2022-09-23
Two traumatized people make a connection in Weissman’s novel.
Peter Berry isa man who lost his father in a car crash and his mother in a mysterious incident, and Sofia Morales is an Argentinian-born woman who left her husband after their daughter went missing. Now, the pair live across from each other in a San Francisco apartment building, and they slowly open up, sharing meals as well as stories from their pasts. Alternating among the storylines, the episodes serve more to map the emotional landscapes of the characters than to connect the dots of their lives. Peter’s memories are of years spent traveling in Machu Picchu and Sydney and of his mother Sam’s descent into depression following his father’s death. A haunting image resurfaces throughout: Sam sailing away in a bathtub, accompanied by Peter’s teddy bear, Claus. Part memory, part hallucination, this moment holds the key to Peter’s nightmares, his obsessive traveling, and his reluctance to get close to people—a survival strategy that’s put to the test when he meets Carly, a charming museum curator. Sofia’s story unfolds in equally tragic and beautifully rendered flashbacks; her happy marriage to Gaston collapses after their college-student daughter, Valentina, disappears from a protest in Buenos Aires. Sofia tries everything—prayers, repeated inquiries at the police station, even joining forces with an organization of mothers of missing children. In the end, she must face the toll that Valentina’s disappearance placed on her marriage. The novel masterfully dissolves the line between present and memory, between what’s real and what’s imagined to create a touching portrait of family ties disintegrating after a loss. The episodes occasionally meander, and meaning tends to get lost in abstract, if poetic, language; for instance, Sam’s bathtub conversations with Claus will puzzle readers as much as they reveal Sam’s troubled state of mind. Overall, though, the book is an affecting portrait of Peter’s and Sofia’s suffering. San Francisco provides a fitting background with its foggy weather, redwoods, and landmarks that Weissman expertly uses to establish mood and atmosphere.
A nuanced, compelling exploration of isolation and grief.
