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CHAPTER 1
'Right over there.' The grocer who pointed Seth Javel out to Benjamin January, in the hot and ill-lit back room on Avenue K, glanced at him once, then away. Bleak, dead eyes in the face of a man who has long ago learned to keep his mouth shut and not see anything.
January crossed the room. It didn't take him more than four of his long strides – he was a big man. There were 'groceries' in his native New Orleans – mostly in the 'back of town' behind Rue des Ramparts and around the turning basin – which everybody in town knew were actually barrooms catering to free black laborers and free colored artisans, to black sailors ashore from the ships that lined the waterfront and to slaves who 'slept out' (and a sprinkling of slaves on unpermitted leave from their duties). Other establishments, farther back in the swampy purlieux of the First Municipality, had tables set up in what were supposed to be only the back rooms and storage areas, and most nights hired musicians: piano, fiddle, guitar, cornet. Good musicians, too, reflected January, looking uneasily around him.
There was nothing like that, here.
Galveston was different.
Despite the English being spoken around him, January reminded himself that he was on foreign soil. The four-year-old Republic of Texas – or a state in rebellion from Mexico, depending on who you asked.
In New Orleans it was illegal to run a bar for men of African descent or to sell liquor to them, but nobody really expected the City Guards to come crashing through the door and arrest (or beat up) everybody in the place.
Here in the Republic of Texas, everybody looked as if they expected that they might.
No tables, few chairs. Roaches the size of a man's thumb, creeping along the boxes stacked by one wall. The smell of dirty clothes and dirty bodies, heavy in the damp spring air. The grocer sat on a bench between the door that led into the store itself in the front of the building, and the stair that ascended presumably to where his family slept. His stock of liquor remained in a packing box at his feet, ready to be closed and shoved under the stair at a moment's notice. A half-dozen tin cups weren't arranged on the barrels stacked beside him, but remained in a box of their own.
The men sitting on benches or barrel-halves, on crates labeled Havana Coffee or Finest French Mustard, didn't speak much, and nursed their cups of liquor on their knees or between their palms. A couple of sailors in the rough slops of the merchant ships glanced around them constantly, as well they should, reflected January as he made his way among the barrels and oil-jars. Even in the United States it was scarcely unknown for men ashore to simply disappear, if they were black and kidnappers thought they could get away with it.
Galveston was the hub of the slave trade between the Caribbean and the United States. What man, paying fifteen hundred dollars for a cottonhand, was going to believe his new slave's protests that he was in fact a free man, once his freedom papers had been torn up?
What captain was going to even bother calling the sheriff to help him look for a missing seaman, when the sheriff himself was more than likely being paid off by the kidnappers (if he wasn't actively one of them himself)? He shoulda had more sense than to go ashore ...
'Mr Javel, sir?' January stopped before the man seated in the corner, and held out the letter, folded and sealed, that he drew from his jacket pocket. 'I got a letter here for you, from Mrs Pitot.'
At the name of the woman who'd been his landlady in New Orleans Javel relaxed, and held out his hand. He was, January guessed, in his mid-twenties, though his baby-faced good looks made him appear younger. Octoroon or musterfino: a soft Spanish-brown complexion that would have let him pass for an Italian, were it not for the African contours of nose and lips. Under the gleam of macassar oil his medium-brown locks had the tell-tale deadness of hair burned by lye.
In the heat of the spring evening – in April, hotter and stickier even than New Orleans – he retained the starched linen shirt, tight-tailored jacket, and stylish cravat of a gentleman. Gloves, too, observed January, and a pearl stick-pin in his cravat.
Javel started to open the letter, then paused, studying January: six-foot-four, massive and muscular, black as coal but dressed, not like a sailor or a cottonhand but neatly, in a short jacket and a very worn calico shirt.
No slave-badge.
'Who's your master, boy?' asked Javel, his tone suddenly friendly. 'Think he'd object to it, if I buy you a drink?' January grinned shyly. 'Ain't got no master, sir. I'm a free man.'
Javel's smile warmed and widened, and he held out a friendly hand to shake. 'Then there's nobody can say a word against it, is there? On a hot night like this we all need one – and I think I need another.'
The night was, indeed, stifling, the more so because the windows of the little room were shuttered tight, and the door closed. Looking pleased and gratified and a trifle self-conscious, January sat on the nearest barrel and watched as Javel crossed the room to the grocer by the stair. Almost any black man who'd spent part of his life in slavery would be gratified, for it was seldom that the free people of color – the librés who in general despised slaves and anyone who had once been a slave – would let themselves be seen actually drinking with men who obviously had more African grandparents than they did.
