Publishers Weekly
07/04/2022
Greer follows up his Pulitzer-winning Less with another delightful road story featuring middle-aged writer Arthur Less. This time, he’s traveling across the U.S., hoping to raise money to salvage his home with partner Freddy Pelu. Freddy, who narrates the story and has lived with Less for nine blissful months in San Francisco, has recently taken a teaching sabbatical in Maine, where Less plans to join him. But after the death of Less’s former lover, the poet Robert Brownburn, the estate hits him up for 10 years of back rent on Brownburn’s former house, where he now lives with Freddy. He assures Freddy he’ll make everything okay by paying it back with magazine articles and other literary gigs. Soon Less is off to do a profile of a famous sci-fi author, who has Less drive him and his pug in a camper van to Santa Fe, N.Mex., for an onstage interview. Along the way, Less accidentally floods a commune, sleeps in a tepee, and rides a donkey down a canyon. After a cascading series of humorous mishaps, Less wonders if Freddy will leave him. Though a bit overboard at times, Greer packs in plenty of humor and some nicely poignant moments. Fans will eat this up. Agent: Lynn Nesbit, Janklow & Nesbit Assoc. (Sept.)
From the Publisher
"Does Andrew Greer think of himself as a comic novelist? Does a giraffe think of itself as a giraffe? Probably it doesn’t matter. This book, though, is wildly, painfully, funny. It sometimes hurts to read it."—David Sedaris, author of A Carnival of Snackery
"It is a deep pleasure to return to the adventures of Arthur Less and his beloved Freddy. Greer is a brilliant storyteller as always, and the joyfulness of this book is a balm. I loved reading it.”—Madeline Miller, bestselling author of CIRCE
PRAISE FOR LESS:
"Less is the funniest, smartest and most humane novel I've read since Tom Rachman's 2010 debut, The Imperfectionists. . . . Greer writes sentences of arresting lyricism and beauty. His metaphors come at you like fireflies. . . . Andrew Sean Greer's Less is excellent company. It's no less than bedazzling, bewitching and be-wonderful."—Christopher Buckley, New York Times Book Review
"Greer is an exceptionally lovely writer, capable of mingling humor with sharp poignancy.... Brilliantly funny.... Greer's narration, so elegantly laced with wit, cradles the story of a man who loses everything: his lover, his suitcase, his beard, his dignity."—Ron Charles, Washington Post
"Greer's novel is philosophical, poignant, funny and wise, filled with unexpected turns....Although Greer is gifted and subtle in comic moments, he's just as adept at ruminating on the deeper stuff. His protagonist grapples with aging, loneliness, creativity, grief, self-pity and more."—San Francisco Chronicle
"I recommend it with my whole heart."
—Ann Patchett
"Marvelously, unexpectedly, endearingly funny. A love story focused on the erroneous belief that the second half of life will pale in comparison to the first. Guess what? It won't!"—Gary Shteyngart, author of Lake Success
JULY 2022 - AudioFile
Narrator Robert Petkoff clearly enjoys himself in recounting the insightful and humorous misadventures of the hapless gay minor novelist Arthur Less. The novel’s narrator is Arthur’s partner, Freddy, who has been left behind. Petkoff imbues him with a tone of wry amusement. Arthur’s story unfolds through encounters, often accidental, with people he meets as he travels across America in a camper van named “Rosina” on a literary tour to earn desperately needed cash. Petkoff creates a host of vocally distinct characters with accents and personalities as broad as the country. Through his adventures, the listener begins to understand the kindhearted Arthur and his quest for certainty. Especially humorous are passages in German (with translations), a language that Arthur THINKS he speaks very well. L.T. Winner of AudioFile Earphones Award, 2023 Audies Finalist © AudioFile 2022, Portland, Maine
Kirkus Reviews
2022-06-08
The notorious “middle-aged gay white novelist” Arthur Less is on the road again, this time stateside.
It feels churlish to dislike this book, which deploys all the tropes and tricks and brings back many of the characters that won its predecessor, Less, the Pulitzer Prize for fiction in 2018. The narrator/puppet master, Freddy Pelu, whose identity was concealed until the end of the first book, has now spent a decade living in bliss with Less in San Francisco in a lovely home they call the Shack. Freddy gets back in the narration biz to tell the story of Less’ abrupt departure on a cross-country tour to raise desperately needed funds, as the estate of his old lover, the freshly dead poet Robert Brownburn, has presented him with a bill for 10 years of back rent for the Shack. And off he goes, this time through the American Southwest, South, and Middle Atlantic, driving a camper van named Rosina with a black pug named Dolly, affecting baseball caps and other Walmart-wear in hopes of appearing less Dutch. (“You from the Netherlands?” is one of the many ways people present their suspicion that he's gay.) As in Book 1, we get plenty of inside humor about all aspects of the writer’s life—prize committees, foundation grants, literary agents (Less’ is known as “Hello-I-have-Peter-Hunt-on-the-line-please-hold”), and writers with the same name. Yes, there is another Arthur Less, but unlike ours, who is shelved in Queer Authors, the other is shelved in Black Authors. Both are too small-time for General Fiction. Greer does sometimes write beautifully about life (a touching moment occurs when Less realizes he has to go through Robert’s death without Robert) and about fiction. “Robbery: friends mined for stories; lovers for sentiment; history for structure; family for secrets; small talk for sorrow; sorrow for comedy; comedy for gold.” “It's protagonists all the way down.” And, of novelists: “For are we not that fraction of old magic that remains?” Best case scenario, yes, but it's getting a little fractional this time.
If you loved the first one, you might love this, though it is a bit less fresh and a tad slow.
