"[Wong] paints her story with flourish."— The New York Times Book Review
"Blazing, lyrical. . . . A tender love letter."— The Boston Globe
"Her story is about surviving with what you have and what you don’t?and also a love letter to Atlantic City and the Asian American working class."— The Los Angeles Times
"Joyful. . . . lyrical. . . . Wong’s memoir invites those who have been overlooked in America to hold up their verses, accolades and solidarity in a collective rejoinder to their detractors."— The Washington Post
"With a strong sense of place and voice, heart and soul, Meet Me Tonight in Atlantic City delivers a fresh take on the Asian American working class -- and one woman's journey to understanding her past."— Good Morning America
"Delightful. . . . With a poet’s ear for language and a satirist’s eye for human foibles, Wong masterfully marries her personal story with larger questions about Chinese American identity. This is a winner."— Publishers Weekly, Starred Review
"Loaded with personality and originality. . . . lyric energy bursts from almost every sentence."— Kirkus Reviews
"In a soaring poetic voice layered across word-worlds of varying textures, from photographs to drawings to text-message conversations to an intense nonfiction index. . . . Jane Wong’s Meet Me Tonight in Atlantic City transcends the genre of memoir."— Los Angeles Review of Books
"One of the standout memoirs of 2023 thus far. . . . Alive with the beauty that comes with looking back on one’s life with grace and new understanding."— Chicago Review of Books
"Wong writes with candor, vexation, and compassion."— Bustle
"Unfiltered…. [an] aching, angry, surprisingly funny portrait of a poet demanding, fighting, and eating her way to self-acceptance and earned recognition."— Booklist
"Written with poetic lyricism laced with rage and humor. . . . What shines through in Wong’s memoir is the beacon of her mother’s indefatigable optimism and trust in others in the face of a multitude of hardships."— The Rumpus
"An honest look at a working-class community that is too often forgotten. Meet Me Tonight in Atlantic City refuses summary with its sprawling essays of how love, community, and writing make us resilient."— Ploughshares
"Gorgeous. . . . dense with beautiful sensory images, particularly of food. In her own indelible way, Wong records her coming of age and finding her place in her family, in poetry and in the world."— Book Page
"Wonderful. . . . an honest and forgiving recollection of a childhood. . . . perfect for fans of Seeing Ghosts and Stay True."— Book Riot
"Humorous and honest and lyrical. . . . This story of making a life with what you have is one that will stick with you."— Independent Book Review
"Resists a single identity. It’s about making do with what you have and don’t have and finding beauty in unexpected places. It’s a loving portrait of the Asian American working class."— She Reads
"More than a story of immigration or of one US city, it explores the complexities of life and the dichotomies of emotion and experience that can occur within a single person."— Ms. Magazine
"Essential. . . . an original immigrant story that is also universal."— Full Stop
"Thick with poetic imagery. . . . There’s an urgency here, a gobbling speed that matches the intensity of the flavors spilling out of the restaurant kitchen."— Crosscut
"About growing up working class, Wong’s path to forgiving her father, dealing with abusive and toxic men and the beauty of mother-daughter relationships."— Purewow
"I love a good memoir, and I’m looking forward to poet Jane Wong’s Meet Me Tonight in Atlantic City, about growing up in a Chinese restaurant on the Jersey shore."— Joanna Goddard Cup of Jo
"The abundance and the beauty and the bounty that is this book completely blew me away. . . . It’s so crisp, clear and evocative and just a joy to read."— I'm a Writer But
"My favorite aphorism about New Jersey is that only the strong survive it. I see that place here in all its chaotic splendor and that strength in the carving marks on each finely cut image. This is a perfect and glimmering book that could only have been forged in Jane Wong’s bloody and beautiful heart."— Elissa Washuta, author of White Magic
"Jane Wong, with her poet’s eye for precise and delightful detail, carves out a quintessential story of family, gambling, loss, heartaches, toothaches, and above all, love. Meet Me Tonight in Atlantic City takes a father’s addiction to the prismatic casinos of Atlantic City and places it against a mother’s fierce, unsparing devotion and a daughter’s struggle to make sense of loss. I love the tenderness and ferocity of her prose, unsentimental and wrenching, that refuses easy triumph in its immigrant story and isn’t afraid of uncovering both beauty and brutality. Meet Me Tonight in Atlantic City is, at heart, a love story between Wong and her mother, Wong and herself."— Sally Wen Mao, author of Oculus
"To borrow Jane Wong’s own words, there are sparks coming off Wong’s blade of language. The spunky voice in this memoir shines through. I’m so grateful to Wong for telling her unique story in only the way she can, and in the process, expanding the possibilities of Asian American stories. There’s so much heart in these stories that explore race, class, and family history, that we can’t help but root for the protagonist. This is a big-hearted coming-of-age book that simultaneously asks hard questions."— Victoria Chang, author of The Trees Witness Everything
"Searing, stunning, and singular."— Kyle Lucia Wu, author of Win Me Something
"In Meet Me Tonight in Atlantic City, Jane Wong mines her life with a poet's comb, examining even its frayed, messy edges in breathtaking detail, and shining light on its most intimately vulnerable questions. A thoughtful, vivid storyteller with formidable lyricism, Wong has written a spectacular ode to the words and women that raised her."— Morgan Parker, author of You Get What You Pay For
2023-01-28
A poet’s memoir about her working-class childhood, writing career, family, and Asian American identity.
Despite the fact that Wong’s father gambled away the family's Chinese restaurant in New Jersey when she was still quite young, the feeling of being a "restaurant baby" is central to this book. "I am that person who thinks that the compost bin is beautiful, in all its swirls of color (jade mold, chocolate slime—why is no one hiring me to name nail polish?), surprising texture, and piquant death,” she writes. After her father lost the restaurant and left the family, her mother became a postal worker, sorting mail overnight into and through the pandemic. If there is a single topic that unifies the book, it's her mother. A series of passages labeled “wongmom.com” imagines that her mother's wisdom might be available online, including things like her take on an "ancient Chinese saying”—“If you can’t crawl, swim. If you can’t swim, then take the bus.” Wong's sharp sense of humor is fueled by a healthy dose of righteous anger, and her lyric energy bursts from almost every sentence. In the chapter titled "Bad Bildungsroman With Table Tennis,” she writes, "Part of being a teenager is the desire to destroy something. To break something apart so fully, you can see its pulled seams, its tangled organs. At 13, I felt this feeling churn within me, this rage, this pimple-popping lusciousness of rudeness, this gleaming desire for sudden destruction." She writes candidly about her shoplifting phase, her misery at the Iowa Writer's Workshop, and her disgust for bigotry and cultural appropriation. A good portion of the book focuses on finding her confidence as an Asian American poet, including the glorious moment when she was recognized with a big grant and a museum show. For this profoundly unsqueamish writer, poetry is "interior slime spicy along our tongues" and "chicken grease congealing behind my ear."
A generous, steaming stew of a book loaded with personality and originality and sprinkled with the fiery chili of rage.