Life of Beethoven
So far the task of explanation is easy; but I am now entering upon more delicate ground—my own qualifications for the editorship. If in stating these I appear to be somewhat prolix, I hope that a little indulgence may be conceded to me from my desire to show that my impressions of reverence for Beethoven's genius are not things of yesterday; but that I began early to follow him in his glorious creations, and to study his personal, as well as his artistical character, with an enthusiasm which years and experience have done nothing to diminish. To satisfy the craving which I felt, when a boy nine or ten years old, at Prague, for the best musical productions of the time, I subscribed to a library which afforded me the compositions of Dussek, Steibelt, Woelffl, Kozeluch, and Eberl—works of no insurmountable difficulty to me; though, indeed, so far from mastering them, I only ran through them, without particular attention to finish, enjoying in each its peculiar style. I had been placed under the guidance and tuition of Dionysius Weber, the founder and present director of the Prague Musical Conservatory; and he, fearing that, in my eagerness to read new music, I might injure the systematic development of my Piano-forte playing, prohibited the library; and, in a plan for my musical education which he laid before my parents, made it an express condition, that for three years I should study no other authors but Mozart, Clementi, and S. Bach.
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Life of Beethoven
So far the task of explanation is easy; but I am now entering upon more delicate ground—my own qualifications for the editorship. If in stating these I appear to be somewhat prolix, I hope that a little indulgence may be conceded to me from my desire to show that my impressions of reverence for Beethoven's genius are not things of yesterday; but that I began early to follow him in his glorious creations, and to study his personal, as well as his artistical character, with an enthusiasm which years and experience have done nothing to diminish. To satisfy the craving which I felt, when a boy nine or ten years old, at Prague, for the best musical productions of the time, I subscribed to a library which afforded me the compositions of Dussek, Steibelt, Woelffl, Kozeluch, and Eberl—works of no insurmountable difficulty to me; though, indeed, so far from mastering them, I only ran through them, without particular attention to finish, enjoying in each its peculiar style. I had been placed under the guidance and tuition of Dionysius Weber, the founder and present director of the Prague Musical Conservatory; and he, fearing that, in my eagerness to read new music, I might injure the systematic development of my Piano-forte playing, prohibited the library; and, in a plan for my musical education which he laid before my parents, made it an express condition, that for three years I should study no other authors but Mozart, Clementi, and S. Bach.
1.59 In Stock
Life of Beethoven

Life of Beethoven

by Anton Schindler
Life of Beethoven

Life of Beethoven

by Anton Schindler

eBook

$1.59 

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Overview

So far the task of explanation is easy; but I am now entering upon more delicate ground—my own qualifications for the editorship. If in stating these I appear to be somewhat prolix, I hope that a little indulgence may be conceded to me from my desire to show that my impressions of reverence for Beethoven's genius are not things of yesterday; but that I began early to follow him in his glorious creations, and to study his personal, as well as his artistical character, with an enthusiasm which years and experience have done nothing to diminish. To satisfy the craving which I felt, when a boy nine or ten years old, at Prague, for the best musical productions of the time, I subscribed to a library which afforded me the compositions of Dussek, Steibelt, Woelffl, Kozeluch, and Eberl—works of no insurmountable difficulty to me; though, indeed, so far from mastering them, I only ran through them, without particular attention to finish, enjoying in each its peculiar style. I had been placed under the guidance and tuition of Dionysius Weber, the founder and present director of the Prague Musical Conservatory; and he, fearing that, in my eagerness to read new music, I might injure the systematic development of my Piano-forte playing, prohibited the library; and, in a plan for my musical education which he laid before my parents, made it an express condition, that for three years I should study no other authors but Mozart, Clementi, and S. Bach.

Product Details

BN ID: 2940160861708
Publisher: V F Editions
Publication date: 05/20/2022
Sold by: Barnes & Noble
Format: eBook
File size: 2 MB

About the Author

Schindler, Anton, 1795-1864
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