After brief sojourns at
Argo and
Cadet,
Lou Donaldson marked his 1967 return by recording
Lush Life, the grandest project he ever attempted. With its plush arrangements and unabashedly pretty melodies,
Lush Life stands in stark contrast to everything else he cut in the '60s. There are no blues, no stabs at soul-jazz grooves, no hard bop -- only sweet, sensitive renditions of romantic standards.
Donaldson shone on ballads before, but it's nevertheless surprising how successful he is on this set of slow love songs. His tone is full and elegant -- it's easy to get lost in his rich readings of these familiar melodies, as well as his slyly seductive improvisations. Of course, it helps that his instrumental backdrops are as lovely as those his nine-piece backing band provide. Nonets are unwieldy, to be certain, but
Duke Pearson's arrangements are clean, sparkling, and attractive, and the superstar band --
Wayne Shorter (tenor sax),
Jerry Dodgion (alto sax, flute),
Pepper Adams (bari sax),
Freddie Hubbard (trumpet),
Garnett Brown (trombone),
McCoy Tyner (piano),
Ron Carter (bass),
Al Harewood (drums) -- knows enough to provide sympathetic support and not steal the show. When they do take solos, it enhances
Donaldson's original statements, and helps make
Lush Life the singularly enchanting record it is. ~ Stephen Thomas Erlewine
![Silver's Serenade [Blue Note Tone Poet Series]](http://prodimage.images-bn.com/pimages/0602445953202_p0_v1_s90x140.jpg "Silver's Serenade [Blue Note Tone Poet Series]")
