Veneziano survived him four years. The state ment also of the rivalry of these two painters - as far, at least, as their supposed simultaneous opera tions in the Portinari chapel gave it the colour of truth - is equally overturned by Signor Cavalca selle, who quotes from the records of the hospital attached to S. Maria N uova, that Domenico ter minated his six years' labours in the chapel in 1445, and that Andrea only commenced his in 1 45 1. For all trustworthy information regarding these two painters the reader is referred to Signor Cavalcaselle's work, vol. Ii. Pp. 302 - 318.
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Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Veneziano survived him four years. The state ment also of the rivalry of these two painters - as far, at least, as their supposed simultaneous opera tions in the Portinari chapel gave it the colour of truth - is equally overturned by Signor Cavalca selle, who quotes from the records of the hospital attached to S. Maria N uova, that Domenico ter minated his six years' labours in the chapel in 1445, and that Andrea only commenced his in 1 45 1. For all trustworthy information regarding these two painters the reader is referred to Signor Cavalcaselle's work, vol. Ii. Pp. 302 - 318.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Materials for a History of Oil Painting, Vol. 2 (Classic Reprint)
460Materials for a History of Oil Painting, Vol. 2 (Classic Reprint)
460Hardcover
Product Details
ISBN-13: | 9780267641659 |
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Publisher: | 1kg Limited |
Publication date: | 02/18/2019 |
Pages: | 460 |
Product dimensions: | 6.00(w) x 9.00(h) x 1.00(d) |