Living Dead Girl

Living Dead Girl

by Elizabeth Scott

Narrated by Kate Reinders

Unabridged — 2 hours, 53 minutes

Living Dead Girl

Living Dead Girl

by Elizabeth Scott

Narrated by Kate Reinders

Unabridged — 2 hours, 53 minutes

Audiobook (Digital)

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Overview

Once upon a time, I was a little girl who disappeared.

Once upon a time, my name was not Alice.

Once upon a time, I didn't know how lucky I was.

When Alice was ten, Ray took her away from her family, her friends-her life. She learned to give up all power, to endure all pain. She waited for the nightmare to be over.

Now Alice is fifteen and Ray still has her, but he speaks more and more of her death. He does not know it is what she longs for. She does not know he has something more terrifying than death in mind for her.

This is Alice's story. It is one you have never heard, and one you will never, ever forget.


Editorial Reviews

Publishers Weekly

Fans of Scott's YA romances Perfect You or Bloom may be unprepared for the unrelieved terror within this chilling novel, about a 15-year-old girl who has spent the last five years being abused by a kidnapper named Ray and is kept powerless by Ray's promise to harm her family if she makes one false move. The narrator knows she is the second of the girls Ray has abducted and renamed Alice; Ray killed the first when she outgrew her childlike body at 15, and now Alice half-hopes her own demise is approaching ("I think of the knife in the kitchen, of the bridges I've seen from the bus... but the thing about hearts is that they always want to keep beating"). Ray, however, has an even more sinister plan: he orders Alice to find a new girl, then train her to Ray's tastes. Scott's prose is spare and damning, relying on suggestive details and their impact on Alice to convey the unimaginable violence she repeatedly experiences. Disturbing but fascinating, the book exerts an inescapable grip on readers-like Alice, they have virtually no choice but to continue until the conclusion sets them free. Ages 16-up. (Sept.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

School Library Journal

Gr 9 Up—Elizabeth Scott's gripping story (Simon Pulse, 2008), one of the most talked about books of 2008, is even more intense and chilling in audiobook format. "Once upon a time, I was a little girl who disappeared. Once upon a time, my name was not Alice. Once upon a time, I didn't know how lucky I was." These sentences offer only a glimpse of the horrific nightmare she has been living since being abducted during a school field trip when she was ten years old and forced to be Ray's sex toy and stay child-like. In short and punctuating chapters, Alice, now 15, speaks about the suffocating and paralyzing fear that keeps her with her captor, who has threatened to kill her entire family if she attempts to escape. It is only when Ray tells Alice that she must find a new little girl for him that she has the any hope that she will eventually be free of his grasp, even if that freedom means her own death. Narrator Kate Reinders becomes Alice, with her voice poignantly moving through the horror, desperation, anger, resignation, and pain that Alice feels. The story and the breathtaking ending are so vividly brought to life that it is at times difficult to listen.—Stephanie A. Squicciarini, Fairport Public Library, NY

Kirkus Reviews

Scott, best known for such chick-lit pleasers as Bloom (2008), breaks the mold with this harrowing tale of abuse leavened only by lyric writing a la Adam Rapp (33 Snowfish, 2003, etc.). When Alice was ten, Ray kidnapped her; five years later, Alice wishes only to escape by dying, as the last Alice did. But her freedom comes at a price-a new girl for Ray. Bit by bit, Alice reveals the depths of psychological and physical terror that hold her captive. Her voice is convincingly naive yet prematurely aged; vivid but never graphic, details of the sexual abuse perfectly capture the way in which she has normalized her situation while still recognizing the truth. Ray is a complex abuser, perhaps a bit too psychotic but terrifying nevertheless; he himself was abused, and the logic of how his own past has shaped his present and his treatment of Alice never falters. Choosing Ray's next victim does not provide a re-entry into empathy, a bold but believable choice. Scott provides neither easy answers nor a happy resolution, although the ending provides a grim sense of release. (Fiction. 16 & up)

From the Publisher

"Some books are read and put away. Others demand to be talked about. Elizabeth Scott's Living Dead Girl will be talked about." — Ellen Hopkins, New York Times bestselling author of Crank

