Leonard Bernstein

by Paul R. Laird

Overview

Leonard Bernstein was one of twentieth-century music’s most successful and recognizable figures. In a career spanning five decades, he conducted many of the world’s leading orchestras and composed scores for landmark musicals such as West Side Story. With an iron self-belief, he negotiated risky and challenging musical situations that resulted in always passionate, if sometimes mixed, reviews. Published to coincide with the hundredth anniversary of Bernstein’s birth, this engaging new biography provides a concise overview of the life and work of a prodigiously talented, endlessly enthralling, and controversial musician.

Drawing on more than thirty years of study, leading Bernstein scholar Paul R. Laird describes Bernstein’s work as a conductor, composer, music educator, and commentator, evaluating all of his major compositions. Laird also explores the impact of Bernstein’s complicated personal life on his professional work, including his homosexuality and many affairs with men, and his strong yet difficult marriage. Featuring original insights into Bernstein’s life and work, including information gleaned from a 1982 interview with Bernstein, Laird’s book is the ideal introduction to Bernstein’s eclectic musical style and complex character, showing how both fit within the larger world of twentieth-century music.

Product Details

ISBN-13:	9781780239514
Publisher:	Reaktion Books, Limited
Publication date:	02/15/2018
Series:	Critical Lives
Sold by:	Barnes & Noble
Format:	eBook
Pages:	216
File size:	3 MB

About the Author

Paul R. Laird is professor of musicology at the University of Kansas School of Music, where he has taught since 1994. He is the author of The Chichester Psalms of Leonard Bernstein, coauthor of Leonard Bernstein: A Research and Information Guide, and coeditor of The Cambridge Companion to the Musical, among many other books.

Table of Contents

Cover Title Page Imprint Page Contents Introduction 1. ‘Safe at the Piano’: Bernstein’s Youth, 1918–39 2. ‘The Spirit of Koussevitzky’: Bernstein Discovers Conducting, 1939–43 3. ‘I have a fine large apartment in Carnegie Hall’: A Time of Searching, 1943–51 4. ‘I simply must decide what I’m going to be when I grow up’: Leaning Towards Composition, 1952–7 5. ‘I’m going to be a conductor, after all!’: Philharmonic Maestro, 1957–69 6. ‘I do know that the answer is Yes’: Living with Fame, 1969–78 7. ‘And all the spooks of swift-advancing age’: Music at the Close, 1978–90 8. A Final Evaluation References Select Bibliography Select Discography and Videography Acknowledgements Photo Acknowledgements

Editorial Reviews

Laird’s enthusiasm for his subject, kindled in a student encounter touchingly recalled in the final pages, must have eased the difficult task of compressing a complex man and a hectic career as composer, conductor, and public figure into 175 pages of text.

BBC Music Magazine

"Laird’s concise format . . . has the advantage of laying bare the chronological structure of Bernstein’s career. In ninety pages you quickly see how much he accomplished in the first forty years of his life."

New York Review of Books - Larry Wolff

Laird’s long immersion in the subject shows through in this book. . . . He is as well placed as anyone to write a new study of Bernstein’s life and work. The present book gives a concise, clear-headed account of an immensely charismatic musician whose personal life Laird describes as ‘difficult and messy.’ . . . There is a lot to enjoy in Laird’s book. His success is achieved through lucid presentation and through a depth of knowledge—lightly worn—from which to evaluate Bernstein’s achievements.

Gramophone

Reaktion’s Critical Lives series has become a useful barometer for an artist’s reputation. Experts, rather than journalists or jobbing biographers, take the temperature of some of the culture’s leading figures in concise, un-sensationalist studies. . . . Laird offers a neatly filleted account of Bernstein’s life and works. It is a calm if not entirely neutral supplement to the unwieldy and often controversial bibliography that now surrounds the composer.

Prospect

"In his excellent, new, concise biography, part of the Critical Lives series, Laird writes that 'the final chapter of Bernstein’s life is often a sad journey.' That final chapter or two is far and away the most documented part of Bernstein’s life. And with all the reissued or newly released recordings and videos, along with the recent memoirs, it is possible to take an unconventional view: Bernstein’s lasting greatness as a conductor and as a composer in his maturity."

Los Angeles Times - Mark Swed