Lustmord: Sexual Murder in Weimar Germany available in Paperback
- ISBN-10:
- 0691015902
- ISBN-13:
- 9780691015903
- Pub. Date:
- 05/25/1997
- Publisher:
- Princeton University Press
- ISBN-10:
- 0691015902
- ISBN-13:
- 9780691015903
- Pub. Date:
- 05/25/1997
- Publisher:
- Princeton University Press
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$47.00Overview
Tatar focuses attention on the politically turbulent Weimar Republic, often viewed as the birthplace of a transgressive avant-garde modernism, where representations of female sexual mutilation abound. Here a revealing episode in the gender politics of cultural production unfolds as male artists and writers, working in a society consumed by fear of outside threats, envision women as enemies that can be contained and mastered through transcendent artistic expression. Not only does Tatar show that male artists openly identified with real-life sexual murderersGeorge Grosz posed as Jack the Ripper in a photograph where his model and future wife was the target of his knifebut she also reveals the ways in which victims were disavowed and erased.
Tatar first analyzes actual cases of sexual murder that aroused wide public interest in Weimar Germany. She then considers how the representation of murdered women in visual and literary works functions as a strategy for managing social and sexual anxieties, and shows how violence against women can be linked to the war trauma, to urban pathologies, and to the politics of cultural production and biological reproduction.
In exploring the complex relationship between victim and agent in cases of sexual murder, Tatar explains how the roles came to be destabilized and reversed, turning the perpetrator of criminal deeds into a defenseless victim of seductive evil. Throughout the West today, the creation of similar ideological constructions still occurs in societies that have only recently begun to validate the voices of its victims. Maria Tatar's book opens up an important discussion for readers seeking to understand the forces behind sexual violence and its portrayal in the cultural media throughout this century.
Product Details
ISBN-13: | 9780691015903 |
---|---|
Publisher: | Princeton University Press |
Publication date: | 05/25/1997 |
Edition description: | REPRINT |
Pages: | 213 |
Product dimensions: | 7.75(w) x 10.00(h) x (d) |
About the Author
Table of Contents
List of Illustrations | ||
Acknowledgments | ||
Pt. 1 | Sexual Murder: Weimar Germany and Its Cultural Legacy | |
Ch. 1 | Morbid Curiosity: Why Lustmord? | 3 |
Ch. 2 | "Ask Mother": The Construction of Sexual Murder | 20 |
Ch. 3 | Crime, Contagion, and Containment: Sexual Murder in the Weimar Republic | 41 |
Pt. 2 | Case Studies | |
Ch. 4 | Fighting for Life: Figurations of War, Women, and the City in the Work of Otto Dix | 68 |
Ch. 5 | Life in the Combat Zone: Military and Sexual Anxieties in the Work of George Grosz | 98 |
Ch. 6 | The Corpse Vanishes: Gender, Violence, and Agency in Alfred Doblin's Berlin Alexanderplatz | 132 |
Ch. 7 | The Killer as Victim: Fritz Lang's M | 153 |
Ch. 8 | Reinventions: Murder in the Name of Art | 173 |
Notes | 185 | |
Index | 209 |
What People are Saying About This
Taking the representation of sexually motivated murder (Lustmord) as a site where questions of gender, social order, and culture converge, Maria Tatar demonstrates the symptomatic social and cultural importance of sex crimes in pre-Hitler Germany. She successfully weaves historical facts (the murders that happened) and their artistic representations into a fascinating new story that emphasizes the dark and suppressed side of Weimar culture. This story has amazingly far-reaching consequences not only for legal and sociological discussions, but also for considerations of gender relations, social control, modernity, and urban pathology in general.
Anton Kaes, University of California, Berkeley
Maria Tatar's book on the culture of serial murder in Weimar Germany breaks new ground in interdisciplinary studies. An important book for all who are interested in the nightside of Weimar. A must book for art historians and literary and cultural historians.
Sander Gilman, University of Chicago
Maria Tatar has written a compelling book about Weimar's obsessions: sexual psychopaths, serial murder, homosocial desire, and violence toward women. We have come to understand the crisis of male identities after the lost war as a breeding ground for German fascism, but Lustmord raises fascinating new questions about the relationship between the trauma of warfare and a sexualized imaginary of violence and mutilation that haunted Weimar art, literature, and film. A major contribution to cultural studies.
Andreas Huyssen, Columbia University
Maria Tatar offers a compelling illumination of Weimar culture's fascination with sexual murder, as this produced visual and narrative representations that turn the criminal perpetrator into a cultural hero while the victimusually feminineis eclipsed. With an unflinching eye she astutely negotiates the duplicity of aversion and attraction that representations of violence elicit. Her stunning analysis keeps returning to the fluid boundaries between real-life murderers and their cultural renditions, forcing the reader continually to address his or her own complicity with fantasies of violence.
Elisabeth Bronfen, University of Zurich
"Taking the representation of sexually motivated murder (Lustmord) as a site where questions of gender, social order, and culture converge, Maria Tatar demonstrates the symptomatic social and cultural importance of sex crimes in pre-Hitler Germany. She successfully weaves historical facts (the murders that happened) and their artistic representations into a fascinating new story that emphasizes the dark and suppressed side of Weimar culture. This story has amazingly far-reaching consequences not only for legal and sociological discussions, but also for considerations of gender relations, social control, modernity, and urban pathology in general."—Anton Kaes, University of California, Berkeley"Maria Tatar's book on the culture of serial murder in Weimar Germany breaks new ground in interdisciplinary studies. An important book for all who are interested in the nightside of Weimar. A must book for art historians and literary and cultural historians."—Sander Gilman, University of Chicago"Maria Tatar has written a compelling book about Weimar's obsessions: sexual psychopaths, serial murder, homosocial desire, and violence toward women. We have come to understand the crisis of male identities after the lost war as a breeding ground for German fascism, but Lustmord raises fascinating new questions about the relationship between the trauma of warfare and a sexualized imaginary of violence and mutilation that haunted Weimar art, literature, and film. A major contribution to cultural studies."—Andreas Huyssen, Columbia University"Maria Tatar offers a compelling illumination of Weimar culture's fascination with sexual murder, as this produced visual and narrative representations that turn the criminal perpetrator into a cultural hero while the victim—usually feminine—is eclipsed. With an unflinching eye she astutely negotiates the duplicity of aversion and attraction that representations of violence elicit. Her stunning analysis keeps returning to the fluid boundaries between real-life murderers and their cultural renditions, forcing the reader continually to address his or her own complicity with fantasies of violence."—Elisabeth Bronfen, University of Zurich