Elizabeth King is a septuagenarian gospel singer based in Memphis, Tennessee. She began her career in 1969 with the single "Testify" for the
Designer label and issued a few others. From 1970 to 1973, she fronted the all-male
Gospel Souls, who cut a handful of singles -- including the hit "I Heard the Voice" -- for
Juan D. Shipp's
D-Vine Spirituals label.
King retired and spent the next 48 years raising 15 children, and singing in church and on a weekly gospel radio program. In 2019,
Bible & Tire Recording Company issued
The D-Vine Spirituals Recordings by
Elizabeth King & The Gospel Souls.
Watson and
Shipp invited
King to meet at Memphis' Delta-Sonic Studio. When
Watson asked if she wanted to record again, she responded in the affirmative. Her first recording in almost 50 years,
Living in the Last Days, is the result.
King is backed by the
Sacred Soul Sound Section, the label's studio band. Led by guitarist
Will Sexton, it includes drummer
George Sluppick, guitarist
Matt Ross-Spang, and bassist
Mark Edgar Stuart. Famed session organist
Al Gamble also appears. Singers
Christopher and
Courtney Barnes --
the Sensational Barnes Brothers -- lend their voices to these proceedings, as do
King's former labelmates
the Vaughn Sisters and the
D-Vine Spiritualettes. The set opens with a stirring read of
Rev. James Cleveland's Civil Rights-era anthem "No Ways Tired." At 77,
King's voice is lower in range, but she has lost none of her power or control. The band plays swampy and loose, and she commands them with her massive contralto. Her voice embodies unshakable faith and hope that she in turn imparts to the listener. "He Touched Me" is not the staid
Bill Gaither hymn, but a raucous cover of the
Shaw Singers' gritty gospel-blues classic.
King's version is fueled by reverbed guitars, brushed snare, and the angelic voices of
the Sensational Barnes Brothers. She underscores the lyric with joyous conviction. The title track is a choogling soul-blues with bumping Hammond B-3, slide guitar, and clattering snare all riding a slip time groove. The chorus responds to
King emphatically with exclamations, affirmations, and thunderous handclaps.
King recut three of her early
Designer sides here. "Testify" joins rowdy gospel to roadhouse rockabilly, making it tough to know whether it's Saturday night or Sunday morning. "A Long Journey" is an exuberant sacred soul number that recalls
the Staple Singers, and "Walk with Me" finds the band offering
King a filthy, strolling, rhythm & blues as she croons above them. "Call on Them" sees
King and the band joined by swinging horns, and she sings "Blessed Be the Name of the Lord" in a haunted a cappella. Closer "You've Got to Move" is a spooky yet hopeful reading of
Mississippi Fred McDowell's blues-gospel classic. The throaty grain in
King's voice reassures even as it warns.
Living in the Last Days is immediate, powerful, and unforgettable. It took her almost 50 years to record it, but it was worth the wait. ~ Thom Jurek