Publishers Weekly
11/16/2020
The shifting landscape for gay men in America animates Salih’s heartfelt debut. In 2015, with gay marriage protected by the Supreme Court, 30-something Virginia high school art teacher Sebastian Mote wouldn’t mind a life of domesticity, but he’s just broken up with his boyfriend of three years. After the suicide of a gay student, Sebastian devotes himself to his students, especially 17-year-old Arthur, whose open sexuality Sebastian secretly envies while he works to make the school more LGBTQ inclusive. Sebastian hopes that luck has finally favored him when, at a wedding, he bumps into Oscar Burnham, a friend from childhood. But Oscar laments the end of a hedonistic lifestyle and complains that every gay man he knows is “a victim of marriage fever now.” The closest Oscar comes to the life he pines for is in his friendship with Sean Stokes, an author in his 60s famous for books that document the abandon of previous decades. There’s a varied cast, though many of the support players come across as generic: an uncle disapproving of him expressing his gay identity, the loving but conflicted mother, and so on. But Sebastian’s and Oscar’s twinned dilemmas add fascinating complexity to the goings on. The party may be changing, but reasons for celebration remain, as evidenced by Salih’s passionate evocation. (Feb.)
From the Publisher
“A miracle of a book. A love letter to queer friendship and queer love . . . that also, in its sparkling prose and exquisite storytelling, announces the arrival of a major talent.”—Nick White, author of How to Survive a Summer and Sweet Low “With gorgeous, searching prose, Zak Salih looks beyond the gay culture wars to find the fractured souls within—and locates something deep and true and universal. This exceptional debut signals the arrival of a compelling new voice in fiction.”—Louis Bayard, author of Courting Mr. Lincoln “[A] searching, incisive debut novel . . . Estranged for decades, Salih's dual protagonists spend the novel circling and avoiding each other, a dance of love, friendship and self-definition . . . Salih's novel thrums with details and moments that keep the material from ever edging toward the schematic. Instead, Let's Get Back to the Party is as rich in feeling and compelling in its storytelling as it is acute in its analysis. This gripping and thoughtful novel asks urgent questions about what it means to be a gay man in contemporary American culture.”—Shelf Awareness, starred review “The shifting landscape for gay men in America animates Salih’s heartfelt debut . . . The party may be changing, but reasons for celebration remain, as evidenced by Salih’s passionate evocation.” —Publishers Weekly “An insightful examination of two of the many ways gay men present themselves in contemporary America.”—Kirkus Reviews “A gorgeously written meditation on being a gay man in America now . . . Raw and captivating.”—BookPage “Poignant and poetic . . . Readers will find a compelling exploration of the experiences of queer people from different generations as two modern-day gay men figure out whether they want to conform to traditional views of relationships and marriage or break free entirely.”—Booklist “An insightful novel about what it means to be a gay man in a rapidly-changing America.”—Electric Literature, “27 Debuts to Look Forward To in the First Half of 2021” “The outpouring of praise and attention for this emotionally exacting novel is well-deserved. Not only because of the book’s raw, brilliant prose and the undertow of its storytelling—subtle yet forceful—but also because of the way the author deals with issues of representation. Salih refuses to sanitize what it means to be queer and to be human . . . Instead, Salih allows them to be human first and queer second . . . What makes Let’s Get Back to the Party so successful ultimately is the way in which it ignores or transcends so many of the issues that normally feel like an obligation when you’re writing stories that involve LGBTQIA+ characters, such as making the characters fit into a heteronormative ideal of queerness. And as someone writing in this tradition myself, I appreciate the heavy emotional lifting Salih has accomplished, which I believe painstakingly carves more space in mainstream media for wider stories of representation.”—Fiction Writers Review “Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.”—Paperback Paris, “100 Most-Anticipated New Books of 2021” "Let's Get Back to the Party is a gorgeous, raw, tender, trenchant novel about men figuring out how to live. At once gimlet-eyed and generous to his wonderfully drawn characters—fallible, lovable, and endlessly real—Salih paints a vivid portrait of the paradoxes of queer life in contemporary America, his characters navigating love and friendship in communities shaped both by freedom and fear, and by trauma that is both collective and individual. This is a stellar debut from a huge talent." —Lydia Kiesling, author of The Golden State "With an artist's eye for beauty and an art historian's for detail, Zak Salih excavates the lives of his characters and leaves no stone unturned to ask questions about what it means to be a queer individual, to be a queer community, to be queer alone and with others. Let's Get Back to the Party is a book for those of us who simultaneously adore and abhor the pains and ecstasies of social closeness—which is to say it's a book for us now, us all." —Matt Ortile, author of The Groom Will Keep His Name "Let’s Get Back to the Party is a generous, incisive, richly drawn novel about our universal quest for connection across difference. Through brilliantly braided perspectives and a will-they/won’t-they/should-they love story that will keep you turning the pages, Salih’s strong debut captures the drama and wonder of our contemporary moment in a voice leavened with humor and heart." —John Glynn, author of Out East: Memoir of a Montauk Summer
Library Journal
09/01/2020
In the year preceding the 2016 Pulse nightclub massacre, estranged childhood friends Oscar and Sebastian meet as adults in Washington, DC. In alternating chapters, Oscar decries the death of queer culture and high school teacher Sebastian marvels at a student who is totally comfortable with being out and proud. A debuter seen in the Millions, the Rumpus, and more.
Kirkus Reviews
2020-10-14
Two childhood friends reconnect in their 30s with life-changing consequences.
It’s the summer of 2015, a year before the massacre of 49 people at Pulse, a gay nightclub in Orlando. Sebastian Mote is a high school art history teacher in a suburb of Washington, D.C., reeling from the end of a three-year relationship. He wants to take advantage of the Supreme Court’s recent marriage equality verdict; some children and a house in the suburbs with raised flower beds would be great, too. His childhood friend Oscar Burnham is a “proud queer” who can’t fathom why any gay man would want to settle for marriage like a “breeder." One night at a gay bar, he confronts a woman who’s part of a bachelorette party after she condescendingly says, “God, I love my gays,” aggressively shaming her into leaving. Sebastian and Oscar narrate alternating chapters of the novel. After they run into each other in D.C., Oscar thinks a visit to Sebastian's house makes him feel “like [he's] stumbled into a diorama in a natural history museum labeled Homo americanus domesticus.” There’s a deep tension between the two that’s sexual but also political: Neither can entirely stomach the life the other has chosen. But to Salih’s credit, the narrators’ personalities don’t fall into tidy moral demarcations; Sebastian, who isn’t adventurous, dangerously pines for one of his 17-year-old students, and Oscar, who has a robust sex life, might just want a steady relationship if he’d admit that to himself.
An insightful examination of two of the many ways gay men present themselves in contemporary America.
