Like Brothers

Like Brothers

Unabridged — 6 hours, 22 minutes

Like Brothers

Like Brothers

Unabridged — 6 hours, 22 minutes

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Overview

The multitalented writers, directors, producers, and actors (as seen on The League, Transparent, and The Mindy Project) share the secrets of their lifelong partnership in this unique memoir.

“A book that anyone will love . . . You can enjoy it even if you have no idea who the Duplass brothers are.”-Janet Maslin, The New York Times

Whether producing, writing, directing, or acting, the Duplass Brothers have made their mark in the world of independent film and television on the strength of their quirky and empathetic approach to storytelling. Now, for the first time, Mark and Jay take readers on a tour of their lifelong partnership in this unique memoir told in essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they've learned the hard way.
*
From a childhood spent wielding an oversized home video camera in the suburbs of New Orleans to their shared years at the University of Texas in early-nineties Austin, and from the breakthrough short they made on a three-dollar budget to the night their feature film Baghead became the center of a Sundance bidding war, Mark and Jay tell the story of a bond that's resilient, affectionate, mutually empowering, and only mildly dysfunctional. They are brutally honest about how their closeness sabotaged their youthful romantic relationships, about the jealousy each felt when the other stole the spotlight as an actor (Mark in The League, Jay in Transparent), and about the challenges they faced on the set of their HBO series Togetherness-namely, too much togetherness.
*
But Like Brothers is also a surprisingly practical road map to a rewarding creative partnership. Rather than split all their responsibilities fifty-fifty, the brothers learned to capitalize on each other's strengths. They're not afraid to call each other out, because they're also not afraid to compromise. Most relationships aren't-and frankly shouldn't be-as intense as Mark and Jay's, but their brand of trust, validation, and healthy disagreement has taken them far.
*
Part coming-of-age memoir, part underdog story, and part insider account of succeeding in Hollywood on their own terms, Like Brothers is as openhearted and lovably offbeat as Mark and Jay themselves.

“Wright. Ringling. Jonas. I'm sure you could name a bunch of famous brother teams. They're all garbage compared to Mark and Jay. I can't wait for you to read this book.”-from the foreword by Mindy Kaling

Editorial Reviews

The New York Times Book Review - Dave Itzkoff

The Duplasses are cool enough to know that it's not cool to admit to having a brand, but they most assuredly do: They represent a style of storytelling that's naturalistic and unapologetically earnest, along with a supportive, if-we-can-do-it-you-can-too spirit of creativity. Those same sensibilities permeate Like Brothers, the pair's first book. It's a likable memoir of how Jay and Mark Duplass blazed their idiosyncratic trail, and an inspiring how-to guide for anyone who might wish to follow it.

Publishers Weekly - Audio

07/30/2018
The Duplass brothers, who run Duplass Brothers Productions and frequently write, direct, and star in their own productions, bring a free-flowing conversational style to the highly enjoyable audio edition of their joint memoir. The book alternates between chapters chronicling the brothers’ upbringing in Metairie, La., and those detailing their professional relationship, including their regular brainstorming sessions at airports, in which the brothers create intricate backstories for the people they observe waiting in terminals. The most memorable part of the book involves an annotated version of Mark’s edgy short story “The Blowjob,” along with Jay’s feedback, in which the brothers effectively use tone, pitch, and comedic timing to convey the often-tortured nature of the creative process. The brothers both draw on their acting chops to recreate their points of view in anecdotes from their childhood, adolescence, and early adulthood. Though primarily of interest to inspiring filmmakers, the brothers’ fun-loving dynamic should appeal to all types of listeners. A Ballantine hardcover. (May)

Publishers Weekly

10/30/2017
At the center of this hilarious dual memoir, the Duplass brothers—who have directed, produced, and written films and TV shows such as Togetherness, Cyrus, and Transparent—reveal their idiosyncratic work habits, such as making up scenes involving people they see at airports and riffing off each other’s ideas in long email chains. They ponder the art of compromise (“Check your ego at the door”) and collaboration: “We have a fundamental desperation to make things, and we are willing to destroy ourselves to get things done.” Jay admits that he’s a little jealous of his younger brother, Mark, but hopes his brother also gets jealous of him, too. The brothers conduct a back-and-forth about the top-10 films of all time, finally choosing a list on which both can agree that includes Joe Versus the Volcano, a “highly intelligent, misunderstood adult fairy tale.” The Duplasses ask their wives what makes the brothers tick: Katie, Mark’s wife, recognizes how creative and emotional turmoil helps feed their process; Jen, Jay’s wife, calls the Duplass family a “fine-tuned little ecosystem.” The Duplass’s entertaining and energetic memoir gives their fans a clear look at the creative genius that drives them. (May)

From the Publisher

Wright. Ringling. Jonas. I’m sure you could name a bunch of famous brother teams. They’re all garbage compared to Mark and Jay. I can’t wait for you to read this book.”—from the foreword by Mindy Kaling

