Los Angeles Review of Books Quarterly Journal Winter 2014
The Los Angeles Review of Books launched in April of 2011 as a humble Tumblr, with a 2600-word essay by Ben Ehrenreich entitled “The Death of the Book.” The gesture was meant to be provocative, and to ask a genuine question: Was the book dying? Was the internet killing it? Or were we simply entering a new era, a new publishing ecosystem, where different media could coexist?

The LARB website currently publishes a minimum of two rigorously edited pieces a day, and we’ve cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We’ve found our way to a certain tone that readers expect and enjoy: looser and more eclectic than our namesakes the New York and London Review of Books, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either.

The new LARB print quarterly builds on the best aspects of our flagship online magazine. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.
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Los Angeles Review of Books Quarterly Journal Winter 2014
The Los Angeles Review of Books launched in April of 2011 as a humble Tumblr, with a 2600-word essay by Ben Ehrenreich entitled “The Death of the Book.” The gesture was meant to be provocative, and to ask a genuine question: Was the book dying? Was the internet killing it? Or were we simply entering a new era, a new publishing ecosystem, where different media could coexist?

The LARB website currently publishes a minimum of two rigorously edited pieces a day, and we’ve cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We’ve found our way to a certain tone that readers expect and enjoy: looser and more eclectic than our namesakes the New York and London Review of Books, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either.

The new LARB print quarterly builds on the best aspects of our flagship online magazine. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.
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Los Angeles Review of Books Quarterly Journal Winter 2014

Los Angeles Review of Books Quarterly Journal Winter 2014

Los Angeles Review of Books Quarterly Journal Winter 2014

Los Angeles Review of Books Quarterly Journal Winter 2014

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Overview

The Los Angeles Review of Books launched in April of 2011 as a humble Tumblr, with a 2600-word essay by Ben Ehrenreich entitled “The Death of the Book.” The gesture was meant to be provocative, and to ask a genuine question: Was the book dying? Was the internet killing it? Or were we simply entering a new era, a new publishing ecosystem, where different media could coexist?

The LARB website currently publishes a minimum of two rigorously edited pieces a day, and we’ve cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We’ve found our way to a certain tone that readers expect and enjoy: looser and more eclectic than our namesakes the New York and London Review of Books, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either.

The new LARB print quarterly builds on the best aspects of our flagship online magazine. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.

Product Details

ISBN-13: 9781940660004
Publisher: Los Angeles Review of Books
Publication date: 02/25/2014
Pages: 128
Product dimensions: 7.40(w) x 9.30(h) x 0.40(d)

About the Author


The Los Angeles Review of Books is a nonprofit, multimedia literary and cultural arts magazine that combines the great American tradition of the serious book review with the evolving technologies of the Web. We are a community of writers, critics, journalists, artists, filmmakers, and scholars dedicated to promoting and disseminating the best that is thought and written, with an enduring commitment to the intellectual rigor, the incisiveness, and the power of the written word.
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