Literature Incorporated: The Cultural Unconscious of the Business Corporation, 1650-1850
Long before Citizens United and modern debates over corporations as people, such organizations already stood between the public and private as both vehicles for commerce and imaginative constructs based on groups of individuals. In this book, John O’Brien explores how this relationship played out in economics and literature, two fields that gained prominence in the same era.

Examining British and American essays, poems, novels, and stories from the seventeenth through the nineteenth centuries, O’Brien pursues the idea of incorporation as a trope discernible in a wide range of texts. Key authors include John Locke, Eliza Haywood, Harriet Martineau, and Edgar Allan Poe, and each chapter is oriented around a type of corporation reflected in their works, such as insurance companies or banks. In exploring issues such as whether sentimental interest is the same as economic interest, these works bear witness to capitalism’s effect on history and human labor, desire, and memory. This period’s imaginative writing, O’Brien argues, is where the unconscious of that process left its mark. By revealing the intricate ties between literary models and economic concepts, Literature Incorporated shows us how the business corporation has shaped our understanding of our social world and ourselves.
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Literature Incorporated: The Cultural Unconscious of the Business Corporation, 1650-1850
Long before Citizens United and modern debates over corporations as people, such organizations already stood between the public and private as both vehicles for commerce and imaginative constructs based on groups of individuals. In this book, John O’Brien explores how this relationship played out in economics and literature, two fields that gained prominence in the same era.

Examining British and American essays, poems, novels, and stories from the seventeenth through the nineteenth centuries, O’Brien pursues the idea of incorporation as a trope discernible in a wide range of texts. Key authors include John Locke, Eliza Haywood, Harriet Martineau, and Edgar Allan Poe, and each chapter is oriented around a type of corporation reflected in their works, such as insurance companies or banks. In exploring issues such as whether sentimental interest is the same as economic interest, these works bear witness to capitalism’s effect on history and human labor, desire, and memory. This period’s imaginative writing, O’Brien argues, is where the unconscious of that process left its mark. By revealing the intricate ties between literary models and economic concepts, Literature Incorporated shows us how the business corporation has shaped our understanding of our social world and ourselves.
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Literature Incorporated: The Cultural Unconscious of the Business Corporation, 1650-1850

Literature Incorporated: The Cultural Unconscious of the Business Corporation, 1650-1850

by John O'Brien
Literature Incorporated: The Cultural Unconscious of the Business Corporation, 1650-1850

Literature Incorporated: The Cultural Unconscious of the Business Corporation, 1650-1850

by John O'Brien

Hardcover

$48.00 
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Overview

Long before Citizens United and modern debates over corporations as people, such organizations already stood between the public and private as both vehicles for commerce and imaginative constructs based on groups of individuals. In this book, John O’Brien explores how this relationship played out in economics and literature, two fields that gained prominence in the same era.

Examining British and American essays, poems, novels, and stories from the seventeenth through the nineteenth centuries, O’Brien pursues the idea of incorporation as a trope discernible in a wide range of texts. Key authors include John Locke, Eliza Haywood, Harriet Martineau, and Edgar Allan Poe, and each chapter is oriented around a type of corporation reflected in their works, such as insurance companies or banks. In exploring issues such as whether sentimental interest is the same as economic interest, these works bear witness to capitalism’s effect on history and human labor, desire, and memory. This period’s imaginative writing, O’Brien argues, is where the unconscious of that process left its mark. By revealing the intricate ties between literary models and economic concepts, Literature Incorporated shows us how the business corporation has shaped our understanding of our social world and ourselves.

Product Details

ISBN-13: 9780226291123
Publisher: University of Chicago Press
Publication date: 12/29/2015
Pages: 272
Product dimensions: 6.00(w) x 8.90(h) x 0.70(d)

About the Author

John O’Brien is the NEH Daniels Family Distinguished Teaching Professor in the Department of English at the University of Virginia. He is the author of Harlequin Britain and the editor of Susanna Centlivre’s The Wonder.

Table of Contents

Introduction: The Corporation as Metaphor 1

1 John Locke, Desire, and the Incorporation of Money 28

2 Wonderful Event: The South Sea Bubble and the Crisis of Property 64

3 Insurance and the Problem of Sentimental Representation 106

4 "Bodies of Men": Abolitionist Writing and the Question of Interest 136

5 Held in Reserve: Banks, Serial Crises, and the Ekphrastic Turn 186

Coda: The Entrepreneur as Corporate Hero 218

Acknowledgments 227

Notes 229

Index 257

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