Mixed-Race Superheroes
American culture has long represented mixed-race identity in paradoxical terms. On the one hand, it has been associated with weakness, abnormality, impurity, transgression, shame, and various pathologies; however, it can also connote genetic superiority, exceptional beauty, and special potentiality. This ambivalence has found its way into superhero media, which runs the gamut from Ant-Man and the Wasp’s tragic mulatta villain Ghost to the cinematic depiction of Aquaman as a heroic “half-breed.” 
 
The essays in this collection contend with the multitude of ways that racial mixedness has been presented in superhero comics, films, television, and literature. They explore how superhero media positions mixed-race characters within a genre that has historically privileged racial purity and propagated images of white supremacy. The book considers such iconic heroes as Superman, Spider-Man, and The Hulk, alongside such lesser-studied characters as Valkyrie, Dr. Fate, and Steven Universe. Examining both literal and symbolic representations of racial mixing, this study interrogates how we might challenge and rewrite stereotypical narratives about mixed-race identity, both in superhero media and beyond.
"1137431256"
Mixed-Race Superheroes
American culture has long represented mixed-race identity in paradoxical terms. On the one hand, it has been associated with weakness, abnormality, impurity, transgression, shame, and various pathologies; however, it can also connote genetic superiority, exceptional beauty, and special potentiality. This ambivalence has found its way into superhero media, which runs the gamut from Ant-Man and the Wasp’s tragic mulatta villain Ghost to the cinematic depiction of Aquaman as a heroic “half-breed.” 
 
The essays in this collection contend with the multitude of ways that racial mixedness has been presented in superhero comics, films, television, and literature. They explore how superhero media positions mixed-race characters within a genre that has historically privileged racial purity and propagated images of white supremacy. The book considers such iconic heroes as Superman, Spider-Man, and The Hulk, alongside such lesser-studied characters as Valkyrie, Dr. Fate, and Steven Universe. Examining both literal and symbolic representations of racial mixing, this study interrogates how we might challenge and rewrite stereotypical narratives about mixed-race identity, both in superhero media and beyond.
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Overview

American culture has long represented mixed-race identity in paradoxical terms. On the one hand, it has been associated with weakness, abnormality, impurity, transgression, shame, and various pathologies; however, it can also connote genetic superiority, exceptional beauty, and special potentiality. This ambivalence has found its way into superhero media, which runs the gamut from Ant-Man and the Wasp’s tragic mulatta villain Ghost to the cinematic depiction of Aquaman as a heroic “half-breed.” 
 
The essays in this collection contend with the multitude of ways that racial mixedness has been presented in superhero comics, films, television, and literature. They explore how superhero media positions mixed-race characters within a genre that has historically privileged racial purity and propagated images of white supremacy. The book considers such iconic heroes as Superman, Spider-Man, and The Hulk, alongside such lesser-studied characters as Valkyrie, Dr. Fate, and Steven Universe. Examining both literal and symbolic representations of racial mixing, this study interrogates how we might challenge and rewrite stereotypical narratives about mixed-race identity, both in superhero media and beyond.

Product Details

ISBN-13: 9781978814592
Publisher: Rutgers University Press
Publication date: 04/16/2021
Pages: 288
Product dimensions: 6.00(w) x 9.00(h) x 0.80(d)
Age Range: 16 - 18 Years

About the Author

SIKA A. DAGBOVIE-MULLINS is an associate professor of English at Florida Atlantic University in Boca Raton. Her publications include the book Crossing B(l)ack: Mixed Race Identity in Modern American Fiction and Culture
 
ERIC L. BERLATSKY is a professor of English at Florida Atlantic University in Boca Raton, where he also serves as the associate dean of graduate studies and directs the Ph.D. program in comparative studies.  His books include The Real, the True, and the Told: Postmodern Historical Narrative and the Ethics of Representation and the edited volume Alan Moore: Conversations.

Table of Contents

Introduction Sika A. Dagbovie-Mullins Eric L. Berlatsky 1

Part I Superheroes in Black and White

1 Guess Who's Coming Home? Mixed Metaphors of Home in Spider-Man's Comic and Cinematic Homecominggs Sika A. Dagbovie-Mullins 27

2 The Ride of Valkyrie against White Supremacy: Tessa Thompson's Casting in Thor: Ragnarok Jasmine Mitchell 46

3 "Which World Would You Rather Live In?" The Anti-utopian Superheroes of Gary Jackson's Poetry Chris Gavaler 64

4 Flash of Two Races: Incest, Miscegenation, and the Mixed-Race Superhero in The Flash Comics and Television Show Eric L. Berlatsky 81

Part II Metaphors of/and Mixedness

5 "Let Yourself Just Be Whoever You Are!" Decolonial Hybridity and the Queer Cosmic Future in Steven Universe Corrine E. Collins 105

6 The Hulk and Venom: Warring Blood Superheroes Gregory T. Carter 120

7 Monsters, Mutants, and Mongrels: The Mixed-Race Hero in Monstress Chris Koenig-Woodyard 138

8 Examining Otherness and the Marginal Man in DCs Superman through Mixed-Race Studies Kwasu David Tembo 158

Part III Multiethnic Mixedness (or Mixed-Race Intersections)

9 Talented Tensions and Revisions: The Narrative Double Consciousness of Miles Morales Jorge J. Santos Jr. 179

10 "They're Two People in One Body"; Nested Sovereignties and Mixed-Race Mutations in FX's Legion Nicholas E. Miller 199

11 Into the Spider-Verse and the Commodified (Re)imagining of Afro-Rican Visibility Isabel Molina-Guzman 220

12 Truth, Justice, and the (Ancient) Egyptian Way: DCs Doctor Fate and the Arab Spring Adrienne Resha 243

Acknowledgments 261

Notes on Contributors 263

Index 267

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