Machado de Assis and Narrative Theory: Language, Imitation, Art, and Verisimilitude in the Last Six Novels
This book makes the argument that Machado de Assis, hailed as one of Latin American literature’s greatest writers, was also a major theoretician of the modern novel form. Steeped in the works of Western literature and an imaginative reader of French Symbolist poetry, Machado creates, between 1880 and 1908, a “new narrative,” one that will presage the groundbreaking theories of Swiss linguist Ferdinand de Saussure by showing how even the language of narrative cannot escape being elusive and ambiguous in terms of meaning. It is from this discovery about the nature of language as a self-referential semiotic system that Machado crafts his “new narrative.” Long celebrated in Brazil as a dazzlingly original writer, Machado has struggled to gain respect and attention outside the Luso-Brazilian ken. He is the epitome of the “outsider” or “marginal,” the iconoclastic and wildly innovative genius who hails from a culture rarely studied in the Western literary hierarchy and so consigned to the status of “eccentric.” Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
1129942438
Machado de Assis and Narrative Theory: Language, Imitation, Art, and Verisimilitude in the Last Six Novels
This book makes the argument that Machado de Assis, hailed as one of Latin American literature’s greatest writers, was also a major theoretician of the modern novel form. Steeped in the works of Western literature and an imaginative reader of French Symbolist poetry, Machado creates, between 1880 and 1908, a “new narrative,” one that will presage the groundbreaking theories of Swiss linguist Ferdinand de Saussure by showing how even the language of narrative cannot escape being elusive and ambiguous in terms of meaning. It is from this discovery about the nature of language as a self-referential semiotic system that Machado crafts his “new narrative.” Long celebrated in Brazil as a dazzlingly original writer, Machado has struggled to gain respect and attention outside the Luso-Brazilian ken. He is the epitome of the “outsider” or “marginal,” the iconoclastic and wildly innovative genius who hails from a culture rarely studied in the Western literary hierarchy and so consigned to the status of “eccentric.” Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
37.95 Out Of Stock
Machado de Assis and Narrative Theory: Language, Imitation, Art, and Verisimilitude in the Last Six Novels

Machado de Assis and Narrative Theory: Language, Imitation, Art, and Verisimilitude in the Last Six Novels

by Earl E. Fitz
Machado de Assis and Narrative Theory: Language, Imitation, Art, and Verisimilitude in the Last Six Novels

Machado de Assis and Narrative Theory: Language, Imitation, Art, and Verisimilitude in the Last Six Novels

by Earl E. Fitz

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Overview

This book makes the argument that Machado de Assis, hailed as one of Latin American literature’s greatest writers, was also a major theoretician of the modern novel form. Steeped in the works of Western literature and an imaginative reader of French Symbolist poetry, Machado creates, between 1880 and 1908, a “new narrative,” one that will presage the groundbreaking theories of Swiss linguist Ferdinand de Saussure by showing how even the language of narrative cannot escape being elusive and ambiguous in terms of meaning. It is from this discovery about the nature of language as a self-referential semiotic system that Machado crafts his “new narrative.” Long celebrated in Brazil as a dazzlingly original writer, Machado has struggled to gain respect and attention outside the Luso-Brazilian ken. He is the epitome of the “outsider” or “marginal,” the iconoclastic and wildly innovative genius who hails from a culture rarely studied in the Western literary hierarchy and so consigned to the status of “eccentric.” Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Product Details

ISBN-13: 9781684481125
Publisher: Bucknell University Press
Publication date: 06/05/2019
Series: Bucknell Studies in Latin American Literature and Theory
Pages: 222
Product dimensions: 6.00(w) x 9.00(h) x 0.60(d)
Age Range: 18 Years

About the Author

EARL E. FITZ is a professor of Portuguese, Spanish, and comparative literature at Vanderbilt University in Nashville, Tennessee. 

Table of Contents

Abbreviations ix

A Note on Translations xi

Introduction 1

1 The Posthumous Memoirs of Brás Cubas 49

2 The Psychiatrist 71

3 Quincas Borba 94

4 Dom Casmurro 109

5 Esau and Jacob 132

6 Counselor Ayres' Memorial 147

Conclusion 161

Acknowledgments 175

Notes 177

Bibliography 193

Index 199

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