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Overview
Moving between New York City and the New South of the early 1990s, with flashbacks to Mississippi's Freedom Summer of 1964, Magic Time is at once a powerful love story, a courtroom drama, and a complex portrait of the civil rights revolution.
Product Details
| ISBN-13: | 9780312426675 |
|---|---|
| Publisher: | Picador |
| Publication date: | 06/12/2007 |
| Edition description: | First Edition |
| Pages: | 592 |
| Product dimensions: | 5.50(w) x 8.50(h) x 1.31(d) |
About the Author
Read an Excerpt
Magic Time
A NovelBy Marlette, Doug
Picador
Copyright © 2007 Marlette, DougAll right reserved.
ISBN: 9780312426675
Troy
Carter ransom awoke curled up in the backseat of his sister’s Mercury Grand Marquis. The metronomic ticking of tires against scored pavement penetrated the pharmaceutical fog, and he pushed up on his forearms to look out the window. They were speeding along the interstate that flatlined across the Black Belt of southern Mississippi.
“You slept good,” said Sally. He caught her anxious glance in the rearview mirror. He raised himself up until he could see his own reflection. There were dark circles under his eyes, and his jawline was shadowed with stubble, his thick brown hair matted. He still had on the black and gold Vanderbilt sweatshirt his sister had found in a chest of drawers in his apartment in New York and brought to the hospital for him to wear on the trip. It was a present Emily had gotten him for his birthday.
“How close are we?” Carter asked.
“Just north of Meridian,” said Sally. “We’re almost home. Go back to sleep if you want.”
He stretched and looked around. One leg was still numb, and his back muscles were tightfrom the long ride south. He felt thirsty but was too weak to open the ice chest on the floorboard beside him to see if there were Cokes inside. Instead he retrieved the pillow he had been resting his head on, gathered it up close to his chest, and sank into the backseat vinyl to stare out the window. The medication made his throat dry and his brain furry. Nausea overcame him as a profound agitation blossomed again in his stomach.
“Sally, what’s going on?” he said. He leaned forward and placed his forehead against the seat back, turning slightly to squint through the glare of the side window at the barren Mississippi landscape whizzing by.
“You passed out in the newsroom, remember?” Sally spoke in a conscientiously neutral tone, as if she were describing the weather.
Carter stared out at the scrub pine, the red clay, and the heavy equipment of highway construction, trying to focus on what his sister was saying.
“You were in the hospital a few days but checked yourself out. Your editor, Mr. Dennehy, offered you some time off, but you insisted on returning to work.” Carter had not missed a deadline for a couple of weeks. Then, Sally explained, one day he did not show up for work or answer the phone. His colleague Gelman found his bicycle unlocked on the stoop. When Gelman’s knock on the door got no answer, he called a couple of his police buddies and they broke in. “They found you passed out on the floor in your bedroom and took you back to the hospital,” Sally said. “The doctor said it was nervous exhaustion and malnutrition.” She hesitated. “He also mentioned symptoms of post-traumatic stress disorder.”
Carter looked back into the rearview mirror, knowing his sister would be watching for his reaction. He felt a jab of indignation. “Fuck that,” he said under his breath. The thought that his condition might have a diagnosis made him feel even worse.
When he surfaced again from a dreamless highway slumber, the car was stopped at a gas station. He could see Sally inside paying. She returned with some peanuts and Nabs and seemed grateful when he tore them open. Back on the road, Carter sipped a Coke and looked out on the increasingly familiar landscape. He sat up fully for the first time. “This is a bad idea, Sally.”
“You don’t need to be by yourself, Carter,” Sally said with a quiet finality.
“You should have left me in the loony bin,” he said.
Sally said, “Ashland is not a loony bin.”
“You’re right. Troy is the loony bin.”
The last time Carter had been back to his hometown of Troy, Mississippi, was a couple of years earlier, when he had taken Josh and Emily on the grand Southern tour. They spent one night in Troy. Carter had seldom returned since his mother died ten years before and he had left the Atlanta paper and moved to New York. On the rare occasions he visited, he had calculated to a science the length of time he and his father could spend under the same roof. Forty-eight hours, max, before one of them uttered the words I have to take a walk.
“You need to rest, Carter. You need to be around people who love you and can take care of you.”
“But I’ve got a life, Sal. Responsibilities. I’ve got deadlines—”
“Dennehy said he could manage without you for a while.”
As much as Carter cringed at the thought of recuperating in Troy, he knew that once Sally had set a plan in motion, she saw it through. She offered him a bit of her Hershey bar.
“Daddy’s excited you’re coming, Pross,” Sally said. Pross, short for Prosecutor, was a pet name his father called him when he was a boy. The name remained current among only a handful of people.
