This meticulous study of images of everyday social customs in nineteenth-century painting, literature, and photography in Mexico makes an outstanding contribution to the field of art history. Moriuchi’s analysis enriches our understanding of the relation between the aesthetic and the political during Mexico’s tumultuous and pivotal period of nation formation. Her conclusions have important implications as well for the art-historical study of the preceding colonial era and of twentieth-century Mexican modernism.”
—Adriana Zavala,author of Becoming Modern, Becoming Tradition: Women, Gender, and Representation in Mexican Art
“Rooted in casta imagery of eighteenth-century New Spain as well as the works of nineteenth-century foreign traveler-artists in Mexico, Moriuchi’s study demonstrates that such visualizations of racial and social diversity informed the twentieth-century concept of mexicanidad in the art produced by Mexican modernists. For students and scholars, this book significantly advances the scholarship on the visual cultures of Mexico.”
—Magali Carrera,author of Imagining Identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings
“Mexican Costumbrismo represents a considerable step forward in the bibliography on Mexican (and, by extension, Latin American) art of the nineteenth century. Moriuchi’s firm grasp of the art, social, and literary history of Mexico in the transitional era from colony to republic serves to create a nuanced, richly documented, and stimulating panorama of daily life and its imagery in a variety of visual genres. Moriuchi intelligently argues that seemingly straightforward scenes of ‘picturesque' customs are often allusions to far more complicated sets of social circumstances.”
—Edward J. Sullivan,author of From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism
“This thoughtful, fine-tuned study peels apart the layers of costumbrista painting, literature, and photography to reveal their centrality to discourses of nationhood and national identity in Mexico in its unstable first century of independence. Keenly sensitive to the ways in which race, class, and gender were both represented and misrepresented by costumbrismo’s artists and consumers, Moriuchi’s book demonstrates the complexity and relevance of a genre that well merits fresh attention.”
—Pamela A. Patton,author of Art of Estrangement: Redefining Jews in Reconquest Spain
“Mey-Yen Moriuchi’s book is a noteworthy contribution that expands our understanding of a significant genre of art production in nineteenth-century Mexico and wider Latin America. Its comprehensive approach makes it a valuable resource for specialists as well as for scholars and students unfamiliar with nineteenth-century Mexican art.”
—Ray Hernández-Durán CAA.Reviews
