly by as the twisty puzzle unfolds. Stieg Larsson fans will be delighted.”—Publishers Weekly (starred review) “Far from being just another morose Nordic crime writer, Adler-Olsen creates a detective whose curiosity is as active as his soul is tortured.”—Library Journal (starred review) “Adler-Olsen's prose is superior to Larsson's, his tortures are less discomfiting, and he has a sense of humor.”—Booklist (starred review) “The new ‘it' boy of Nordic Noir.”—The Times (London) “The Keeper of Lost Causes is dark, atmospheric, and compelling. Those who loved The Girl with the Dragon Tattoo will devour this book.”—#1 New York Times bestselling author C. J. BoxMore Praise for Jussi Adler-Olsen's Department Q series “If you like the dark humor, wisecracking, and layered betrayals of Raymond Chandler, then read Adler-Olsen’s Department Q series.”—Men's Journal “A tense, pleasurable read.”—USA Today “[A] sordid tale...inspired by actual events during a dark period of Danish history. Ah, but there is more, so much more in this frenzied thriller.”—The New York Times Book Review “This book is not for the faint of heart, but for readers who enjoy dark humor and wisecracking hero's and heroines, you’ll love Department Q.”—Suspense Magazine “It can be hard to distinguish Scandinavian crime writers—there are a lot of them, and their names have consonant clusters and umlauts and all that jazz—but Jussi Adler-Olsen is a name to know. In a crowded genre, Adler-Olsen is an outlier.”—GQ.com “Adler-Olsen merges story lines...with ingenious aplomb, effortlessly mixing hilarities with horrors...This crime fiction tour de force could only have been devised by an author who can even turn stomach flu into a belly laugh.”—Publishers Weekly (starred review) “This series has enough twists to captivate contemporary mystery readers and enough substance and background to entertain readers with historical and literary tastes.”—Library Journal (starred review) “When your series relies on cold cases, it’s not always easy to craft plots that have both historical interest and an air of urgency, but it’s something Adler-Olsen is very good at.”—Booklist
“Adler-Olsen's prose is superior to Larsson's, his tortures are less discomfiting, and he has a sense of humor.
Booklist (starred review)
“The new ‘it' boy of Nordic Noir.
“Plan on putting everything else in your life on hold if you pick up this book.
“The Keeper of Lost Causes is dark, atmospheric, and compelling. Those who loved The Girl with the Dragon Tattoo will devour this book.
“The Keeper of Lost Causes is dark, atmospheric, and compelling. Those who loved The Girl with the Dragon Tattoo will devour this book.
“The new ‘it' boy of Nordic Noir.
“Adler-Olsen's prose is superior to Larsson's, his tortures are less discomfiting, and he has a sense of humor.
-Booklist (starred review)
“Plan on putting everything else in your life on hold if you pick up this book.
The Keeper of Lost Causes is dark, atmospheric, and compelling. Those who loved The Girl with the Dragon Tattoo will devour this book.
Adler-Olsen's prose is superior to Larsson's, his tortures are less discomfiting, and he has a sense of humor.
"An unusually fine and extremely fascinating thriller, which will keep you breathless till the very last page."
"As impressive as it is unnerving."
"This novel is for every Scandinavian crime fiction fan a must-read!"
Hannoversche Allgemeine (Germany)
"Jussi Adler-Olsen tells his stories as wickedly as Dean Koontz and has his detectives work as hard as Stieg Larsson."
Jydske Vestkysten (Denmark)
"Gripping storytelling."
"Jussi Adler-Olsen tells his stories as wickedly as Dean Koontz and has his detectives work as hard as Stieg Larsson."
Following the success of other Scandinavian authors, Denmark's best-selling crime writer makes his American debut with this first novel in the Glass Key Award-winning Department Q series. Department Q is a new section of the Copenhagen Police, dedicated to resolving Denmark's most notorious unsolved crimes. A political solution to a bureaucratic problem, Department Q is further hampered by its only detective, Carl Mørck, who has lost his friends, his health, and his spirit in a recent shooting. His first case is to investigate the disappearance of a popular politician. After five years, everyone assumes she is dead, but Mørck and his assistant, Assad, who has his own political past to protect, begin to unravel her secrets. VERDICT Far from being just another morose Nordic crime writer, Adler-Olsen creates a detective whose curiosity is as active as his soul is tortured. The villain is a monster and the crime horrendous, but readers will root for the victim and for the belabored Department Q. This absorbing psychological thriller is recommended not only for fans of Henning Mankell, Jo Nesbø, and Stieg Larsson but for true crime aficionados who might like to try fiction. [See Prepub Alert, 2/14/11.]—Cathy Lantz, Morton Coll. Lib., Cicero, IL
Guilt-ridden Deputy Detective Superintendent Carl Mørck survived a vicious attack on his homicide team, which took the life of one colleague and paralyzed another. Narrator Erik Davies cleverly delivers the story of Mørck’s new life. He’s been relegated to the basement as the head of Department Q, which revives cold cases that have been shelved for years. The first to catch Carl’s eye is that of a Parliamentarian who disappeared without a trace five years before, the only witness her brain-injured brother. Davies moves eloquently through various characters and accents—from Mørck’s surly Danish to his show-stealing assistant’s Syrian. Ultimately, Davies delivers a nuanced and addictive performance that is a must-listen for fans of Scandinavian mysteries. K.O. © AudioFile 2011, Portland, Maine
Great news for fans who feared that the formula that shot Stieg Larsson's Millennium trilogy to the top of international bestseller lists couldn't be cloned: a big, leisurely Scandinavian thriller with dark hints of conspiracy, clunky descriptions, dozens of plot complications and the world's most unnuanced villains.
Five years after Danish stateswoman Merete Lynggaard vanished without a trace from a ferry crossing, Carl Mørck takes it upon himself to reopen the case. Despite the possible presence of an eyewitness, Merete's unreachably brain-damaged younger brother Uffe, the mystery has long been dismissed as unsolvable by the Copenhagen police, who think Merete must simply have slipped off the boat for reasons unknown. But Carl's in an unusually strong position to pick it up again. Banished to Department Q, his own personal cold-case unit, after a shooting left one of his best friends dead, another paralyzed and Carl himself with an incapacitating case of survivor's guilt and rage, he can choose his cases, control his budget and call on police departments throughout Denmark for help. And he'll need plenty of help, because the disappearance of Merete, who against all odds is still alive, held captive by a sociopathic family mad for revenge against the inoffensive minister, is only one of the problems he'll face. His colleagues produce painful new leads on the shooting that annihilated his own team; he's determined to put the moves on police crisis counselor Mona Ibsen, whose agenda emphatically doesn't include his romantic overtures; and he can't help growing suspicious of his remarkably talented new assistant, especially since he bears the name Hafez al-Assad. The trail to the truth is filled with authentically tedious loose ends and dead ends; the climactic confrontation with the monstrous malefactors is cathartically violent; and the final scene is unexpectedly touching.
The English-language success of Adler-Olsen's synthetic but sharply calculated debut, already a publishing phenomenon in Germany, Austria and its native Denmark, seems so assured that resistance would be futile.