“How is the judge?”
“Not bad for a seventy-year-old.” Since retiring from the federal bench for health reasons, their father had rallied and returned to his law practice. “The firm’s having a fortieth anniversary party in a few weeks,” Sally said. “Don’t tell Daddy, but the new connector’s going to be named after him. The Mitchell T. Ransom Expressway.”
“What is it, a dead end?”
Sally laughed. “You can come to the party if you feel up to it.”
Carter forced a smile. “I don’t know how you take care of him.”
“Oh, he’s no bother. He’s dialed it back a lot in recent years. You’ll be surprised. He’s a good grandfather to Willie, and Willie’s devoted to him.” Sally’s ex, a tax lawyer, had run off with his paralegal when Sally was pregnant with their now six-year-old son. “Besides,” she continued, “when you’re a bookseller in a town that doesn’t read, having no house payment is a godsend.”
“Thought of hiring a nurse?”
“Oh, Mr. Primary Caregiver’s offering advice now.”
Sally had turned on her signal and was moving into the right lane. Carter felt an involuntary pang of love/hate when he saw the green exit sign, troy historic district.
“How’s business, Sally?” He knew how hard it was for her to be away from the shop. And although she would never complain, he felt guilty for being the reason she had to take off.
“Could be worse. The town’s changed considerably. You’re not going to recognize it.”
“That’s reassuring.”
“The college is Troy University now, you know. Our generation’s finally grown up and taken over. The mayor’s black, and a couple of council members. There’s even an artists’ collective in Troy.”
“Black-velvet Elvises? Popsicle-stick birdhouses?”
“Ha-ha. There’s also a clique of writers developing.”
“Ah, Mississippi. Where they write more books than they read.”
The conversation had exhausted Carter. He reclined in the seat. Sally had turned off the interstate onto old U.S. Highway 17, the narrow two-lane blacktop that was the only route north out of town in his youth, before the interstate. It was the road he had traveled with his family on vacations, with his basketball team to games in Meridian or Columbus, with church groups to gospel sings in Jackson, and it was the road that took him away from home to college and law school back when the future had seemed knowable.
Except for a few stray billboards promoting products and companies that had not existed in the 1960s, the scenery along the highway remained much as it was during his boyhood—a corridor of unbroken green cutting through incipient hills of pine forest, giving way occasionally to sunbaked farmland, open fields of soybean, corn, and watermelon, or pastures occupied by melancholy herds of humidity-stunned cattle. The relentless sun seemed to have drained the fields of all vitality and through some perverse photosynthesis transmuted an excess of chlorophyll to the lush kudzu, which crept up guy wires and draped telephone poles.
The highway grew clotted with slow-moving trucks hauling lumber, forcing an adjustment of speed and expectation for miles before one reached the city limits, as if returning to Troy required a slowing of metabolism to the velocity of molasses. As they passed the old Troy Casket Company and its sprawling new facility, Carter caught his first whiff of the changes that had come to his hometown. The company’s whimsical contemporary logo seemed suited more to a wine emporium in Jackson than to the sides of the parked trucks that would deliver their sad cargo all over the Southeast.
“Lige has been in town a lot campaigning for reelection,” Sally said as they pulled into view of the town square. “I’m sure he’ll be coming by to see you.”
In Mississippi the past had a way of superimposing itself on the present, and Carter experienced that familiar twinning of realities as he made out the old Kress’s logo bleeding through the whitewashed brick on the building rising before them: a personal landmark. It was now abandoned, a sign on its soaped windows announcing its next tenant, an organic foods market.
As they circled the courthouse, Sally said, “Look, Pross. See anything different?” She pointed toward the street on the south end of the square. Carter scanned the intersection he had known so well as a child, and he spotted the statue erected on a traffic island in the distance, a small cast-bronze figure of a man with one hand lifted heavenward in a gesture of command. “Guess who that is.”
“The Imperial Wizard of the Ku Klux Klan.”
Sally laughed and groaned. “Oh, Lord, it’s going to be a long convalescence. No, it’s Hugh. Remember how he used to direct traffic in front of the Starlite Cafe?”
Hugh Renfro, the retarded son of a respected local physician, had been a well-known town character, sort of like a gregarious Boo Radley. Hugh was always engaging drivers and pedestrians on the streets in conversation and speaking for the most part in rhyme. “Hey, pretty girl in your new spring dress, I’ll ask you to marry me and hope you’ll say yes.”
“Hugh got hit by a pulpwood truck a couple of years ago,” Sally said. “The whole town turned out for his funeral. The city council voted to put up a statue to him, and I think Dad kicked in some money. They even commissioned the sculpture in Memphis.”
