Literary Worlds and Deleuze: Expression as Mimesis and Event
Literary Worlds and Deleuze contributes to debates on mimesis by offering an ‘expressionist’ take on the matter of the generation of literary worlds in drama. In examining postdramatic plays by Sarah Kane, Martin Crimp, Caryl Churchill, and Laura Wade, the book outlines a dynamic ontology of mimesis. Rather than pertaining to a static ontology of ‘being’, expressionist mimesis is generative and renews itself constantly without arriving at an entelechial end. In exploring the fluxional field of forces and relations that underlie the order of representation, expressionist mimesis is well suited to account for the ontologically uncertain realities of postdramatic theatre. The concepts of ‘expression’ and ‘the event of sense’ (Gilles Deleuze) become part of a generative model that incorporates pre-linguistic and supra-conceptual constituents within the genesis of representation.
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Literary Worlds and Deleuze: Expression as Mimesis and Event
Literary Worlds and Deleuze contributes to debates on mimesis by offering an ‘expressionist’ take on the matter of the generation of literary worlds in drama. In examining postdramatic plays by Sarah Kane, Martin Crimp, Caryl Churchill, and Laura Wade, the book outlines a dynamic ontology of mimesis. Rather than pertaining to a static ontology of ‘being’, expressionist mimesis is generative and renews itself constantly without arriving at an entelechial end. In exploring the fluxional field of forces and relations that underlie the order of representation, expressionist mimesis is well suited to account for the ontologically uncertain realities of postdramatic theatre. The concepts of ‘expression’ and ‘the event of sense’ (Gilles Deleuze) become part of a generative model that incorporates pre-linguistic and supra-conceptual constituents within the genesis of representation.
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Literary Worlds and Deleuze: Expression as Mimesis and Event

Literary Worlds and Deleuze: Expression as Mimesis and Event

by Zornitsa Dimitrova PhD Graduate, University
Literary Worlds and Deleuze: Expression as Mimesis and Event

Literary Worlds and Deleuze: Expression as Mimesis and Event

by Zornitsa Dimitrova PhD Graduate, University

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Overview

Literary Worlds and Deleuze contributes to debates on mimesis by offering an ‘expressionist’ take on the matter of the generation of literary worlds in drama. In examining postdramatic plays by Sarah Kane, Martin Crimp, Caryl Churchill, and Laura Wade, the book outlines a dynamic ontology of mimesis. Rather than pertaining to a static ontology of ‘being’, expressionist mimesis is generative and renews itself constantly without arriving at an entelechial end. In exploring the fluxional field of forces and relations that underlie the order of representation, expressionist mimesis is well suited to account for the ontologically uncertain realities of postdramatic theatre. The concepts of ‘expression’ and ‘the event of sense’ (Gilles Deleuze) become part of a generative model that incorporates pre-linguistic and supra-conceptual constituents within the genesis of representation.

Product Details

ISBN-13: 9781498544382
Publisher: Lexington Books
Publication date: 12/20/2016
Sold by: Barnes & Noble
Format: eBook
Pages: 246
File size: 3 MB

About the Author

Zornitsa Dimitrova received her doctorate in English Literature from the University of Münster and has published articles in Deleuze Studies, New Theatre Quarterly, and The Journal of Dramatic Theory and Criticism.

Table of Contents

Introduction
Chapter I. The Reification of Expression and the Emergence of Sense
Chapter II. Transpositions. From Expression to Sense
Chapter III. Words and Worlds in a Literary Machine
Chapter IV. Machines of Movement
Chapter V. Machines Producing Groundlessness
Chapter VI. Machines That Make Individuals
Conclusion
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