But Javel had his own tin cup re-filled, and had another charged for his guest. January saw the younger man give some instruction to the grocer, and when the man disappeared up the stairs, fished in his pocket for something, his back to the room – not that anything was clearly visible through the brownish murk of cigar smoke that was illuminated only by a half-dozen tallow candles. When the grocer returned with a sleepy-looking young man Javel made another request, and from a pocket the grocer dug a notebook and a stub of pencil.
Javel tore out a page, scribbled something on it, and handed it to the grocer's ... boarder? Son? Cousin? The youth disappeared into the front of the building. Moments later the thin board walls of the back room, against which January leaned one massive shoulder, vibrated slightly as the front door of the shop was opened and shut.
Seth Javel sat beside him again, and set the two cups on the barrel – salt pork, by the smell of it – which January had helpfully maneuvered in between them to serve as a table. 'So what are you doing in Galveston ... Dang me if I didn't forget to ask your name!'
January grinned bashfully again and said, 'Danny, sir. Danny Squires. Long time ago, when I was first freed, friend of mine stayed at M'am Pitot's place, Cal Malsherbes. I got to know her then. When she heard I was shippin' on the Nabby Whately comin' down here, she asked me, would I bring you this letter? Nuthin' serious, I hope?' he added anxiously, though in fact he knew that the letter concerned the retrieval of a score of small but valuable items from a thief apprehended at the end of March. Some had been recognizable as the property of two of Javel's fellow-boarders. The letter, January was aware, asked whether Mr Javel was the owner of a blue chinasilk vest embroidered with yellow roses, and a Manton dueling-pistol with tortoiseshell insets in its handle.
Javel shook his head, folded the letter and slipped it into his pocket. 'This your first voyage out? The Nabby W's a good ship,' he added, reaching for his cup.
January, reaching for his own, startled, his glance flung past Javel's shoulder and a look of shock and horror convulsing his face. Javel spun to look, his hand sliding inside his coat where, January was fairly sure, a small pistol was concealed, since no black man in his senses walked around Galveston at this hour of the night without some means of protecting himself.
January had neatly switched the two tin cups before Javel turned back, puzzled – January, holding what had formerly been Javel's cup in one huge hand, looked abashed and said apologetically, 'I swear to God, I never seen a cockroach that big, as the one that run along the wall just now! Jesus Christ, I hates those things!'
Javel laughed with derision and relief. 'Texans are always bragging how everything in Texas is bigger and stronger and faster than anything in the United States or Mexico.' He shook his head. 'And in this case they're right, my friend. I've seen insects in this town that you could put a saddle on and ride! Confusion to them!' He picked up the tin cup before him, and raised it in a toast. 'May they frizzle in the fires of Hell!'
January grinned back, and lifted his cup in his turn. 'I'll drink to that, sir!'
Both men drained the liquor. January winced and made a face. 'Lord God, sir, I pity the horse that pissed that stuff! Poor thing's got to be sick unto death!'
Javel laughed again, heartily. Then his face changed. He lurched to his feet, gray-hazel eyes widening with momentary shock and fury before he collapsed unconscious across the barrel.
He was a slender man, for all his handsome muscularity. January picked him up easily, put him over his shoulder like a sack of meal, and remembered to pay the grocer two silver US dollars – the price of a box of cigars – on his way out.
The man's dead eyes met his, and January saw in them a sparkle of deep amusement.
Seth Javel didn't come to until the following evening. So deep was his stupor – January wondered what the hell had been in that drink – that when he pissed himself in his sleep, tied to a chair in a wooden shack in the swamps along Offat's Bayou west of town, he didn't even stir.
January was on the porch playing cribbage with Abishag Shaw of the New Orleans City Guards (currently on leave) when they heard Javel begin to groan inside. It had rained that day, the muggy rain off the Gulf, and they had just lit the smudges, made up with tobacco and gunpowder, as the swift twilight of the semi-tropics began to close in. Shaw gestured for January to stay where he was. January moved his chair a little, so that he sat closer to the door but also closer to the wall beside it, so there was no chance he'd be seen from within. All day, he, Shaw, and their friend the fiddler Hannibal Sefton had kept watch on the road that led back along the bayou toward town, in case Javel had friends who might look for him.
But no one had come.
January heard Javel moan, 'Oh, God ...' like a man with the world's worst opium-headache (No surprise there ...)
Shaw asked, 'Where's Selina Bellinger?'
'What? Who?' Javel's voice was thick and he was clearly struggling to gather his wits. 'I–I don't know anybody named Selina. Where the hell am I? And who the hell —?'
The slap of Shaw's open hand on Javel's face was like a leather belt striking a table. In exactly the same tone as before, the Kentuckian asked, 'Where's Selina Bellinger? An' don't tell me you don't know who that is.'
