It's true that
Cabaret Voltaire's first two proper studio albums hardly match the greatness of later works like
Red Mecca,
2 X 45, and even
3 Crepuscule Tracks. Despite this, both
Mix-Up and
The Voice of America -- rather similar records that were released back to back in 1979 and 1980 -- only helped solidify
Cabaret Voltaire's status as an integral part of the extended frisson of 1978-1982
post-punk, so if they had ceased to exist before their best work, it would still be very correct to refer to them as "important." ("Yes, important, but were they any good?")
Mix-Up, their first album, impressively harnesses noise, primitive rhythm box percolations, tape loops, garbled vocals, and blasts of Farfisa.
"Kirlian Photograph" is an ugly slab of
dub with frizzling snaps of white-heat buzz, clunky percussion, and a plodding bassline forming its skanking, roiling rhythm. Both the bass and incidental vocals are relegated to the back of the mix as the piercing detritus takes center stage. A cover of
the Seeds'
"No Escape" evidences
Cabaret Voltaire's paradox as a seemingly anti-rockist band who -- at their heart (for the first several years, at least) -- was a
garage band. For all the manual binning and sandblasting of
rock's elemental properties, the band could take an acid-damaged
rock song like
"No Escape" and make it sound even more damaged while retaining its spirit, nerve, and structure. The remainder of the album hisses and hectors in a similar fashion, tidily bundling
pop-song length pieces that will do nothing for that headache of yours. ~ Andy Kellman
![Atomic Blonde [Original Motion Picture Soundtrack]](http://prodimage.images-bn.com/pimages/0851147006932_p0_v2_s90x140.jpg "Atomic Blonde [Original Motion Picture Soundtrack]")
![Relapse [Bonus Tracks]](http://prodimage.images-bn.com/pimages/0884860053129_p0_v1_s90x140.jpg "Relapse [Bonus Tracks]")
