Macbeth

by William Shakespeare, Vittorio Gassmann (Translator)

Overview

L'opera che conclude la fase tragica di Shakespeare. Grandi nell'infamia, ma non monolitici nella crudeltà, i due protagonisti sono percorsi da contraddizioni che conferiscono loro quella grandezza tragica in cui si manifesta la sublime capacità di Shakespeare di indagare l'animo umano.

Product Details

ISBN-13:	9788852058141
Publisher:	MONDADORI
Publication date:	01/27/2015
Sold by:	ARNOLDO MONDADORI - EBKS
Format:	eBook
File size:	381 KB
Language:	Italian

About the Author

William Shakespeare (c. 26 April 1564 – 23 April 1616) was an English playwright, renowned by many as the world's greatest writer in the English Language. Among his plays are "Romeo and Juliet", "Hamlet", "Macbeth" to name but a few.

HELEN STREET grew up in Yorkshire in the north of England, and while living in York became involved in theatre and education, regularly working with children on productions of Shakespeare’s best-known plays. She now divides her time between England and France, where she is renovating a semi-derelict farmhouse.

CHARLY CHEUNG was born and grew up in Singapore, and studied illustration at London University of the Arts at St Martins College. The Real Reads Shakespeare series is her first major commission.

Date of Death:

2018

Place of Birth:

Stratford-upon-Avon, United Kingdom

Place of Death:

Stratford-upon-Avon, United Kingdom

Read an Excerpt

Dramatis Personae
(Continues…)

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Excerpted from "Macbeth"
by .
Copyright © 2016 William Shakespeare.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

Introduction: Macbeth in legend, Macbeth in history; Macbeth in the mind; Macbeth in performance; Macbeth in the mind and in performance; Recent performances and adaptations; Note on the text; List of characters; The play; Supplementary notes; Textual analysis; Appendixes: 1. Casting Macbeth; 2. Additional text and music; 3. Relineation of the Folio; Reading list.

What People are Saying About This

From the Publisher

"Macbeth is a blast...ghoulish...beguiling...sardonic...an expression of how captivating an evening of crackling Shakespeare can be." — Peter Marks, The Washington Post

"The explosive and overwhelming effect of a truck bomb...this horrific, riveting Macbeth ought to be seen by as many people as possible." — Terry Teachout, The Wall Street Journal

Editorial Reviews

Gorgeous new Shakespeare paperbacks.” 
—Marlon James, author of A Brief History of Seven Killings

“I have been using the Pelican Shakespeare for years in my lecture course—it's invaluable, the best individual-volume series available for students.”
—Marjorie Garber, William R. Kenan, Jr. Professor of English and Visual and Environmental Studies, Harvard University 

From the Publisher

Gr 10 Up—Shakespeare's tragedy is brought to life in this studio-recorded full-cast performance starring James Marsters and Joanne Whalley. Marsters's Macbeth is solid, and Whalley turns in a remarkable performance of Lady Macbeth's calculated strength and eventual unraveling. The pacing and delivery of Shakespeare's lines are effective and accurate, and the use of sound to depict setting and action provide the essential cues listeners need. The sound effects and the theatrics of the Weird Sisters are wonderful. Listeners should be familiar with the story prior to listening due to the large number of characters and the lack of stage direction in audio format. A good choice to offer students as a reading companion.—Rebecca Flannery, Lyman Memorial High School, Lebanon, CT

School Library Journal

In one of Shakespeare’s shortest plays, a Scots noble, inspired by witches, murders to become king and then loses himself in brutality. James Marsters and Joanne Whalley, as Macbeth and his Lady, are both quite good, if rarely exciting or remarkable. Whalley hits that mark more often. There are, by turns, some flatness and overacting in the lesser roles. There’s too much forced laughter among the supernumeraries and too much grunting during fights we cannot see. Still, the overall production is effective. Without standout performances, the play takes the lead. The music and sound effects, though occasionally overdone, help build a sense of dread and things gone very wrong. Text, performances, and sound combine to deliver an affecting tale of tragic horror. W.M. © AudioFile 2011, Portland, Maine

DECEMBER 2011 - AudioFile