Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century

by Karin Bijsterveld

Overview

Tracing efforts to control unwanted sound—the noise of industry, city traffic, gramophones and radios, and aircraft—from the late nineteenth to the late twentieth century.

Since the late nineteenth century, the sounds of technology have been the subject of complaints, regulation, and legislation. By the early 1900s, antinoise leagues in Western Europe and North America had formed to fight noise from factories, steam trains, automobiles, and gramophones, with campaigns featuring conferences, exhibitions, and “silence weeks.” And, as Karin Bijsterveld points out in Mechanical Sound, public discussion of noise has never died down and continues today. In this book, Bijsterveld examines the persistence of noise on the public agenda, looking at four episodes of noise and the public response to it in Europe and the United States between 1875 and 1975: industrial noise, traffic noise, noise from neighborhood radios and gramophones, and aircraft noise. She also looks at a twentieth-century counterpoint to complaints about noise: the celebration of mechanical sound in avant-garde music composed between the two world wars. Bijsterveld argues that the rise of noise from new technology combined with overlapping noise regulations created what she calls a “paradox of control.” Experts and politicians promised to control some noise, but left other noise problems up to citizens. Aircraft noise, for example, measured in formulas understandable only by specialists, was subject to public regulation; the sounds of noisy neighborhoods were the responsibility of residents themselves. In addition, Bijsterveld notes, the spatial character of anti-noise interventions that impose zones and draw maps, despite the ability of sound to cross borders and boundaries, has helped keep noise a public problem. We have tried to create islands of silence, she writes, yet we have left a sea of sounds to be fiercely discussed.

Product Details

ISBN-13:	9780262534239
Publisher:	MIT Press
Publication date:	02/10/2017
Series:	Inside Technology
Pages:	362
Product dimensions:	7.00(w) x 9.00(h) x 0.62(d)
Age Range:	18 Years

About the Author

Karin Bijsterveld is Professor of Science, Technology, and Modern Culture at the Department of Science and Technology Studies at Maastricht University, the Netherlands.

Table of Contents

Preface     ix
Listening to Technology     1
Infernal Din, Heavenly Tunes: Repertoires of Dramatizing Sound     27
A Continuous Buzz: The Ongoing Charge of Industrial Noise     53
Instruments of Torture: Traffic Noise as Uncivilized Behavior     91
The Art of Noises: The Celebration and Control of Mechanical Sound in Music     137
A Wall of Sound: The Gramophone, the Radio, and the Noise of Neighbors     159
A Booming Business: The Search for a Practical Aircraft Noise Index     193
A Sound History of Technological Culture     233
Notes     263
References     279
Series List     315
Index     319

What People are Saying About This

Jonathan Sterne

Complaints about noise are as much a part of modern sound culture as noise itself, and yet we know little of the history of noise. Karin Bijsterveld's Mechanical Sound changes all that; it is unprecedented in topic and scope. At once episodic and ambitious, Mechanical Sound places noise as one of those 'modern problems' that reformers, legislators, and scholars have tried—unsuccessfully—to control. The book shows how decades of reform, measurement and regulation attempts have resulted in a mélange of noise practices and expectations, rather than a fantasyland of peace and harmony. Bijsterveld provides a meaningful alternative to the pieties of noise criticism, whether they come from public health literature or soundscape artists. Because of its range and originality, Mechanical Sound will change the way scholars across the disciplines talk about 'noise' and 'silence.'

Endorsement

Complaints about noise are as much a part of modern sound culture as noise itself, and yet we know little of the history of noise. Karin Bijsterveld's Mechanical Sound changes all that; it is unprecedented in topic and scope. At once episodic and ambitious, Mechanical Sound places noise as one of those 'modern problems' that reformers, legislators, and scholars have tried—unsuccessfully—to control. The book shows how decades of reform, measurement and regulation attempts have resulted in a mélange of noise practices and expectations, rather than a fantasyland of peace and harmony. Bijsterveld provides a meaningful alternative to the pieties of noise criticism, whether they come from public health literature or soundscape artists. Because of its range and originality, Mechanical Sound will change the way scholars across the disciplines talk about 'noise' and 'silence.'

—Jonathan Sterne, Department of Art History and Communication Studies, McGill University, and author of The Audible Past: Cultural Origins of Sound Reproduction

From the Publisher

Complaints about noise are as much a part of modern sound culture as noise itself, and yet we know little of the history of noise. Karin Bijsterveld's Mechanical Sound changes all that; it is unprecedented in topic and scope. At once episodic and ambitious, Mechanical Sound places noise as one of those 'modern problems' that reformers, legislators, and scholars have tried—unsuccessfully—to control. The book shows how decades of reform, measurement and regulation attempts have resulted in a mélange of noise practices and expectations, rather than a fantasyland of peace and harmony. Bijsterveld provides a meaningful alternative to the pieties of noise criticism, whether they come from public health literature or soundscape artists. Because of its range and originality, Mechanical Sound will change the way scholars across the disciplines talk about 'noise' and 'silence.'

—Jonathan Sterne, Department of Art History and Communication Studies, McGill University, and author of The Audible Past: Cultural Origins of Sound Reproduction