“A likable memoir of how Jay and Mark Duplass blazed their idiosyncratic trail, and an inspiring how-to guide.”The New York Times Book Review

“The book is a collection of diverse pieces that fit together to reveal the puzzle of [the Duplass brothers’] lives. There’s part of it that’s very practical. . . . But another big piece of the book is the chapters that explore their unusually close relationship. . . . Both parts of Like Brothers make for a fascinating read.”Orange County Register

Like Brothers is more encompassing than most moviemaking memoirs. . . . [It] isn’t just worthwhile for fans of the Duplass Brothers; this autobiography is a fascinating look at the art of sneaking into the industry through the back door . . . [and] just how they pulled it off.”Moviemaker

“A frank, intimate, hilarious account of their creative success and personal bond.”Entertainment Weekly
 
“Mark and Jay Duplass are not just brothers, kind of like their book is not just a memoir. . . . The book playfully darts between essays, pop-culture tributes and self-help tips. . . . What sets Like Brothers apart . . . is the uncanny bond between its authors. . . . Like Brothers is ultimately a fascinating window into the creative process, showing the complexities that come with being so inextricably linked.”USA Today

“Equal parts touching memoir and rallying cry, the book is a candid and often unapologetically emotional survival guide for aspiring artists.”Vulture

Like Brothers is . . . a surprisingly practical road map to a rewarding creative partnership. . . . Like Brothers is as openhearted and lovably offbeat as Mark and Jay themselves.”Broadway World

“As creative partners, we sure learned a thing or two from Mark and Jay Duplass’s journey through the Hollywood machine. Like Brothers is an essential guide for making space for yourself in a world that doesn’t always encourage individuality and innovation. As useful to an aspiring filmmaker as it is to a pair of siblings wondering ‘How do we turn our connection into something great?,’ this book will be essential on your shelf.”—Lena Dunham and Jenni Konner

“The Duplass Brothers have a genius for conveying deep feeling without ever straying into sentimentality. Here they capture the often wonderful and occasionally terrible business of collaborating professionally with someone you love.”—John Green and Hank Green

“As a writing team and directing team, we love seeing two people who are more intelligent and articulate than us explore the dynamic that we don’t have the depth or self-reflectiveness to explore ourselves!”—Seth Rogen and Evan Goldberg

“In my next life I’d like to come back as a Duplass Brother. But until then I’ll just enjoy their hilarious, insightful book.”—Judd Apatow

Kirkus Review

2017-12-19
A quirky inside portrait of brotherhood within the "insane Hollywood system."Marx, Coen, Farrelly. Add to that list the Duplass brothers, who have been carving out a place for themselves as writers, directors, producers, and actors (Mark in The League, Jay in Transparent, etc.). In her foreword to this jumpy, eclectic collection of odds and ends, Mindy Kaling writes that the brothers are funny, "woke as hell," and have a "tireless entrepreneurial spirit that inspires." The brothers write that the book is "filled with essays on all kinds of things," which isn't exactly true. There are some—e.g., a short piece on why the band Air Supply is so good or the value of The Karate Kid Part II (even though "there are so many things wrong with this movie")—but mostly this is a hodgepodge of autobiographical sketches, lists of favorite movies (actually the same list slightly edited over and over), emails, rough screenplays, advice to young filmmakers, Mark's short story "The Blowjob," edited by Jay, comments from their wives, and "Airport" 1-5, in which the brothers make up filmic scenarios inspired by the people they see walking and sitting about. We learn that they grew up outside New Orleans and had great boyhoods. Creative and ambitious kids, they played around with a video recorder their father gave them and started writing little scenarios and filming them. In 1996, they started Duplass Brothers Productions and got to work. We follow them in action as they fail (Vince del Rio) and succeed (Cyrus). They made The Puffy Chair for $10,000 and premiered it at the Sundance Film Festival. Other successes followed, including HBO's Togetherness series (2015), until cancelled, and Room 104 (2017).A rather chaotic and messy tale of talent, determination, and success in the world of independent film and TV that hardcore fans will enjoy.

Product Details

BN ID: 2940169268171
Publisher: Penguin Random House
Publication date: 05/08/2018
Edition description: Unabridged

Read an Excerpt

I.

It is dark.

It is late.

It is 1984.

We are lying next to each other in one of our twin beds. But, predictably, we are not asleep. We are talking about life. And our dreams. And the great mystery of cable television.

“Jay?”

“Yes, Mark?”

(Silence. Mark has always loved the dramatic silence. I am older by four years and should find this annoying, but I love this about him.)

“When is it coming?”

“Soon.”

“How soon?”

(I take a moment to mitigate expectations and not get my seven—year—old baby brother too excited.)

“Dad said by next week it’ll be here.”

“What does it look like?”

(I actually do not know, but I have a few theories.)

“I’m not sure.”

“Is it, like ... a big cable?”

“I think so?”