"I was knocked over by Living Dead Girl. Most authors want to hear 'I couldn't put it down' from their fans. Living Dead Girl is a book you have to put down; then you have to pick it right back up. The beauty of this story is that, though none of its readers will have had this experience, all will feel connected to it. It is told in the rarest of air, yet speaks horrifically to all our imaginations." — Chris Crutcher, author of Staying Fat for Sarah Byrnes and Deadline

"A haunting story of an abducted girl you'll be desperate and helpless to save; her captor so disturbing, so menacing, you'll want to claw the pages from this book and shred them. Brava to Elizabeth Scott for creating such an intense, real, and perfectly painful story of terror, not without hope. Living Dead Girl is impossible to ignore." — Lisa McMann, New York Times bestselling author of Wake

Product Details

BN ID: 2940171382889
Publisher: Brilliance Audio
Publication date: 07/20/2009
Edition description: Unabridged

Read an Excerpt

1

This is how things look:

Shady Pines Apartments, four shabby buildings tucked off the road near the highway. Across from a strip mall with nail places and a cash-loan store that advertises on TV all the time. There's also a drugstore and tiny restaurants, every one opening and closing within months.

Shady Pines is nice enough, if it's all you can afford. The stairs are chipped but solid, the washing machines always work, and management picks up the trash once a week.

A few mothers sit outside their buildings, resting in fraying lawn chairs and talking over each other while their children run around, playing. One dog lies sleeping in the sun, twitching its tail when a child comes over and pats the top of its head before running away, giggling.

That man in the far building, the car guy, is outside, a pile of parts scattered on the black ooze of the parking lot around him. Car guy has been here since you moved in, but you never see him except for sunny weekends, when he works on his car.

Not that he ever drives it.

He's a strange one, that's for sure, living alone, always with that car, not really ever talking to anyone, but every place has one weirdo, and at least car guy cleans up after himself. He's almost obsessive about it.

Still, see how he sighs when that man, the one whose daughter is quiet and, sadly, a little slow, pulls into the space next to his? See how he watches the girl get out of the car? She's a skinny little thing, always hunching over a bit, like she's taller than she thinks she is. Homeschooled, of course, because of how she is, or so someone once told you when you were getting the mail, and there are no secrets around here, not with everyone living so close together.

She walks slowly across the lot, trailing behind her father, who waits patiently for her to get to the building door, holding it open even though he's carrying all the bags. She doesn't even say thank you, but what can you expect? Kids never know how good they have it.

Copyright © 2008 by Elizabeth Spencer

2

This is how things are:

Cold, from the grocery store, from the dairy aisle you walked down to pick up the yogurt, from the frozen-food aisle, its cases filled deep with frozen pizzas and ice cream in large round containers.

Cold, getting out of the truck, foot clinking over something metallic, piece of a car lying on the ground.

Don't stop to look.

Walk up the stairs, Ray's footsteps behind you. Listen to him pause, smiling at the one open apartment door, the Indian family on the second floor, always children running in and out, sometimes their TV turned up so loud at night Ray has to go down there and knock on the door, say please turn it down? Thank you so much.

"Was that guy in the parking lot looking at you?" Ray says when you walk into the apartment, as soon as the door thunks closed and he's turned the locks, one, two, three. Better safe than sorry, he always says.

Shake your head no, no. Even if he did look, it would never be at you.

No one ever really looks at you.

Ray puts the groceries away, yogurt in the fridge, his oatmeal in its individual packets in the cabinet above the sink. Five apples, one for each day when he comes home from work. Five TV dinners you'll heat up at night for him to eat unless he brings something home.

He comes over to the sofa. Holds out a glass of water so cold the sides are frosty, ice cubes clinking inside. You've pulled your skirt up to your waist, arms resting by your sides, palms up and open. Waiting.

"Good," he says, and lies on top of you. Heavy and pushing, always pushing. "Good girl, Alice."

Afterward, he will give you the water and a container of yogurt. He will sit with one hand curled around your knee. You will watch TV together. He will tell you how lucky you are.

"Yes," you will say. "I know I am."

Copyright © 2008 by Elizabeth Spencer

3

Once upon a time, I did not live in Shady Pines.

Once upon a time, my name was not Alice.

Once upon a time, I didn't know how lucky I was.

Copyright © 2008 by Elizabeth Spencer

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