Carter took a slow, deep breath. Troy had been the birthplace of at least two world-class athletes—an Olympic runner and a pro football great—as well as a famous mezzo-soprano with the Metropolitan Opera. But those local achievers were black, and it had been decades before the hometown named streets after them—in the historically black district. When the city finally got around to erecting a statue to a native of distinction, it was to a certifiable idiot, who happened to be white.
Welcome home to Troy, Mississippi.
Copyright © 2006 by Doug Marlette. All rights reserved.
Continues...
Excerpted from Magic Time by Marlette, Doug Copyright © 2007 by Marlette, Doug. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Reading Group Guide
About this Guide
The following author biography and list of questions about Magic Time are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach Magic Time.
Discussion Questions
1. Discuss the ironies in the novel's title. What "magic" did Lige and his team of volunteers achieve? As a locale, what did Magic Time mean to all those who gathered there?
2. What was the effect of the author's use of time lines? Why was it useful to intersperse the 1990s with memories of the 1960s? Does this technique mirror the way your own powerful memories seep into everyday life?
3. How does the E. B. White quote near the beginning of chapter two speak to Carter's relationship to New York? How is his sense of identity linked to his sense of place?
4. When have you faced a homecoming similar to Carter's and Stephen's? What history is always tied to certain locations in your mind, regardless of how much time has passed?
5. What does the history contained in this novel—a fictionalized version of terrorist bombings in New York and of bombings executed by white supremacists—indicate about the way violence has been witnessed in twentieth-century America? How was the SNCC able to gain power without violence?
6. What were the roots of the White Knights' racism? Why did so many white supremacists believe they were "protecting" the country from communism? Does race camouflage money, as Carter says near the end of chapter twenty-two?
7. How were so many divergent groups able to unite around the cause of civil rights during the 1960s? What tensions between these groups were illustrated in the novel? At what point does Carter realize that remaining passive is morally unacceptable to him?
8. The parallels between Sarah and Emily are clear. What are the differences between them? Was Carter able to separate his memories of Sarah from his relationship with Emily? Do you agree with Emily's assessment of him in chapter twenty three? What makes Sydney an ideal match for him?
9. Though Magic Time is a work of fiction, it conveys the spirit of recent murder trials of white supremacists who were not brought to justice until three decades after their crimes were committed. In what ways does the book speak to your own knowledge or memories of headlines from this time period? How would you have responded to the cultural turmoil that marked Carter's life forever? Why is fiction an important complement to journalism in capturing such events?
10. How did you react to the notion that the Ransoms formed Nettie's "white family"(last paragraph of chapter nine)? What do you imagine was going through the mind of the African American man hired to tend to Bohannon? What enabled Lige to gain a career in politics, with a level of power never previously held by Troy's black citizens?
11. One essential component of civil rights is a citizen's access to a voting booth, a cause to which Sarah devoted tireless hours. Did volunteers such as Sarah succeed? Is the American voting system now free from injustice?
12. How does Lonnie's background compare to Carter's? In what way did fate versus willpower shape their futures? What ties, both tragic and triumphant, bind Carter to his boyhood friends?
13. What is the difference between the power brokers of Troy, such as Glen Boutwell, and the power brokers of New York, such as Marcy Tutweiler? Is status achieved through the same means, no matter where you go?
14. How did your impressions of Carter's father evolve throughout the novel? How did you react to his brief affair with Sheppy? What does Hugh represent to the citizens of Troy, and eventually to Carter?
15. In chapter fifteen, we read the story behind Carter's name and ancestry, as well as details about the judge's war service. How do legacies shape the Ransom family? What did it mean to Carter that he was classified 4-F and therefore disqualified from service in Vietnam? What determines whether we follow or defy these legacies?
16. Discuss the factors in the trial that led to a conviction. What was needed to build a solid case? Besides jury selection procedures, what had changed in Troy's judicial system during that thirty- year span?
17. How did Sarah's family respond to Carter? How did his family respond to her?
18. During the chilling hostage scene in chapter twenty-seven, how did you react to the combination of humiliating poses and photographs used to evoke fear and degradation? How did you react to Hullender's use of biblical quotations, particularly in light of Shiloh Church as the crime scene?
19. What do the novel's closing events regarding Schlank indicate about new battles to wage, such as environmentalism? What tactics were ultimately successful in that case? What does the future hold for Sydney and Carter?
20. How might the author's career as a leading editorial cartoonist shape his use of dialogue and imagery, and his overall approach as a novelist? What parallels did you discover between Magic Time and his previous novel, The Bridge?