Medieval Women and Their Objects
The essays gathered in this volume present multifaceted considerations of the intersection of objects and gender within the cultural contexts of late medieval France and England. Some take a material view of objects, showing buildings, books, and pictures as sites of gender negotiation and resistance and as extensions of women’s bodies. Others reconsider the concept of objectification in the lives of fictional and historical medieval women by looking closely at their relation to gendered material objects, taken literally as women’s possessions and as figurative manifestations of their desires.

The opening section looks at how medieval authors imagined fictional and legendary women using particular objects in ways that reinforce or challenge gender roles. These women bring objects into the orbit of gender identity, employing and relating to them in a literal sense, while also taking advantage of their symbolic meanings. The second section focuses on the use of texts both as objects in their own right and as mechanisms by which other objects are defined. The possessors of objects in these essays lived in the world, their lives documented by historical records, yet like their fictional and legendary counterparts, they too used objects for instrumental ends and with symbolic resonances. The final section considers the objectification of medieval women’s bodies as well as its limits. While this at times seems to allow for a trade in women, authorial attempts to give definitive shapes and boundaries to women’s bodies either complicate the gender boundaries they try to contain or reduce gender to an ideological abstraction. This volume contributes to the ongoing effort to calibrate female agency in the late Middle Ages, honoring the groundbreaking work of Carolyn P. Collette.
 
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Medieval Women and Their Objects
The essays gathered in this volume present multifaceted considerations of the intersection of objects and gender within the cultural contexts of late medieval France and England. Some take a material view of objects, showing buildings, books, and pictures as sites of gender negotiation and resistance and as extensions of women’s bodies. Others reconsider the concept of objectification in the lives of fictional and historical medieval women by looking closely at their relation to gendered material objects, taken literally as women’s possessions and as figurative manifestations of their desires.

The opening section looks at how medieval authors imagined fictional and legendary women using particular objects in ways that reinforce or challenge gender roles. These women bring objects into the orbit of gender identity, employing and relating to them in a literal sense, while also taking advantage of their symbolic meanings. The second section focuses on the use of texts both as objects in their own right and as mechanisms by which other objects are defined. The possessors of objects in these essays lived in the world, their lives documented by historical records, yet like their fictional and legendary counterparts, they too used objects for instrumental ends and with symbolic resonances. The final section considers the objectification of medieval women’s bodies as well as its limits. While this at times seems to allow for a trade in women, authorial attempts to give definitive shapes and boundaries to women’s bodies either complicate the gender boundaries they try to contain or reduce gender to an ideological abstraction. This volume contributes to the ongoing effort to calibrate female agency in the late Middle Ages, honoring the groundbreaking work of Carolyn P. Collette.
 
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Medieval Women and Their Objects

Medieval Women and Their Objects

Medieval Women and Their Objects

Medieval Women and Their Objects

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Overview

The essays gathered in this volume present multifaceted considerations of the intersection of objects and gender within the cultural contexts of late medieval France and England. Some take a material view of objects, showing buildings, books, and pictures as sites of gender negotiation and resistance and as extensions of women’s bodies. Others reconsider the concept of objectification in the lives of fictional and historical medieval women by looking closely at their relation to gendered material objects, taken literally as women’s possessions and as figurative manifestations of their desires.

The opening section looks at how medieval authors imagined fictional and legendary women using particular objects in ways that reinforce or challenge gender roles. These women bring objects into the orbit of gender identity, employing and relating to them in a literal sense, while also taking advantage of their symbolic meanings. The second section focuses on the use of texts both as objects in their own right and as mechanisms by which other objects are defined. The possessors of objects in these essays lived in the world, their lives documented by historical records, yet like their fictional and legendary counterparts, they too used objects for instrumental ends and with symbolic resonances. The final section considers the objectification of medieval women’s bodies as well as its limits. While this at times seems to allow for a trade in women, authorial attempts to give definitive shapes and boundaries to women’s bodies either complicate the gender boundaries they try to contain or reduce gender to an ideological abstraction. This volume contributes to the ongoing effort to calibrate female agency in the late Middle Ages, honoring the groundbreaking work of Carolyn P. Collette.
 

Product Details

ISBN-13: 9780472130146
Publisher: University of Michigan Press
Publication date: 11/29/2016
Pages: 304
Product dimensions: 6.00(w) x 9.00(h) x 1.20(d)

About the Author

About The Author
Jenny Adams is Associate Professor of English at the University of Massachusetts, Amherst.

Nancy Mason Bradbury is Professor of English at Smith College.

Table of Contents

Dedication to Carolyn P. Collette Arlyn Diamond vii

Introduction: Medieval Women and Their Objects Jenny Adams Nancy Mason Bradbury 1

Part 1 Objects and Gender in a Material World

Chapter 1 The "Thyng Wommen Loven Moost": The Wife of Bath's Fabliau Answer Susanna Fein 15

Chapter 2 Zenobia's Objects Nancy Mason Bradbury 39

Chapter 3 The Object of Miraculous Song in "The Prioress's Tale" Howell Checkering 56

Part 2 Buildings, Books, and Women's (Self-)Fashioning

Chapter 4 A Gift from the Queen: The Architecture of the College de Navarre in Paris Michael T. Davis 71

Chapter 5 Anne of Bohemia and the Objects of Ricardian Kingship Lynn Statey 97

Chapter 6 Royal Biography as Reliquary: Christine de Plan's Livre des Fais et bonnes meurs du sage roy Charles V Nadia Margolis 123

Chapter 7 A Gift, a Mirror, a Memorial: The Psalter-Hours of Mary de Bohun Jill C. Havens 144

Chapter 8 "Parchment and Pure Flesh": Elizabeth de Vere, Countess of the Twelfth Earl of Oxford, and Her Book Jocelyn Wogan-Browne 171

Part 3 Bodies, Objects, And Objects in the Shape of Bodies

Chapter 9 Objects of the Law: The Cases of Dorigen and Virginia Eleanor Johnson 201

Chapter 10 Galatea's Pulse: Objects, Ethics, and Jean de Meun's Conclusion Robert R. Edwards 229

Chapter 11 Transgender and the Chess Queen in Chaucer's Book of the Duchess Jenny Adams 248

Chapter 12 Statues, Bodies, and Souls: St- Cecilia and Some Medieval Attitudes toward Ancient Rome C. David Benson 267

Contributors 289

Index 292

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