"A deeply felt, unconventionally told family story." —Kirkus Reviews
“In Lookout, Christine Byl brings a Montana family to life over rich decades, and nothing could be more extraordinary. Love and loss, laughter and mayhem, triumph and disaster, animals wild and domestic, timeless geography, lingering trouble, romance, difference, fire. Beautifully written, compelling, and deeply affecting, Lookout lets us love what’s real in the dying light of legends.” —BILL ROORBACH, author of Lucky Turtle, Life Among Giants, and The Girl of the Lake
“In Lookout, Christine Byl traces family heartbreak crack by crack with exceptional and steely grace. It’s incredibly hard for a writer to evoke the tenderness that passes between parents and children, and the affection that passes between sisters who could be rivals but choose to be friends, without straying into the sentimental, but Byl does just that, and I’m so glad as a reader to have received that rare gift. Each gorgeously written, deeply felt sentence radiates what Raymond Carver once called a small, good thing, and these characters, and the wild Montana landscape they love, are indelible because of it. This book and its singular music will stay with you.” —CARLENE BAUER, author of Girls They Write Songs About and Frances and Bernard
“A first-rate storyteller.” —WILLIAM KITTREDGE, author of Hole in the Sky and The Nature of Generosity
“What a beautiful book. In Lookout, each character’s struggle to live authentically is as rich and clearly rendered as the Montana landscape that sustains them. In this lyric, moving story of family and self, Christine Byl explores the costs of what the Kinzler family chooses to withhold from one another, and what they eventually reveal.” —CLAIRE BOYLES, author of Site Fidelity
2023-01-25
A debut novel chronicles the lives of a father and daughter in Montana.
Early on in Byl’s novel, artisan Josiah Kinzler explains the dangers of playing with matches to his daughter Cody, then 9. “Cody. Every fire starts small,” he says, in a phrase that reads like a statement of purpose for the rest of the book. The novel begins in 1985 and follows the Kinzler family—primarily Josiah and Cody but also Cody’s sister, Louisa, and their mother, Margaret—over the decades that follow. While the bulk of the book is told from an omniscient point of view, some chapters offer first-person accounts from different members of the cast, major and minor characters alike. This can be revealing—there’s a contrast between Cody as seen from a distance and the more informal, irreverent tone of her narration, for instance. Josiah remains an intriguing and enigmatic figure, haunted by his mother’s suicide and his own feelings of depression. Late in the book, when characters read a letter from him, his reference to “what’s broken in me” puts some of his previous actions in another context. But he also has moments of bliss throughout—as when he takes on as an apprentice a man named Freddy, who soon becomes something more. It’s here that the first-person sections truly click. “Many times I’ve stayed with my back to him longer than needed, to savor his footsteps closing the distance between us,” Freddy thinks—an elegant image that gives a sense of the intimacy they share. At times, though, the novel’s pacing doesn’t entirely click—but the sense of community, family, and buried secrets at its heart is almost tactile in its presence.
A deeply felt, unconventionally told family story.
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