“Do they just drag it down the street and plug it into the house?”

“I don’t think that’s how it works.”

“How does it work?”

“I don’t know.”

(Mark thinks on this. Wide—eyed. Young mind grappling with what it all means.)

“What is going to happen to us, Jay?”

“Nothing crazy. I don’t think. Or maybe everything.”

“I’m so excited.”

“Yeah, me too.”

(Pause.)

“Jay?”

“Yes, Mark.”

“I have something to confess.”

“What?”

(Again, the dramatic pause.)

“I don’t know what cable is.”

(I try extremely hard not to laugh. I am careful never to condescend, because he is smart and very sensitive. Still, I am an older brother and can’t help myself. ... )

“If you don’t know what it is, then why are you so excited about it?”

“I don’t know. I just ... I heard you talking about it to your friends. And ... I can tell how excited you are about it. So ... I got excited about it.”

(Not an extremely eloquent response, but quite prophetic in many ways as to the nature of our unique brotherly bond and complex relationship to come.)

“It’s going to be bringing a lot of movies, and TV shows, and a bunch of new channels into the neighborhood.”

“Do you think it’s gonna change everything?”

“I don’t know.”

(Pause.)

“Jay?”

“Yes, Mark.”

“When we grow up do you want to get houses next to each other?”

“Definitely.”

(Mark considers this.)

“Do you think ... we could share the same cable? Or do we have to get different cables for each house?”

“I could probably figure out how to share one.”

(Mark believes me. He believes that I am very good at this kind of thing. Good at everything, actually, if you asked Mark in 1984. This was a huge part of building my confidence.)

“What happens if we wanna watch different movies but we share the same cable?”

“I think we’d have to watch the same movie.”

“So what do we do if we ever want to watch a different movie at the same time?”

(We both consider this question. It’s a troublesome thought. Might there come a time when our interests, and therefore our lives, diverge? The question hangs over us like a fat black cloud for a moment. But then we smile. Because this is a ridiculous thought. We will always want to watch the same movie. We will always live right next to each other. We will always lie in bed at night and talk about our lives and our dreams.)

Two weeks later, cable arrives at our home.

And everything changes.

The Woog

Do you feel weird inside? We do. All the time. Sometimes we call it depression. Sometimes we call it anxiety. Sometimes we just call it “The Woog.” As in “I’m feelin’ woogie today.” At the core of this weird feeling is a sense that there are, at minimum, two people inside of us at war. And we don’t know how to make them get along.

“I’m gonna stay up all night and write and put on my weird hat and two different socks and smoke weed and eat cereal and maybe pizza too and try to crack a new kind of story and make something fascinating and different and I don’t care if I never make any money because I’m an artist who is trying to represent the underrepresented and create empathy for all. ...”

And.

“I probably should go back to business school. And learn how to buy and sell companies and make millions and millions and maybe billions and use that money to start charities. This is the better way to live. For others. Not for myself and for my artistic vision. That’s ... that’s kind of a load of selfish horseshit in the end. ...”

And then some other voices start to pop up. And it’s hard to tell if they are subsets of these two main people or if they are actually secondary characters that also live inside of us.

“I just want to live a quiet, simple life with my family. I want to stay home and be there at all times with my kids. Read to them. Cook for and with them. Play board games. Just be a good parent and husband and, in the end, just kinda be ...

“TEACHERS! That’s what the world needs now. Leadership for young kids who don’t have positive role models. Give myself and everything I can to them. An innocent child needs a thoughtful role model, and even though I’m not perfect, I am likely willing to give more than what I hear the average burned—out public high school teacher can give, so I should get my teacher’s license and ...

“The world is hard enough. Who am I to think I can help and save anyone? I’m just an average—intelligence person trying to get by. It’s enough just to make my own way in the world. I should just go inside myself. Stop talking and start listening. Get small and find a small sliver of happiness in the world and hang on to it for dear ...”

You get the picture.

Do you ever feel this way? Hopefully not. And if you don’t, feel free to skip to the next chapter.

But if you do ... we want to say sorry. Sorry you feel conflicted like we do. That you are uncertain as to what the right path is in life. Sorry that you want so badly to be useful but also happy. To be inspired but also at peace. To make change but also just get by.

But we also want to say ... CONGRATULATIONS! Because, in our opinion, you may just be part of a dying breed. There will be fewer and fewer of you, and because of that and so much more, you are truly special.

Here’s our theory:

When our parents got married, it was a time when people mostly married young. And in many cases, they married without fully vetting whether they would be a good matrimonial fit. Let’s face it, they often got married because their religion said “no sex before marriage” and they really just wanted to start humping and not go to hell for it. They got married because they were sexually attracted to each other. And that attraction was often a result of the “opposites attract” theory. So when we were made, we were made from very different individuals who came together mostly because they liked the way the other smelled, as opposed to any long—lasting traits that made for a sustainable partnership. Hence, the two different people inside of us.

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