'I don't!' Javel's voice was a little clearer. 'Who the hell is she? And who the hell are you? Where am I?'
'That don't matter an' don't you lie to me.' Glancing briefly through the window, January could see his friend, like an ill-clothed scarecrow, gargoyle face framed in greasy locks the color of dead leaves, standing arms folded before their prisoner. There was an oil-lamp in the room and its grimy light showed up the wood stacked along the walls, the cobwebs that festooned the ceiling and the dead and dried wasps' nests; a sorry chronicle of how long this shed – and the land it stood on – had been deserted.
'Selina Bellinger was the little gal you seduced back in New Orleans an' got to run away with you, sayin' you'd marry her. Instead you brung her here an' sold her to one of the dealers in town, an' I ain't got the time to go snuffin' around all ten of 'em, not to speak of hangin' 'round the barrooms askin' if'fn you got rid of her by a private sale.
'The girls of the school she went to give me a pretty good description of you – includin' stuff like you got long lobes to your ears rather'n short ones, an' them two pockmarks on the side of your jaw.' Shaw named two features that in fact he and January had only ascertained in the clear light of that morning, when they'd had the leisure to examine his face. Only one of the girls at the little school on Rue Esplanade – run by January and his wife – had gotten a good look at Selina's handsome lover. Though her description was a good one as to height, complexion, and hair ('He looked like he straightened it, M'sieu Janvier ...'), all were features which could have been contested in court. 'Where'd you sell her?'
'You're crazy!' yelled Javel. 'Help!' he then bellowed. 'Help! Murder! Somebody —'
'We's six miles from town,' pointed out Shaw, in his light, flat-timbred voice.
'You're lying! I don't know this bitch and I only got into town yesterday! My name's Merrit, Bartholomew Merrit ... HELP!'
Another ringing slap. January reflected that whatever his name actually was, he'd certainly intended for January to be the one who woke up that evening with an opium-headache, in some slave-dealer's barracoon, with the shreds of his torn-up freedom papers turning to ash in the nearest stove. 'I don't give fuck-all what your name is,' said Shaw into the ensuing silence. 'You come into town on the Whitby seven days ago, first of April, 1840, with a gal name of Selina Bellinger, who you got to run off with you from a boardin' school in New Orleans —'
Javel must have started to protest, because Shaw slapped him again, and continued without change of tone, '— promisin' you'd marry her. Now I want to know who you sold her to.'
'Sold?!? I don't know what the hell you're talking about!'
'Well,' said Shaw, 'that's too bad.' Through the window January saw the shadows jerk as the lamp was scooped off the bench it sat on, and a moment later came the splintering crash as it was thrown against the nearest stack of piled wood.
Yellow light burst a hundredfold stronger through the window.
'I swear it!' Javel screamed. 'I swear I don't know what the hell you're talking about!' The chair creaked as he bucked against the ropes, heels drumming vainly on the dirt. 'I don't know this girl —'
'Then I guess we got no more to talk about.' Shaw turned to leave the shed.
Smoke was pouring from the wood as the flame raced up and over it. The piles of cut branches, as January had seen when Hannibal Sefton had rented the shack on Sunday, were bone dry, cut probably to sell to one of the small steam-craft that plied the shores of Offat's Bayou. He could see (he glanced again through the window) that they were catching like kindling.
'Stop it! Don't leave me! For God's sake —'
Shaw's hand was on the doorframe.
'Neumann! Andreas Neumann!' Javel writhed against his bonds, as if he'd dislocate his own arms in his frenzy to pull free. 'He's got a place on Avenue B! Oh, God —'
'When'd you sell her?'
'The second. Night after we got in town ... Oh, dear God, hurry —!'
How Shaw could stand there with the fire swarming up the wooden walls and across the shed's roof January couldn't imagine. He gathered the cards hastily from the little table on the porch, shoved the cribbage-board into his pocket, and retreated, knowing the brittle-dry building would collapse any minute. Away from the smoke of the shed the night sang with mosquitoes; the flames made a growing curtain of topaz and gold against the low black wall of swamp oak and water holly. The ground away from the bayou wasn't squishy, as it would have been in New Orleans, and the whole world smelled of the sea. Six miles along from town, not even the new community's stink competed with the acrid smoke of the burning shed. The stillness reminded January of the islands of the Barataria south of New Orleans, empty and peaceful and deadly.
He heard Javel scream something else, before a shot cracked the night.
A few moments later Shaw's lanky form silhouetted against the flame as he walked to where January stood.
'He told you where she was.' January felt just a little shocked, though he knew that he shouldn't.
(Continues…)
Excerpted from "Lady of Perdition"
by .
Copyright © 2019 Barbara Hambly.
Excerpted by permission of Severn House Publishers Limited.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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