Literally

by Lucy Keating

Overview

From the author of Dreamology comes a young adult love story that blurs the line between reality and fiction…

Annabelle’s life has always been Perfect with a capital P. Then bestselling young adult author Lucy Keating announces that she’s writing a new novel—and Annabelle is the heroine.

It turns out that Annabelle is a character that Lucy Keating created. And Lucy has a plan for her. 

But Annabelle doesn’t want to live a life where everything she does is already plotted out. Will she find a way to write her own story—or will Lucy Keating have the last word? 

The real Lucy Keating’s delightful contemporary romance is the perfect follow-up for readers who loved her debut novel, which School Library Journal called “a sweet, quirky romance with appealing characters.”

Product Details

ISBN-13:	9780062380050
Publisher:	HarperCollins
Publication date:	03/13/2018
Edition description:	Reprint
Pages:	272
Sales rank:	376,443
Product dimensions:	5.20(w) x 10.60(h) x 0.80(d)
Age Range:	13 - 17 Years

About the Author

Lucy Keating lives in Somerville, Massachusetts, with her tall, smiley husband and short, scruffy dog. She’s been writing and editing teen romance for twelve years professionally, and for many years before that. In addition to writing, reading, and watching absolutely everything, Lucy enjoys baking, taking weekend road trips in beautiful New England, and rewriting pop songs in tribute to her dog, who is unappreciative. Visit Lucy at www.lucykeating.com.

Editorial Reviews

This festival of metafictive fun should particularly appeal to budding novelists.” — Kirkus Reviews

“Keating inserts a fictional version of herself into her entertaining second novel. Avid readers will enjoy the playful suggestion that although characters are inventions of their authors, they also take on lives of their own.” — Publishers Weekly

“This whimsical novel is a light, satisfying read, full of humor and tidbits about the writing process and publishing world that any youth interested in writing will enjoy...For readers who want to be entertained while discovering that life can only be truly lived when you take control.” — Voice of Youth Advocates (VOYA)

“Short, sweet, and brazenly meta....cleverly and at times hilariously playing with YA romance tropes and its own self-awareness....A quirky little love story.” — ALA Booklist

“In Keating’s fun and whimsical voice, the book questions how much of our life we really want plotted out, and how much we’d like our story to be purely ours.” — Brightly

Praise for Dreamology: “This is a sweet, quirky romance with appealing characters and loving descriptions of Boston landmarks…Keating is particularly good at capturing the surreal nature of dreams. Give this one to fans of Jenny Han and YA romance.” — School Library Journal

“A fun spin on contemporary romance.” — Voice of Youth Advocates (VOYA)

“Alice is a fun, sarcastic heroine, and readers will be more than happy to join her on her journey both in and out of dreams.” — ALA Booklist

From the Publisher

This whimsical novel is a light, satisfying read, full of humor and tidbits about the writing process and publishing world that any youth interested in writing will enjoy...For readers who want to be entertained while discovering that life can only be truly lived when you take control.

Voice of Youth Advocates (VOYA)

Short, sweet, and brazenly meta....cleverly and at times hilariously playing with YA romance tropes and its own self-awareness....A quirky little love story.

ALA Booklist

04/24/2017
Á la the film Adaptation, Keating (Dreamology) inserts a fictional version of herself into her entertaining second novel. Seventeen-year-old Annabelle’s life is on track: her family lives comfortably in Venice Beach, and she’s heading to Columbia University. When she learns that her parents are separating and selling their house, her sense of security is disrupted, but this discomfort is nothing compared to what she learns from a visiting author at her school—Lucy Keating. The writer informs Annabelle that she is merely a character in the book she’s working on, and that Annabelle’s life is being shaken up in order for her character to grow. Keating also introduces Will, a boy who is perfect for Annabelle—at least on paper—but Annabelle is increasingly drawn to her brother’s charmingly imperfect friend Elliot. Keating sustains the clever conceit throughout, creating a tug-of-war between Annabelle and her creator that highlights both Annabelle’s frustrations and the author’s insecurities. Avid readers will enjoy the playful suggestion that although characters are inventions of their authors, they also take on lives of their own. An Alloy Entertainment property. Ages 13–up. Agent: Peter Knapp, Park Literary & Media. (Apr.)

Publishers Weekly

In Keating’s fun and whimsical voice, the book questions how much of our life we really want plotted out, and how much we’d like our story to be purely ours.

Brightly

In Keating’s fun and whimsical voice, the book questions how much of our life we really want plotted out, and how much we’d like our story to be purely ours.

Brightly.com

03/01/2017
Gr 7 Up—Annabelle has the perfect life. She lives in an original Craftsman house in the affluently bohemian Los Angeles neighborhood of Venice; she hangs out with the popular crowd at school; she's valedictorian and editor in chief of the school newspaper; and she's getting ready for her life after high school. What Annabelle does not find perfect: unordered books (she frequently rearranges her bookshelf, sometimes by genre, sometimes by color) and the fiction class she must take to complete graduation requirements. But just as Annabelle tries to iron out these wrinkles, as she always does, she discovers something that makes her question everything about her life and how much control she really has. YA author Lucy Keating visits the heroine's class, and the teen learns that she is the main character of Keating's new novel! Can Annabelle trust any of her feelings when her life is being written for her? This is an intriguing and original blend of contemporary YA tropes and metafiction. Literary theory buffs will be tickled and fascinated by the way the author plays with the conventions of YA lit, from background characters complaining about their own one-dimensionality to the protagonists trying to fight the force of a love triangle. Despite the existential nature of the premise, the narrative is lighthearted in tone and the characters engaging, with sparkling dialogue. VERDICT A quirky literary experiment that fans of YA will thoroughly enjoy. A good choice for most libraries serving teens and YA fans.—Evelyn Khoo Schwartz, Georgetown Day School, Washington, DC

School Library Journal

2017-02-14
Annabelle is in total control of her life. She knows who she is and where she's going….Until author Lucy Keating speaks to Annabelle's creative writing class and describes her new book, which doesn't just resemble Annabelle's life—it is Annabelle's life, and the 17-year-old white girl is the main character. When Keating writes olive-skinned Hawaiian love interest Will into the story to shake things up with a love triangle, Annabelle finds herself pulled toward a boy she doesn't want. Although he's perfect—literally made for her—she's in love with her longtime friend Elliot, a white boy with a history of serial girlfriends. Keating thwarts Annabelle's every attempt to change her story. There's only one thing to do: confront Keating and demand to be allowed to write her own story. Freed from Lucy's pen, Annabelle discovers writing her own life isn't easy, but it's worth it. Initially, the self-referentiality feels like a forced attempt at metafictive cleverness; however, as the story progresses, characters criticize tropes such as the love triangle, the one-dimensional best friend, and that lightning-sparked first meeting between young lovers. Keating's storyline in the novel feels like wish fulfillment, and perhaps it is: her fictional counterpart has dozens of bestselling novels to her name, many of which have been adapted to film. This festival of metafictive fun should particularly appeal to budding novelists. (Fiction. 13-18)

Kirkus Reviews