Kwanza is a curious
Archie Shepp recording. Released in 1969 on
Impulse, it features cuts recorded between September 1968 and August 1969 with an assortment of lineups. Four of the album's five cuts were produced by
Bob Thiele, and one,
"Slow Drag," by
Ed Michel.
Shepp composed three tunes here, and he is in the company of musicians such as
Grachan Moncur III (who composed
"New Africa"),
Jimmy Owens,
Dave Burrell,
Wally Richardson,
Bob Bushnell,
Bernard Purdie and
Beaver Harris,
Leon Thomas,
Charles Davis,
Woody Shaw,
Cedar Walton,
Wilbur Ware,
Joe Chambers,
Cecil Payne, and others. As the title might suggest,
Kwanza is a joyful record, full of celebration in
blues and
jazz.
"Back Back" opens the set with a colossal funky
blues that feels like an out version of
the JB's with
Burrell kicking it on B-3. The all-too-brief
"Spoo Dee Doo," showcases
Thomas' unique, and truly awesome vocal stylings along with
Tasha Thomas and
Doris Troy providing a swinging backing
R&B chorus.
"New Africa" is the most vanguard track here, with a different rhythm section than on
"Back Back," and no guitar,
Burrell returns to his piano. It begins in a manner that suggests anger, but not rage. It becomes an edgeless, rounded meditation on joy and gratitude, a statement of purpose at realization and transcendence with
Shepp,
Owens. and
Davis playing alongside
Moncur as a monumental choral line in timbres; textures, big harmonic reaches and ultimately resolution.
"Slow Drag," is a funky
blues tune, it struts a minor key line that feels like a mutated
"Wade in the Water," but its Latin rhythms and the killer bass work of
Wilbur Ware make the cut a standout. The set closes with
Cal Massey's
"Bakai," a tune that walks a fringed line on the inside and swings like mad.
Kwanza may not be one of
Shepp's better known recordings, but it is certainly one of his fine ones. ~ Thom Jurek