Marguerite de Navarre (1492-1549): Mother of the Renaissance

Sister to the king of France, queen of Navarre, gifted writer, religious reformer, and patron of the arts—in her many roles, Marguerite de Navarre (1492-1549) was one of the most important figures of the French Renaissance. In this, the first major biography in English, Patricia F. Cholakian and Rouben C. Cholakian draw on her writings to provide a vivid portrait of Marguerite's public and private life. Freeing her from the shadow of her brother François I, they recognize her immense influence on French politics and culture, and they challenge conventional views of her family relationships.

The authors highlight Marguerite's considerable role in advancing the cause of religious reform in France-her support of vernacular translations of sacred works, her denunciation of ecclesiastical corruption, her founding of orphanages and hospitals, and her defense and protection of persecuted reformists. Had this plucky and spirited woman not been sister to the king, she would most likely have ended up at the stake. Though she remained a devout catholic, her theological poem Miroir de l'âme pécheresse, a mystical summa of evangelical doctrine that was viciously attacked by conservatives, remains to this day an important part of the Protestant corpus.

Marguerite, along with her brother the king, was a key architect and animator of the refined entertainments that became the hallmark of the French court. Always eager to encourage new ideas, she supported many of the illustrious writers and thinkers of her time. Moreover, uniquely for a queen, she was herself a prolific poet, dramatist, and prose writer and published a two-volume anthology of her works. In reassessing Marguerite's enormous oeuvre, the authors reveal the range and quality of her work beyond her famous collection of tales, posthumously called the Heptaméron.

The Cholakians' groundbreaking reading of the rich body of her work, which uncovers autobiographical elements previously unrecognized by most scholars, and their study of her surviving correspondence portray a life that fully justifies Marguerite's sobriquet, "Mother of the Renaissance."

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Marguerite de Navarre (1492-1549): Mother of the Renaissance

Sister to the king of France, queen of Navarre, gifted writer, religious reformer, and patron of the arts—in her many roles, Marguerite de Navarre (1492-1549) was one of the most important figures of the French Renaissance. In this, the first major biography in English, Patricia F. Cholakian and Rouben C. Cholakian draw on her writings to provide a vivid portrait of Marguerite's public and private life. Freeing her from the shadow of her brother François I, they recognize her immense influence on French politics and culture, and they challenge conventional views of her family relationships.

The authors highlight Marguerite's considerable role in advancing the cause of religious reform in France-her support of vernacular translations of sacred works, her denunciation of ecclesiastical corruption, her founding of orphanages and hospitals, and her defense and protection of persecuted reformists. Had this plucky and spirited woman not been sister to the king, she would most likely have ended up at the stake. Though she remained a devout catholic, her theological poem Miroir de l'âme pécheresse, a mystical summa of evangelical doctrine that was viciously attacked by conservatives, remains to this day an important part of the Protestant corpus.

Marguerite, along with her brother the king, was a key architect and animator of the refined entertainments that became the hallmark of the French court. Always eager to encourage new ideas, she supported many of the illustrious writers and thinkers of her time. Moreover, uniquely for a queen, she was herself a prolific poet, dramatist, and prose writer and published a two-volume anthology of her works. In reassessing Marguerite's enormous oeuvre, the authors reveal the range and quality of her work beyond her famous collection of tales, posthumously called the Heptaméron.

The Cholakians' groundbreaking reading of the rich body of her work, which uncovers autobiographical elements previously unrecognized by most scholars, and their study of her surviving correspondence portray a life that fully justifies Marguerite's sobriquet, "Mother of the Renaissance."

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Marguerite de Navarre (1492-1549): Mother of the Renaissance

Marguerite de Navarre (1492-1549): Mother of the Renaissance

by Patricia Francis Cholakian, Rouben Cholakian
Marguerite de Navarre (1492-1549): Mother of the Renaissance

Marguerite de Navarre (1492-1549): Mother of the Renaissance

by Patricia Francis Cholakian, Rouben Cholakian

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Overview

Sister to the king of France, queen of Navarre, gifted writer, religious reformer, and patron of the arts—in her many roles, Marguerite de Navarre (1492-1549) was one of the most important figures of the French Renaissance. In this, the first major biography in English, Patricia F. Cholakian and Rouben C. Cholakian draw on her writings to provide a vivid portrait of Marguerite's public and private life. Freeing her from the shadow of her brother François I, they recognize her immense influence on French politics and culture, and they challenge conventional views of her family relationships.

The authors highlight Marguerite's considerable role in advancing the cause of religious reform in France-her support of vernacular translations of sacred works, her denunciation of ecclesiastical corruption, her founding of orphanages and hospitals, and her defense and protection of persecuted reformists. Had this plucky and spirited woman not been sister to the king, she would most likely have ended up at the stake. Though she remained a devout catholic, her theological poem Miroir de l'âme pécheresse, a mystical summa of evangelical doctrine that was viciously attacked by conservatives, remains to this day an important part of the Protestant corpus.

Marguerite, along with her brother the king, was a key architect and animator of the refined entertainments that became the hallmark of the French court. Always eager to encourage new ideas, she supported many of the illustrious writers and thinkers of her time. Moreover, uniquely for a queen, she was herself a prolific poet, dramatist, and prose writer and published a two-volume anthology of her works. In reassessing Marguerite's enormous oeuvre, the authors reveal the range and quality of her work beyond her famous collection of tales, posthumously called the Heptaméron.

The Cholakians' groundbreaking reading of the rich body of her work, which uncovers autobiographical elements previously unrecognized by most scholars, and their study of her surviving correspondence portray a life that fully justifies Marguerite's sobriquet, "Mother of the Renaissance."


Product Details

ISBN-13: 9780231508681
Publisher: Columbia University Press
Publication date: 12/13/2005
Sold by: Barnes & Noble
Format: eBook
Pages: 448
File size: 5 MB

About the Author

Patricia F. Cholakian was professor emerita at Hamilton College. She was the author of Rape and Writing in the Hemptaméron of Marguerite de Navarre and Women and the Politics of Self-Representation in Seventeenth-Century France.

Rouben C. Cholakian is professor emeritus at Hamilton College and the author of The Bayeux Tapestry and the Ethos of War and The Troubadour Lyric: A Psychocritical Reading.

Table of Contents

List of Illustrations
Preface
Chronology
Map
Genealogy
1. Mother of the Renaissance
2. Education of a Lady (1492–1515)
3. Queen in All but Name (1515–1520)
4. The Bishop of Meaux (1521–1524)
5. Envoy Extraordinary (1524–1526)
6. Queen of Navarre (1526–1533)
7. Politics and Religion (1534–1539)
8. Courtly Love—and Marriage (1539–1543)
9. And Then There Was One (1543–1547)
10. Pearls from the Pearl of Princesses (1547–1549)
Notes
References
Index

What People are Saying About This

Robert Knecht

Scholarly and lively, this book -- the first of its kind in English -- brings to life the career of one of the most brilliant women of her age through the evidence of her own letters, poems, and prose.

Robert Knecht, University of Birmingham, author of The Valois: Kings of France 1328-1589

Carla Freccero

Drawing on a wealth of primary and secondary sources, this definitive biography by two major scholars of the early modern period provides a comprehensive, personalized and lively account of the life and times of the French Renaissance's most important femaleprose writer.

Carla Freccero, University of California, Santa Cruz, author of Queer/Early/Modern

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